{"id":7254,"date":"2016-04-07T05:14:27","date_gmt":"2016-04-06T23:44:27","guid":{"rendered":"http:\/\/13.201.39.237\/?p=7254"},"modified":"2016-04-07T05:14:27","modified_gmt":"2016-04-06T23:44:27","slug":"joji-review-this-fahadh-faasil-macbeth-movie-is-unlike-any-other","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=7254","title":{"rendered":"Joji Review: This Fahadh Faasil Macbeth Movie is Unlike Any Other"},"content":{"rendered":"\n

\u201cT<\/span>hink straight\u201d, Joji (Fahadh Faasil<\/a>) repeats to himself in his room which he calls Joji\u2019s Palace. The titular anti-hero of Dileesh Pothan\u2019s Malayalam-language Macbeth<\/em> adaptation, streaming on Amazon Prime Video, appears placid for the longest time even as he is covering up his father\u2019s murder. But Macbeth<\/em> has to get messy at some point. When Joji feels the need to tell himself to think straight, we know there\u2019s no turning back from his comeuppance.<\/p>\n\n\n\n

But this Macbeth<\/em> movie, unlike its predecessors, is not a historical epic or a gangster movie. It is set in a leafy rubber estate in Kottayam in Kerala. Joji, the youngest son of the house, is a college dropout. A scrawny and impish chap, Joji spends his time prowling around the house like a cat. When he is not getting pulled up by his brawny father and two elder brothers, he schools his nephew, the only person who fears him.<\/p>\n\n\n\n

So once everyone figures what this unlikely Macbeth could have been up to, it is a matter of minutes before the story winds up since no shootouts and sword fights are on the menu in this domestic thriller.<\/p>\n\n\n\n

The best of Macbeth<\/em> adaptations on film have characteristically been gruesome with their depiction of violence, and extravagant in their display of emotions. These include the period pieces by Orson Welles, Akira Kurosawa, and Roman Polanski as well as the gangland sagas by Vishal Bhardwaj<\/a> and others before him like Ken Hughes and William Reilly.<\/p>\n\n\n\n

What makes Joji<\/em> different is not just the homely setting, but also Pothan and Faasil\u2019s interpretation of Macbeth as a mousy schemer instead of a tormented warrior-type. While Macbeth is traditionally a tragic character, Faasil\u2019s Macbeth, Joji, is a tragicomic sort.

While Macbeth is traditionally a tragic character, Faasil\u2019s Macbeth, Joji, is a tragicomic sort.<\/blockquote>
Among the film\u2019s darkly comic moments is what Joji does when he finds himself trapped in the end. This lays bare what he always thought of himself and the world around him, and how petty and pathetic he comes off as in the scheme of things.<\/p>\n\n\n\n

Joji\u2019s characterisation, in turn, gives the film the leisurely pace of an observational comedy, as seen in Pothan\u2019s previous two films, Maheshinte Prathikaaram<\/em> (2016) and Thondimuthalum Driksakshiyum<\/em> (2017), also starring Faasil in the lead. Both films, as well as Joji<\/em>, are written by star Malayali screenwriter Syam Pushkaran.<\/p>\n\n\n\n

What motivates Joji to kill his father?<\/p>\n\n\n\n

The Panachel household and its finances are held by the iron grip of the patriarch Kuttappan (Sunny PN). The responsibilities of the house are divided between the eldest son, Jomon (Baburaj), and the middle one, Jaison (Joji Mundakayam). Jomon, divorced with a child, and the married Jaison, not just work with their father, but also share his brawny physique.<\/p>\n\n\n\n

In this macho milieu, Joji feels like an alien, as does his sister-in-law, Jaison\u2019s wife, Bincy (Unnimaya Prasad). The Lady Macbeth of the piece, Bincy is itching to break free of the claustrophobia induced by Kuttappan\u2019s authority. Prasad\u2019s blank face is the perfect cover for the storms raging inside Bincy.<\/p>\n\n\n\n

While she, along with Kuttappan\u2019s entire brood, wants the old man to die, no one has the gumption to pull the plug except Joji. Why? Idle mind is the devil\u2019s workshop, the film suggests.

Joji<\/em> isn\u2019t Pothan\u2019s strongest film, but it has several intelligent touches to savour.<\/blockquote>
In contrast to the film\u2019s deathly composure, Justin Varghese\u2019s score sounds like a knife thrust into the orchestra and twisted wildly. The strings mourn and scream. The piano sounds frightened. Faasil\u2019s brown eyes glare as his Joji lies in his bed, his face inscrutable, with a ghost of a smile.<\/p>\n\n\n\n

Joji<\/em> isn\u2019t Pothan\u2019s strongest film, but it has several intelligent touches to savour. Coincidentally like Irul<\/em><\/a>, the other Faasil-starrer released online five days ago, the film\u2019s opening credits feature an aerial shot tracking a moving vehicle. It\u2019s a delivery man bringing a package to the Panachel household. The package contains a pellet gun, which Jomon\u2019s son fires into a tree minutes later.<\/p>\n\n\n\n

These seemingly innocuous shots gather grave meaning by the end of Joji<\/em>. Pothan\u2019s filmmaking style is unhurried. Complemented by Pushkaran\u2019s knack of slipping in details into a scene quietly, Pothan\u2019s third film, Joji<\/em>, is a well-oiled machine. Above all, Joji<\/em> continues the tradition of new-age Malayalam filmmakers investigating masculinity as seen in recent releases like Ishq<\/em>, Kumbalangi Nights<\/em><\/a>, Moothon<\/em>, and The Great Indian Kitchen<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Joji, Dileesh Pothan\u2019s Malayalam-language Macbeth adaptation, is not a historical epic or a gangster movie. It is set in a leafy rubber estate in Kerala\u2019s Kottayam. But what makes the film different is not just the setting but also Fahadh Faasil\u2019s interpretation of Macbeth as a mousy schemer instead of a tormented warrior-type.<\/p>\n","protected":false},"author":433,"featured_media":7255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[7989,11208,7890,11209,11210,11211,11212,10758],"class_list":["post-7254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-amazon-prime-video","tag-dileesh-pothan","tag-fahadh-faasil","tag-joji-review","tag-macbeth","tag-macbeth-adaptation","tag-malayalam-language-films","tag-streaming-now"],"yoast_head":"\nJoji Review: This Fahadh Faasil Macbeth Movie is Unlike Any Other<\/title>\n<meta name=\"description\" content=\"Joji, Dileesh Pothan\u2019s Malayalam-language Macbeth adaptation, is not a historical epic or a gangster movie. 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