{"id":6223,"date":"2016-04-06T14:50:37","date_gmt":"2016-04-06T09:20:37","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6223"},"modified":"2016-04-06T14:50:37","modified_gmt":"2016-04-06T09:20:37","slug":"parasites-oscar-win-is-a-sign-that-you-should-watch-these-five-bong-joon-ho-movies","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6223","title":{"rendered":"Parasite\u2019s Oscar Win Is A Sign That You Should Watch These Five Bong Joon-ho Movies"},"content":{"rendered":"\nI<\/span>n May last year, Bong Joon-ho\u2019s Parasite<\/em> \u2013 the South Korea<\/a>n filmmaker\u2019s seventh feature \u2013 won the coveted Palme d\u2019Or at the Cannes Film Festival<\/a> by a unanimous vote, becoming the first Korean film to win the award. Yesterday at the Oscars, Parasite<\/em> created history once again as the first non-English language film to win Best Film; the film had by then already picked up three Oscars<\/a> (Best Screenplay, Best International Feature, Best Director).\n\nBetween these two awards, lies a journey. That of audiences worldwide \u201covercoming<\/a> the one-inch-tall barrier of subtitles\u201d. And, while Joon-ho deserves all the adulation that he has been receiving for Parasite<\/a><\/em>, this isn\u2019t the first time he has successfully \u2013 and adeptly \u2013 pulled off a subversive genre film. It\u2019s been his modus operandi for the entirety of the last two decades since he made his directorial debut with Barking Dogs Never Bite <\/em>(2000).\n\nOver the years, Joon-ho\u2019s films<\/a> have impressively balanced the act of headily blending themes and jarring tonal shifts with a strong emotional core. It\u2019s why his films are visually inventive, audacious, and yet accessible. There\u2019s arguably no better time than now when Parasite<\/em>\u2019s worldwide recognition has revealed an appetite for world cinema, to take a deep-dive into the director\u2019s filmography. Go rewatch Parasite<\/em> in the theatres<\/a> as many times as you\u2019d like, but come back after and watch these five Joon-ho films that are a testament of a generational talent working at the absolute height of his powers.\n
    \n \t
  1. Memories of Murder (2003)<\/li>\n<\/ol>\nMemories of Murder<\/em> is by all means, Joon-ho\u2019s breakout film. The critically-acclaimed film was inspired by a series of unsolved murders that shook the Korean province of Hwaseong in the late \u201980s and early \u201990s. The film functions as a riveting police procedural that is expertly staged; it\u2019s also equal parts harrowing and uneasy, once you move your gaze away from the crime-solvers<\/a> to the crimes themselves. Featuring the director\u2019s frequent collaborator Song Kang-ho, Memories of Murder<\/em> is enlivened by an unforgettable final shot that will remain seared in your memory after the movie ends. Need more reason to watch it? In a bizarre twist, the South Korean Police have at last identified<\/a> the serial killer responsible for these murders last year, three decades after the killings.\n\nMemories of Murder<\/em> can be streamed on YouTube<\/a>.\n
      \n \t
    1. Mother (2009)<\/li>\n<\/ol>\nMother<\/em> chronicles the struggles of a poor Korean woman trying to absolve her mentally disabled son of a crime he may or may not have committed. It\u2019s a simple premise on paper, but Joon-ho slowly peels off layers. Much of this is the story itself \u2013 its quirks and dark comedy<\/a> overpower your senses. But, so much of the guessing game also stems from Joon-ho\u2019s masterful direction. Compared to the director\u2019s other films, Mother<\/em> has arguably the least stakes, which makes its final payoff all the more heartbreaking. Less a crime mystery and more a unique glimpse into motherhood<\/a> and guilt, Mother<\/em> remains one of the most criminally underwatched gems of the millennium.\n
        \n \t
      1. Snowpiercer (2013)<\/li>\n<\/ol>\nSnowpiercer<\/em> was Joon-ho\u2019s first English language film, and subsequently the first to have a cast more familiar to Hollywood<\/a>. The film is based on a French graphic novel that tracks the perpetual journey of a train around a post-dystopia frozen world. All of humanity is contained within the train and populations<\/a> are horizontally segregated \u2013 an allegory for the modern class system. And then, a riot erupts. The director\u2019s visual style is on full display here and while in the hands of any other director, the heavy themes could have collapsed on themselves, Joon-ho keeps it grounded in raw realism. Earlier this year, Snowpiercer<\/em> had an overdue moment in the sun when Joon-ho revealed<\/a> that he had battled Harvey Weinstein to retain the film\u2019s final cut, which culminated in the movie not getting a nationwide release and effectively hampering its box-office fate.\n\nSnowpiercer<\/em> is streaming on Netflix India.\n
          \n \t
        1. The Host (2006)<\/li>\n<\/ol>\nAt first glance, The Host<\/em> looks like any other creature feature \u2013 its plot revolves around a slimy gigantic creature terrorising a city. But if Memories of Murder<\/em> displayed Joon-ho\u2019s knack for tackling a self-contained drama, The Host<\/em> showed off his prowess of giving a monster movie a unique spin. Between moments of tension, which Bong carefully ratchets up and releases, the film makes subtle commentaries about the Korean government and the apathy and irresponsible nature of the US towards smaller, less powerful countries. The Host<\/em> never feels like a fantastical monster movie<\/a>, even though it has a monster at the centre of it. That\u2019s no minor achievement.\n\nThe Host<\/em> is streaming on Netflix India.\n
            \n \t
          1. Okja (2017)<\/li>\n<\/ol>\nOkja<\/em> is Joon-ho\u2019s second English language film and his most publicised one (until Parasite<\/em>), given that it secured a Netflix<\/a> release. Okja<\/em> is also the director\u2019s most Spielberg-ian film to date; it is almost ET<\/em>-like in how it centres the film around the emotional bond between a young girl and her pet<\/a> pig. Despite these narrative similarities, Joon-ho\u2019s treatment adopts a more whimsical and ultimately darker tone. Just when you think that Okja<\/em> will play safe with its central conflict, the director pulls off a delicate high-wire act, that permits the film to descend into bleaker territory. Okja<\/em>\u2019s drastic shift in tonal sensibilities is seamlessly merged ensuring that the film works as both, a light-hearted dramedy and a social commentary<\/a> on the meat industry\u2019s inherently exploitative nature.\n\nOkja<\/em> is streaming on Netflix India.\n","protected":false},"excerpt":{"rendered":"

            There’s no better time than now, when #Parasite’s worldwide recognition has revealed an appetite for world cinema, to take a deep-dive into Bong Joon-ho\u2019s filmography. Go rewatch Parasite in the theatres as many times as you\u2019d like, but come back after and watch these five films that are a testament of a generational talent working at the absolute height of his powers.<\/p>\n","protected":false},"author":347,"featured_media":6224,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[10152,10255,10256,1772,1341,10257,3953,10163,10258,10259],"class_list":["post-6223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-bong-joon-ho","tag-korean-movies","tag-memories-of-murder","tag-mother","tag-netflix","tag-okja","tag-oscar","tag-parasite","tag-snowpiercer","tag-the-host"],"yoast_head":"\nParasite\u2019s Oscar Win Is A Sign That You Should Watch These Five Bong Joon-ho Movies<\/title>\n<meta name=\"description\" content=\"There's no better time than now, when #Parasite's worldwide recognition has revealed an appetite for world cinema, to take a deep-dive into Bong Joon-ho\u2019s filmography. Go rewatch Parasite in the theatres as many times as you\u2019d like, but come back after and watch these five films that are a testament of a generational talent working at the absolute height of his powers.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.207.105.184\/?p=6223\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parasite\u2019s Oscar Win Is A Sign That You Should Watch These Five Bong Joon-ho Movies\" \/>\n<meta property=\"og:description\" content=\"There's no better time than now, when #Parasite's worldwide recognition has revealed an appetite for world cinema, to take a deep-dive into Bong Joon-ho\u2019s filmography. Go rewatch Parasite in the theatres as many times as you\u2019d like, but come back after and watch these five films that are a testament of a generational talent working at the absolute height of his powers.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/13.207.105.184\/?p=6223\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-06T09:20:37+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581418488-1024x573.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"573\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Ronak Gupta\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Parasite\u2019s Oscar Win Is A Sign That You Should Watch These Five Bong Joon-ho Movies\" \/>\n<meta name=\"twitter:description\" content=\"There's no better time than now, when #Parasite's worldwide recognition has revealed an appetite for world cinema, to take a deep-dive into Bong Joon-ho\u2019s filmography. 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