{"id":6697,"date":"2016-06-19T10:19:31","date_gmt":"2016-06-19T04:49:31","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6697"},"modified":"2026-07-17T22:21:33","modified_gmt":"2026-07-17T16:51:33","slug":"raat-akeli-hai-review-come-for-the-whodunit-stay-for-the-nawaz-siddiqui-radhika-apte-chemistry","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6697","title":{"rendered":"Raat Akeli Hai Review: Come For the Whodunit, Stay For the Nawaz-Radhika Chemistry"},"content":{"rendered":"\nR<\/span>aat Akeli Hai<\/em>, Honey Trehan\u2019s sensational directorial debut streaming on Netflix India, begins with a dig at the comedy of arranged marriage<\/a>. At a wedding in small-town Kanpur, a persistent mother (Ila Arun in a delightful turn) presents a stoic photo of her single son, Jatil Yadav (Nawazuddin Siddiqui<\/a>) in front of a prospective match. \u201cRang saaf nahi hai,\u201d the girl shoots back, unimpressed with his dusky complexion. \u201cPar maan saaf hai,\u201d his mother replies, hoping that she\u2019d be willing to barter fairness for honesty.\n\nIt\u2019s a killer moment, funny not only because the film reverses the gender of the person at the receiving end of such rejection. But also given that it is a fit joke on the hypocrisy of mainstream Hindi cinema, where fair skin is a marker of hero material. That Siddiqui, whose looks have often been politely dubbed \u201cunconventional\u201d plays the lead here, is a delicious subversion.\n\nThere is another layer to this comic set-piece: It establishes character motivation. Yadav is an inspector tasked with solving the murder of Raghubeer Singh (Khalid Tyabji), an aged wealthy patriach, discovered dead by his family members on the night of his second marriage to his much younger mistress<\/a>, Radha (Radhika Apte<\/a>). Yadav is the resolutely determined sleuth, ready to go to any lengths to hunt down the killer \u2013 his diminished self-worth leaves him with no other alternative but to employ honesty as his trump card. Through its 150-minute-long runtime, Raat Akeli Ha<\/em>i frequently comes alive with such minute details that inform the larger story, a result of both its able atmospheric setting as well as delicate dialogue.\n\n

\"Raat\n

\n

Nawazuddin Siddiqui, whose looks have often been politely dubbed \u201cunconventional\u201d plays the lead in Raat Akeli Hai<\/em>, is a delicious subversion.<\/p>\n

Netflix<\/p>\n<\/figcaption>\n<\/figure>\n\nRaat Akeli Hai goes dark<\/strong>\n\nSet largely in Kanpur and Gwalior, the premise of the film, written by Sacred Games<\/a><\/em>\u2019 Smita Singh, bears similarities with last year\u2019s boisterous Knives Out<\/em>: a murder takes place in a in a crumbling mansion and the prime suspects are the family members themselves, each of whom hide more than they reveal. The players include Raghubeer\u2019s indifferent son (Nitesh Tiwari), pregnant daughter (Shweta Tripathi), her short-tempered husband (Gyanendra Tripathi), a studly nephew (Nishant Dahiya), his sister (Shivani Raghuvanshi), their shrewd mother (Padmavati Rao), a brother-in-law from his first marriage (Swanand Kirkire) and a docile help (Riya Shukla).\n\nAll of them were in the house when Raghubeer was killed and yet none of them claim to have heard anything suspicious. There\u2019s also the fact that each member of the family, unlikeable and obtuse in their own way, seek to profit from Raghubeer\u2019s death, none as much as the vulnerable Radha who becomes the unintended heir to the family\u2019s wealth<\/a>.\n\n

It feels almost surreal to be outsmarted by a Hindi film. But Raat Akeli Hai<\/em> takes it upon itself to show how it is actually done.<\/p><\/blockquote>\n\nBut that\u2019s also where the resemblance ends. If Knives Out<\/em> sought to locate pulpy comedy in the murder mystery thriller, then Raat Akeli Hai<\/em> goes dark, structuring itself as a neo-noir whodunit. By now, it\u2019s indisputable that Trehan, one of Hindi cinema\u2019s finest casting directors and producers, has a keen eye for the ensemble. The precisely cast Raat Akeli Hai<\/em> is further proof. In fact, its flawless filmmaking (Pankaj Sharma\u2019s frames paint a haunting picture of violent UP) reveals Trehaan\u2019s endearing admiration for the work of his frequent collaborators.\n\nThe simmering tension in the family mansion reminded me a lot of Konkona Sen Sharma\u2019s A Death in The Gunj<\/a><\/em>. There\u2019s an obvious reference to the baaghis of Chambal Valley as well as shades of Vishal Bhardwaj school of storytelling in how the film captures the masculinity driving small-town politics. The fluid choreography of a climatic shootout bears striking resemblance to an early shootout in Abhishek Chaubey\u2019s Sonchiriya<\/a><\/em> (the director serves as producer here). Yet, Trehan and Singh bring ample inventiveness to the proceedings.\n\n

\"Raat\n

\n

Raat Akeli Hai<\/em> is also bolstered by the fact that Radhika Apte, as emotionally expressive as ever, is perhaps the only actress who can match up to Siddiqui\u2019s formidable presence.<\/p>\n

Netflix<\/p>\n<\/figcaption>\n<\/figure>\n\nA very satisfying payoff<\/strong>\n\nThe plot itself is intricate, mired in class tension,\u00a0 gender commentary, and backstories that have the potential to confound the investigation at hand. Trehan takes his time peeling away the layers without dragging the pace of the film. As an unlikely parallel romance develops between Yadav and Radha, replete with arguably the most impassioned exchanges, we see the repercussions of it on Yadav\u2019s claims of being an impartial detective.\n\nSiddiqui is one of those actors who can do so much with so little and a brief scene where he throws a well-mannered tantrum on being served chowmein<\/a> instead of his usual order of fried rice is evidence enough. The actor\u2019s turn is considered, one that rarely misses a beat, finds a way for Yadav to come across as heroic without being primed as the saviour. Raat Akeli Hai<\/em> is also bolstered by the fact that Apte, as emotionally expressive as ever, is perhaps the only actress who can match up to Siddiqui\u2019s formidable presence.\n\nEven for a film that is all about a labyrinthian chase, the achievement of Raat Akeli Hai<\/em> is that it also ensures that it offers up an equally satisfying payoff. As the final pieces of the puzzle reveal themselves, the taut Raat Akeli Hai<\/em> has long put a spin on the cost of female silence right under the viewer\u2019s nose. It feels almost surreal to be outsmarted by a Hindi film. But Raat Akeli Hai<\/em> takes it upon itself to show how it is actually done. I, for one, couldn\u2019t get enough of the closing sequence that takes the oft-abused trope of lovers reuniting in a train and attempts another role-reversal, turning it into a moment that\u2019s equally tender and arresting.\n","protected":false},"excerpt":{"rendered":"

Raat Akeli Hai is a dark thriller, structured as a neo-noir whodunit. While the ensemble cast is terrific, it is Nawazuddin Siddiqui, playing an honest cop, and Radhika Apte, who really steal the show. Siddiqui rarely misses a beat, and Apte is perhaps the only actress who can match up to his formidable presence.<\/p>\n","protected":false},"author":103,"featured_media":6701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[10752,9486,10753,10754,4158],"class_list":["post-6697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-nawaz-siddiqui","tag-netflix-india","tag-raat-akeli-hai","tag-raat-akeli-hai-review","tag-radhika-apte"],"yoast_head":"\nRaat Akeli Hai Review: Come For the Whodunit, Stay For the Nawaz-Radhika Chemistry<\/title>\n<meta name=\"description\" content=\"Raat Akeli Hai is a dark thriller, structured as a neo-noir whodunit. While the ensemble cast is terrific, it is Nawazuddin Siddiqui, playing an honest cop, and Radhika Apte, who really steal the show. 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