{"id":6647,"date":"2016-06-05T13:14:18","date_gmt":"2016-06-05T07:44:18","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6647"},"modified":"2016-06-05T13:14:18","modified_gmt":"2016-06-05T07:44:18","slug":"bulbbul-review-anushka-sharma-horror-films","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6647","title":{"rendered":"Bulbbul Review: There\u2019s Lots to Admire in this Spooky Anti-Fairytale Produced by Anushka Sharma"},"content":{"rendered":"\nA<\/span>nvita Dutt\u2019s Bulbbul<\/em> has a prince and a princess. At first pass, that might hint at a fairytale. Just like in the stories, both of them share an intense connection. Except there is no happily-ever-after in sight here. The prince never shows up to rescue the princess, much less reciprocate her feelings. Instead, the princess suffers, first quietly and then loudly, at the hands of men who deem her their possession and imprison her even while pretending to allow her a chance at freedom. Essentially, Bulbbul<\/em> becomes a cautionary tale about fairy tales, a richly layered fable that blurs the lines between subjugation and emancipation, demon and goddess, coming-of-age and the loss of innocence.\n\nSet in 19th century Bengal, Bulbbul<\/em>, possibly the most ambitious Netflix original film since Lust Stories<\/em>, opens with a child marriage<\/a>. A girl, not more than eight years old, is married off to a man two decades older. The man is Indranil, the eldest brother of an aristocratic zamindar family that includes his mentally challenged twin brother Mahendra (Rahul Bose, stellar in his double role), his sister-in-law Binodini (Paoli Dam), and teen cousin Satya (Avinash Tiwary). The girl is Bulbbul (Tripti Dimri), who mistakenly believes that Satya, closest to her age and an equal of sorts, is the man she has married \u2013 a clever foreshadowing of both an unfulfilled love story and the life of oppression that awaits her.\n\nBulbbul then takes a 20-year leap. Satya who decamped to London five years prior, returns to his ancestral village to worrying news. Their village is haunted by a blood-thirsty she-demon murdering men in the dead of the night. Incidentally, Satya used to narrate the same story to Bulbbul when they were kids.\n\nHis family has also fallen apart: The widowed Binodini, clad in white sarees, forced to shave her head and give up worldly belongings is convinced that the demon claimed Mahendra as one of her victims. On the other hand, Indranil has disappeared from the family home under mysterious circumstances leaving Bulbbul to preside over their mansion. And Bulbbul\u2019s affections are now reserved for Sudip (Parambrata Chatterjee), a doctor who seems besotted by her and her feet, whom Satya immediately suspects to be behind the murders.\n\n

Bulbbul manages to make for a hypnotic experience is a quiet triumph, a testament to Dutt\u2019s distinct storytelling and efficient casting.<\/p><\/blockquote> \n\nIn a way, Bulbbul is the only person whose place in the family has remained unchanged. And yet Satya, who was once inseparable from her, has trouble recognising the person she has become. \u201cWhat did you do with her?,\u201d he asks her at one point. \u201cI gobbled her up,\u201d Bulbbul replies, alluding to the legend of the she-demon who feeds on young princesses. It\u2019s a harmless statement but one that becomes loaded with meaning as Bulbbul<\/em> progresses.\n\nFrom that moment, alternating between flashbacks and the present, the film goes about piecing together the events of the last five years. It leads up to a violent tragedy that drastically altered the course of Bulbbul\u2019s life.\n\nRabindranath Tagore<\/a> is an absent presence in the film. Its central premise of a married Bengali woman finding companionship in her brother-in-law feels heavily borrowed from Tagore\u2019s relationship with his sister-in-law, Kadambari Devi. The bond was immortalised in his novella Nashtanirh<\/em>, adapted by Satyajit Ray as Charulata<\/em>. A large chunk of Bulbbul<\/em> is shot at Bawali Rajbari, a 350-year-old mansion where Rituparno Ghosh shot Tagore\u2019s Chokher Bali, centred around a young widow named Binodini.\n\nBulbbul is set around time the city was witnessing the Bengal Renaissance, a socio-cultural artistic movement that rejected archaic traditions and espoused progressive values that emphasised equality. That a village on the outskirts of the city continued to propagate the very things the movement was against \u2013 child marriage, societal exile of widows, men taking on second wives \u2013 is cause for terror.\n\nMaking her directorial debut with Bulbbul<\/em>, Dutt, a seasoned lyricist and screenwriter, takes her time with building suspense, relying more on visual detailing than narrative plot-twists. Even when the film plays by straightforward beats, the originality in her voice shows. The film is vividly rendered in royal tones and the interplay of shadow and light add to the atmospheric dread of the proceedings.\n\n

Bulbbul’s supernatural elements are a product of the socio-cultural inequalities of its setting.<\/p><\/blockquote> \n\nSupplemented by the meticulous production design that recreates Bengal while retaining a fantastical quality, Bulbbul\u2019s<\/em> exquisite framing transports one into the thick of action. The terrific camerawork too moves in tandem to unsettle viewers, interspersing unhurried takes and wide, slow-motion sequences with sped-up proceedings.\n\nBulbbul<\/em> is produced by Anushka Sharma<\/a> and Karnesh Ssharma\u2019s Clean Slate Filmz<\/a>. This isn\u2019t their first horror outing: Like Pari<\/em>, the film\u2019s supernatural elements<\/a> are a product of the socio-cultural inequalities of its setting. It is a searing indictment of a society that reduces women to disposable goods at the mercy of men and tradition. (One character refers to Bulbbul as a \u201cdoll\u201d and another proceeds to dress her up as one). Dutt\u2019s economical script adeptly blends together Bengali folklore (a darker variant of Thakurmar Jhuli), Hindu mythology (Durga\u2019s transformation into Kali), and systemic gender violence to identify a vicious strain of male insecurity.\n\nAt under 90 minutes, Bulbbul<\/em> doesn\u2019t labour its point but does fall into the trap of crowding its final minutes with revelations that could have done with a bit more time. That Bulbbul<\/em> still manages to make for a hypnotic experience is a quiet triumph, a testament to Dutt\u2019s distinct storytelling and efficient casting.\n\nDimri is immensely watchable as Bulbbul<\/em>, effortlessly bringing a sincerity to her innocence that makes the loss of it even more riveting. Tiwary provides able foil and both the actors play off each other\u2019s energies in rewarding ways. Even then, for a supernatural thriller that involves murders and demons, the most haunting part about Bulbbul<\/em> ends up being Amit Trivedi\u2019s tender background score that distills the greatest horror of all: the tragedy of longing.\n","protected":false},"excerpt":{"rendered":"

Bulbbul is possibly the most ambitious Netflix original film since Lust Stories. It marks the directorial debut of Anvita Dutt, a seasoned lyricist and screenwriter, who takes her time with building suspense, relying more on visual detailing than narrative plot-twists to deliver a highly original film.<\/p>\n","protected":false},"author":103,"featured_media":6648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[1531,10695,10696,4430,9473,1341,10697],"class_list":["post-6647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-anushka-sharma","tag-bulbbul","tag-bulbbul-review","tag-clean-slate-films","tag-horror-movies","tag-netflix","tag-super-natural-movies"],"yoast_head":"\nBulbbul Review: There\u2019s Lots to Admire in this Spooky Anti-Fairytale Produced by Anushka Sharma<\/title>\n<meta name=\"description\" content=\"Bulbbul is possibly the most ambitious Netflix original film since Lust Stories. 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