{"id":6321,"date":"2016-06-09T11:16:57","date_gmt":"2016-06-09T05:46:57","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6321"},"modified":"2026-07-17T22:08:10","modified_gmt":"2026-07-17T16:38:10","slug":"kaamyaab-review-sanjay-mishra-phenomenal-actor-shah-rukh-khan-producer","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6321","title":{"rendered":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies"},"content":{"rendered":"\nI<\/span>n <\/span>Kaamyaab<\/span><\/i>, Hardik Mehta\u2019s flawless debut feature, the career of its protagonist, Sudheer \u2013 a neglected, middle-aged character actor past his expiry date \u2013 is often reduced to one catchphrase. In a yesteryear film-within-the-film titled <\/span>Looteron Ki Baaraat<\/span><\/i>, Sudheer played Shera, an evil henchman with a colourful overconfidence who meets his end in a tragicomical sidekick fashion. Just before dying, he utters \u201cEnjoying life, aur option hi kya hai,\u201d a line that becomes immortalised as message forwards, <\/span>icebreakers<\/span><\/a> at parties, and more importantly, as Sudheer\u2019s only identity. It\u2019s a bittersweet predicament, a feat of acting where he inhabits his character in such a full-bodied manner that the audience forgets the artist behind it all.\n\nThe Hindi film industry is built on the back of such side actors who have slipped through the cracks of our memories, and vanished from the backgrounds in film posters. In one of <\/span>Kaamyaab\u2019s<\/span><\/i> more rewarding poetic flourishes, Sudheer is essayed by Sanjay Mishra, a <\/span>middle-aged<\/span><\/a> character actor in Hindi cinema, habituated to operating from the backseat in roles that serve the film and its stars, rather than his own talent. Like Sudheer, Mishra\u2019s legacy has for a better part of the decade been synonymous with a catchphrase as well. <\/span>All the Best<\/span><\/i>, 2009\u2019s mindless ensemble comedy, continues to be invoked solely due to the actor\u2019s punchline of a dialogue \u201cAe dhondu beta, just chill,\u201d which instantly amassed a cult following of its own.\u00a0<\/span>\n\n

\"kaamyaab\"\n

\n

The only thing new-age hippies seem to have maintained is their obsession with weed and transcendental meditation.<\/p>\n

Red Chillies Entertainment<\/p>\n<\/figcaption>\n<\/figure>\n\nThat Sanjay Mishra and Sudheer are almost indistinguishable from each other isn\u2019t only inspired casting. It also forms the very fabric of the <\/span>Kaamyaab <\/span><\/i>universe: a gamble that is as pivotal for the effectiveness of its narrative as <\/span>Shah Rukh Khan<\/span><\/a> playing himself in <\/span>Fan<\/span><\/i> and a version of himself in <\/span>Om Shanti Om<\/span><\/i><\/a>. Without Mishra\u2019s spellbinding turn, <\/span>Kaamyaab<\/span><\/i> ceases to exist much in the same way the Hindi film industry is rendered inefficient without its cort\u00e8ge of character actors, who have perpetually been treated as disposable goods despite their indispensability.<\/span>\n\nWritten by Radhika Anand and Mehta, who has previously won a National Award for his documentary short <\/span>Amdavad Ma Famous <\/span><\/i>and co-written Vikramaditya Motwane\u2019s <\/span>Trapped<\/span><\/i>, <\/span>Kaamyaab<\/span><\/i> almost feels like the successor to Farah Khan\u2019s <\/span>Om Shanti Om<\/span><\/i> \u2013 or atleast a spinoff of its riveting first half.\u00a0 Like the 2007 film, <\/span>Kaamyaab<\/span><\/i> is a movie about the movies so precise and heartfelt in its affection that it might as well have been called Once Upon A Time in Bollywood.<\/span> In a sort of meta-tribute, the poster of <\/span>Om Shanti Om <\/span><\/i>finds a place in the film, and its star, Shah Rukh Khan, is a co-producer.\u00a0<\/span>\n\n

Kaamyaab<\/em> feels more like a love-letter to the actors who consented to performing versions of themselves, all to land a spot on the fringes of success.<\/p><\/blockquote>\n\nKaamyaab<\/span><\/i> opens in present day, when a washed out and lonely Sudheer is interviewed about his greatest hits by a TV host who insists that his omnipresence in Hindi films of the \u201980s and \u201990s \u2013 as a doctor, lawyer, <\/span>rapist<\/span><\/a>, security guard of a graveyard, and even \u201cthe man standing behind the dead body\u201d \u2013 is a grand achievement. A cynical Sudheer doesn\u2019t quite share her enthusiasm until she mentions that his filmography boasts of 499 movies, dangling just on the verge of the magic round number. It\u2019s this piece of information that triggers Sudheer\u2019s decision to come out of retirement, giving him a semblance of purpose. Almost overnight, his listless self acquires an energetic makeover in the pursuit of his 500th film.\u00a0<\/span>\n\nBut even when Sudheer turns to Gulati (Deepak Dobriyal), a former actor-turned-streetsmart casting agent, landing his 500th role isn\u2019t a cakewalk. For one, he has to fight off an aggressive Avtar Gill (the actor plays himself in what is easily a stroke of casting genius). Then there\u2019s the fact that he is a visible relic of the past, not attuned to the changing demands of the film industry. So even when good news comes his way (there\u2019s a charming sequence where Sudheer and his <\/span>friend<\/span><\/a> break into an impromptu celebration after he lands his 500th part at a party), it\u2019s underlined by adversities. In a cruel twist of fate, his much-anticipated first shot turns out to be his last, a misstep that reveals not only the faultlines of his profession, but also his own shortcomings \u2013 as a temperamental artist and an absent father.<\/span>\n\n

\"kaamyaab\"\n

\n

The only thing new-age hippies seem to have maintained is their obsession with weed and transcendental meditation.<\/p>\n

Red Chillies Entertainment<\/p>\n<\/figcaption>\n<\/figure>\n\nWhat elevates <\/span>Kaamyaab<\/span><\/i> from just being a character sketch of an underdog, is Mehta\u2019s keen detailing; it puts the magnifying glass as much on its subject as it does on the environment that constrains them. The film\u2019s meticulous and joyful recreation of the <\/span>golden era of Hindi cinema<\/span><\/a> evokes the kind of sentimentality (Rachita Arora\u2019s score is especially fetching) that is doused with a genuine tenderness for a time when movies, despite their business of exaggeration, were marked by gentleness.\u00a0<\/span>\n\nThat Mehta is a Hinda cinema nerd comes through in <\/span>Kaamyaab\u2019s <\/span><\/i>humour as well as its litany of references that celebrate the rung of Bollywood that\u2019s often overlooked. There\u2019s a lovely sequence in a dingy bar, where Sudheer is flanked by a group of optimistic out-of-work veteran actors while a relatively in-demand Gill smirks at them from another table. The side actors in question \u2012 the late Viju Khote (<\/span>Kaamyaab <\/span><\/i>is dedicated to him), Birbal, Manmauji, Liliput, Ramesh Goyal, and Anil Nagrath \u2012 are all cast to play themselves.\u00a0<\/span>\n\n

The Hindi film industry is built on the back of side actors who have slipped through the cracks of our memories, and vanished from the backgrounds in film posters.<\/p><\/blockquote> \n\nIn that sense, <\/span>Kaamyaab<\/span><\/i> feels more like a love-letter to the actors who consented to performing versions of themselves, all to land a spot on the fringes of <\/span>success<\/span><\/a>. The central preoccupation of the film is: How do people who never get to see success define it? <\/span>Kaamyaab<\/span><\/i> is as much about<\/span> Sudheer<\/span>,<\/span><\/i> who has bent himself to such an extent that he\u2019s abandoned his own identity, as it is about giving the spotlight to Sanjay Mishra, an actor who has never demanded the centrestage even when he deserved it. On his part, Mishra turns in a career-defining performance, condensing a lifetime of survival eked out of struggle.<\/span>\n\nIn <\/span>Kaamyaab\u2019s <\/span><\/i>moving closing sequence, the distinction between artistry and stardom is crystal clear: It\u2019s the stars who get the frenzied welcome, but it takes an artist to march on even when the curtains close on them and the world looks away.<\/span>\n","protected":false},"excerpt":{"rendered":"

Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.<\/p>\n","protected":false},"author":103,"featured_media":6325,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[10332,10333,10334,2858,1565,2389,152],"class_list":["post-6321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-hardik-mehta","tag-kaamyaab","tag-kaamyaab-review","tag-om-shanti-om","tag-sanjay-mishra","tag-sanjay-mishra-movies","tag-shah-rukh-khan"],"yoast_head":"\nKaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies<\/title>\n<meta name=\"description\" content=\"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=6321\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies\" \/>\n<meta property=\"og:description\" content=\"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/13.201.39.237\/?p=6321\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-09T05:46:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-17T16:38:10+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1583483285-1024x573.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"573\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Poulomi Das\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies\" \/>\n<meta name=\"twitter:description\" content=\"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Poulomi Das\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321\"},\"author\":{\"name\":\"Poulomi Das\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"headline\":\"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies\",\"datePublished\":\"2016-06-09T05:46:57+00:00\",\"dateModified\":\"2026-07-17T16:38:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321\"},\"wordCount\":1146,\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1583483285.png\",\"keywords\":[\"hardik mehta\",\"kaamyaab\",\"Kaamyaab Review\",\"om shanti om\",\"Sanjay Mishra\",\"sanjay mishra movies\",\"Shah Rukh Khan\"],\"articleSection\":[\"Bollywood\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321\",\"name\":\"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1583483285.png\",\"datePublished\":\"2016-06-09T05:46:57+00:00\",\"dateModified\":\"2026-07-17T16:38:10+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"description\":\"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.\",\"breadcrumb\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/13.201.39.237\\\/?p=6321\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#primaryimage\",\"url\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1583483285.png\",\"contentUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1583483285.png\",\"width\":1520,\"height\":850},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6321#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/13.201.39.237\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/\",\"name\":\"Arr\u00e9\",\"description\":\"In every person lies a creator and in every creator, an enterprise.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/13.201.39.237\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\",\"name\":\"Poulomi Das\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"caption\":\"Poulomi Das\"},\"url\":\"http:\\\/\\\/13.207.105.184\\\/?author=103\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies","description":"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/13.201.39.237\/?p=6321","og_locale":"en_US","og_type":"article","og_title":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies","og_description":"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.","og_url":"http:\/\/13.201.39.237\/?p=6321","og_site_name":"Arr\u00e9","article_published_time":"2016-06-09T05:46:57+00:00","article_modified_time":"2026-07-17T16:38:10+00:00","og_image":[{"width":1024,"height":573,"url":"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1583483285-1024x573.png","type":"image\/png"}],"author":"Poulomi Das","twitter_card":"summary_large_image","twitter_title":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies","twitter_description":"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.","twitter_misc":{"Written by":"Poulomi Das","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/13.201.39.237\/?p=6321#article","isPartOf":{"@id":"http:\/\/13.201.39.237\/?p=6321"},"author":{"name":"Poulomi Das","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679"},"headline":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies","datePublished":"2016-06-09T05:46:57+00:00","dateModified":"2026-07-17T16:38:10+00:00","mainEntityOfPage":{"@id":"http:\/\/13.201.39.237\/?p=6321"},"wordCount":1146,"image":{"@id":"http:\/\/13.201.39.237\/?p=6321#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1583483285.png","keywords":["hardik mehta","kaamyaab","Kaamyaab Review","om shanti om","Sanjay Mishra","sanjay mishra movies","Shah Rukh Khan"],"articleSection":["Bollywood"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/13.201.39.237\/?p=6321","url":"http:\/\/13.201.39.237\/?p=6321","name":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies","isPartOf":{"@id":"http:\/\/13.201.39.237\/#website"},"primaryImageOfPage":{"@id":"http:\/\/13.201.39.237\/?p=6321#primaryimage"},"image":{"@id":"http:\/\/13.201.39.237\/?p=6321#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1583483285.png","datePublished":"2016-06-09T05:46:57+00:00","dateModified":"2026-07-17T16:38:10+00:00","author":{"@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679"},"description":"Hardik Mehta\u2019s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It\u2019s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.","breadcrumb":{"@id":"http:\/\/13.201.39.237\/?p=6321#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/13.201.39.237\/?p=6321"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/13.201.39.237\/?p=6321#primaryimage","url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1583483285.png","contentUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1583483285.png","width":1520,"height":850},{"@type":"BreadcrumbList","@id":"http:\/\/13.201.39.237\/?p=6321#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/13.201.39.237\/"},{"@type":"ListItem","position":2,"name":"Kaamyaab Review: Sanjay Mishra is Phenomenal in this Flawless Movie About the Movies"}]},{"@type":"WebSite","@id":"http:\/\/13.201.39.237\/#website","url":"http:\/\/13.201.39.237\/","name":"Arr\u00e9","description":"In every person lies a creator and in every creator, an enterprise.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/13.201.39.237\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679","name":"Poulomi Das","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","caption":"Poulomi Das"},"url":"http:\/\/13.207.105.184\/?author=103"}]}},"jetpack_featured_media_url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1583483285.png","_links":{"self":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/6321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6321"}],"version-history":[{"count":1,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/6321\/revisions"}],"predecessor-version":[{"id":6324,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/6321\/revisions\/6324"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/media\/6325"}],"wp:attachment":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6321"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}