{"id":6810,"date":"2016-04-15T00:29:40","date_gmt":"2016-04-14T18:59:40","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6810"},"modified":"2016-04-15T00:29:40","modified_gmt":"2016-04-14T18:59:40","slug":"serious-men-review-a-biting-take-on-ambition-in-the-maximum-city-with-a-side-of-caste-critique","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6810","title":{"rendered":"Serious Men Review: A Biting Take on Ambition in the Maximum City, With a Side of Caste Critique"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><span class=\"dropcap\">A<\/span>yyan Mani has a lot on his mind. The voice-over in Sudhir Mishra\u2019s <em>Serious Men<\/em> begins with Mani (<a href=\"https:\/\/www.arre.co.in\/bollywood\/nawazuddin-siddiqui-just-dismissed-metoo-and-casting-couch-do-we-cancel-him-now\/\">Nawazuddin Siddiqui<\/a>, instantly recognisable) describing his favourite song and, as the mind is wont to, switches straight to his grandfather\u2019s untimely \u201cdemise\u201d inside a train compartment full of <a href=\"https:\/\/www.arre.co.in\/grub\/restaurants-pubs-caste-system-india\/\">brahmins<\/a>, the sheer arbitrary nature of life, his wife\u2019s post-coital ritual to increase her chances at conceiving, to his clerical job at the National Institute of Fundamental Research (NIFR).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Like many of Mumbai\u2019s hustler minions will attest to, there\u2019s no seeming end to Mani\u2019s train of thought, especially as someone who has arguably spent a better part of his life punching above his weight. A man living and breathing on the socio-economic fringes of society \u2013 he seems to be constantly looking at his own life under a microscope, wondering about his place in society, and his many unfulfilled desires. His musings might seem disconnected at first, but it\u2019s this overactive imagination that sets the tone for Mani\u2019s \u201cgreat plan\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Serious Men<\/em> is based on <a href=\"https:\/\/www.arre.co.in\/people\/arre-interview-manu-joseph-author-journalist-india-open-magazine-ms-laila-armed-and-dangerous\/\">Manu Joseph<\/a>\u2019s 2010 novel of the same name, where a Dalit man comes up with an ingenious plan to overcome his lack of generational privilege \u2013 just like the novel, Mishra\u2019s film is vocal about its <a href=\"https:\/\/www.arre.co.in\/politics\/bhima-koregaon-dalit-protest\/\">caste politics<\/a>. Even and especially in a metropolis like Mumbai. Mani is no migrant labourer waging wars against a rigged system. However, learning from the year spent absorbing the pretentious jargon spouted by the many \u201cupper-caste\u201d scientists at NIFR, he devises his way up the hierarchy of the Indian society, trying to bridge the gap for his son and the generations to come.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In a scene at the office of his son\u2019s school, he\u2019s asked about his surname and where his people \u201cbelong\u201d. As a response, Mani bluntly identifies himself as a shudra, only to be shushed and told, \u201cBrother! Caste is a thing of the past, isn\u2019t it?\u201d It\u2019s a line straight up from a country in denial, too blind to look beyond \u201cmerit\u201d, and take into account multiple generations of subjugation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Caste creates psychology<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mani, a resident of BDD chawl stuck in a dead-end clerical job, is constantly thinking of ways to move up the food chain. His relentless pursuit of a better life, is further fuelled by being in Mumbai, a place many romanticise as a hot-bed of \u201covernight success\u201d. Mani\u2019s one ambition in life is making a success of his son Adi (Aakshath Das) and projecting him as a \u201cgenius\u201d. The child is taught to scream, \u201cI can\u2019t deal with primitive minds like you!\u201d if he finds himself in a spot where he doesn\u2019t know the answer to something. Mani has worked out that arrogance is often considered a by-product of genius, and the world worships what it doesn\u2019t fully understand.<br><blockquote class=\"quote--center\">In spite of the familiar milieu, it\u2019s Nawazuddin Siddiqui who delivers some of the film\u2019s best acting moments.<\/blockquote><br>So determined is Mani to avenge the disadvantages meted out to his forefathers, that he goes around harping about Adi\u2019s genius IQ, turning his son into a celebrity within the chawl. So overjoyed are those around him to find this \u201csuccess story\u201d in their midst, that Mani finds himself struggling to keep pace with the lies coming out of his mouth. From a \u201cstar student\u201d in school, Adi soon becomes the face of a redevelopment project in the chawl.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Joseph\u2019s reputation as a columnist might bear question marks in recent years, but nobody can deny the stinging humour in his first novel, and the story of \u201cmodern\u201d India\u2019s sophisticated <a href=\"https:\/\/www.arre.co.in\/social-commentary\/advertisers-of-the-classist-atta-maker-pamphlet\/\">classism<\/a>, emanating from deep-rooted casteism. And Mishra, who understands how human beings are inherently political creatures, is the perfect filmmaker to take ideas about merit and privilege further (even if some of the film\u2019s secondary characters are a touch one-note).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mishra also briefly touches upon the warped world of <a href=\"https:\/\/www.arre.co.in\/social-commentary\/the-lost-children-of-showbiz-who-are-the-kids-who-never-make-it\/\">child celebrities<\/a>, when he enters the backstage of a reality show for kids. We see a young girl barking orders at her mother for bringing the wrong smoothie, and another young boy being force-fed burgers probably because being \u201cchubby\u201d is his USP of being on the show. It\u2019s borderline cruelty, but it\u2019s also fuelled by real-world desires. The scene allows Mani a moment of introspection, how he\u2019s turned his son\u2019s life into a reality show as well.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Satire as commentary<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For all its bravery, <em>Serious Men<\/em> also often risks treading the convenient path. Like there isn\u2019t enough time spent telling us how Mani coaches Adi to sell his superficial intelligence. It\u2019s a long con, so it requires some smarts too. Adi\u2019s facade falls after the most rudimentary form of cross-questioning. Did nobody in those numerous TV interviews notice a single slip-up? Or maybe, it\u2019s a comment on how us Indians won\u2019t blink twice before believing outlandish stories, like a Ganesha idol drinking milk.<br><blockquote class=\"quote--center\">Even with a broad satirical tone around a Dalit anti-hero at the centre, it\u2019s hard not to be moved by the cynicism at the core of <em>Serious Men<\/em>.<\/blockquote><br>Mishra also often treads the path of \u201ctelling\u201d rather than showing. Like a fiendishly smart moment towards the end, when Adi comes clean on stage&#8230; Mishra cannot resist but make someone say \u201ckitna humble hai!\u201d before the audience breaks into applause. Some lines might read okay in an Indian novel in English, but rarely make for decent dialogue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In spite of the familiar milieu, it\u2019s Nawazuddin Siddiqui who delivers some of the film\u2019s best acting moments. Like when a <a href=\"https:\/\/www.arre.co.in\/social-commentary\/know-thy-neighbour-why-we-need-to-reconnect-with-our-padosis\/\">neighbour<\/a> threatens to spill the secret in front of the entire slum dweller community, Siddiqui\u2019s Mani taps into a primal rage. Anyone who has known desperation in any form, will understand this rage. In the next scene, though, the two sit beside one another sharing a drink. Siddiqui\u2019&#8217;s filmography is littered with companion pieces to his role as Ayyan Mani, where he plays the \u201coutsider\u201d trying to find a foothold in Mumbai\u2019s chaos. Indira Tiwari, as Adi\u2019s mother, Oja, is effective. Aakshath Das as Adi is adequate for his scenes as the motor-mouth kid, but where he really shines are the more nuanced moments in the film.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even with a broad satirical tone around a Dalit anti-hero at the centre, it\u2019s hard not to be moved by the cynicism at the core of <em>Serious Men<\/em>. The world, after all, is a stage \u2013 and it is always unequal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Based on Manu Joseph\u2019s 2010 novel of the same name, Serious Men follows a Dalit man\u2019s \u201cgreat plan\u201d to overcome his lack of generational privilege. Nawazuddin Siddique is effortless \u2013 his entire filmography is strewn with companion pieces to the Sudhir Mishra movie.<\/p>\n","protected":false},"author":420,"featured_media":6811,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[2390,10833,10834,2238,10835,10836],"class_list":["post-6810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-caste-system","tag-classism","tag-manu-joseph","tag-nawazuddin-siddiqui","tag-serious-men","tag-serious-men-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Serious Men Review: A Biting Take on Ambition in the Maximum City, With a Side of Caste Critique<\/title>\n<meta name=\"description\" content=\"Based on Manu Joseph\u2019s 2010 novel of the same name, Serious Men follows a Dalit man\u2019s \u201cgreat plan\u201d to overcome his lack of generational privilege. 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