{"id":6205,"date":"2016-07-22T05:21:21","date_gmt":"2016-07-21T23:51:21","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6205"},"modified":"2016-07-22T05:21:21","modified_gmt":"2016-07-21T23:51:21","slug":"afsos-review-gulshan-devaiah-kills-it-in-this-crackling-tragicomedy-on-a-man-whos-desperate-to-die","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6205","title":{"rendered":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die"},"content":{"rendered":"\n

C<\/span>an Indian comedians create inventive comedy<\/a> series? In the last two years, Amazon Prime has single-handedly taken this as a challenge \u2013 a significant chunk of its Indian streaming roster comprise comedian-led shows. Yet, with the exception of Sumukhi Suresh\u2019s Pushpavalli<\/em> (whose appeal tipped more toward social commentary than laugh-out loud comedy), Prime Video\u2019s bets on comedians<\/a> expanding their cachet as show creators hasn\u2019t quite paid off. All their previous efforts (Going Viral Pvt Ltd, Chacha Vidhayak Hai Hamare, Shaitan Haveli, Die Trying<\/em>) have struggled to isolate their premises from the comedians helming them, coming across as extended sketch ideas whose novelty dimmed as fully-fledged universes. But the streaming platform finally might have gotten the recipe right with Afsos<\/em>, a nihilistic tragicomedy about a man who is so desperate to die<\/a> that he outsources the job to a startup that assists people in killing themselves.<\/p>\n\n\n\n

\u201cMy life story is so poor that it feels like I\u2019ve written it myself,\u201d admits Nakul (Gulshan Devaiah) in the crackling first episode of Afsos<\/em>, created by comedians Anirban Dasgupta and Dibya Chatterjee. Nakul is an average 20-something Mumbai<\/a> underachiever \u2013 the kind who mentally signs off conversations with \u201cRegards, Nakul\u201d. Failure isn\u2019t just a part of Nakul\u2019s life; it is his<\/em> life. He\u2019s a son who’s fluent in disappointing his parents, an incompetent writer counting out his days in unemployment<\/a>, a rejected lover, and an outcast who claims to not have had one single good day in his life.

\u201cMy life story is so poor that it feels like I\u2019ve written it myself,\u201d<\/blockquote>
When Afsos<\/em>, directed by Anubhuti Kashyap, begins, Nakul is convinced that he has nothing to live for. He is on his 11th suicide<\/a> attempt \u2013 resting his head on the railway tracks, diligently waiting for an approaching train to end it all. Just when it seems like afterlife might be within his reach, he is rescued in the most unlikely circumstances. That’s the other thing: Nakul also sucks at dying, somehow coming out alive after every suicide attempt, that includes crossing a busy road blindfolded. There\u2019s a clever scene in which his attempt at drowning results in the accidental death of a fisherman who jumps in to save his life, that is a rewarding punchline on its own. But it becomes especially satisfying when the writers (the show is co-written by Dasgupta, Chatterjee, and Sourav Ghosh) also mine it to reveal how easily death can become a joke when class hierarchies are thrown into the mix.<\/p>\n\n\n\n

Then there\u2019s the inherent hilarity of a startup called Emergency Exit \u2013 operated out of a minivan \u2013 offering a range of packages to anyone looking to end their life: You could be pushed off a cliff or be shot at a preferred body part<\/a>. It\u2019s run by Maria (Ratnabali Chatterjee), a sincere entrepreneur who assures prospective clients about the credibility and success rate of her \u201cservice\u201d while balking at the implication that they are essentially murderers. Nakul, irritated by his own incompetence, finds his way to Maria by the end of the first episode. He\u2019s assigned Upadhyay (an excellent Heeba Shah), a highly skilled assassin<\/a>, who emanates a Bob Biswas nonchalance and cold-bloodedness to the act of killing. Yet, trouble starts when Nakul falls in love with his therapist<\/a> (Anjali Patil in an inspired casting decision) and decides that he doesn\u2019t want to die anymore. What ensues is a breathless cat-and-mouse chase between a hitman who will go to any lengths for a kill and a man who has found a will to live a few years too late.

It\u2019s the most fun an Indian comedy has had in a while.<\/blockquote>
This in itself is a joyful premise for an eight-episode series, elevated by sharp writing that doesn\u2019t skimp on either ambition<\/a> or fun and is gift-wrapped with a glorious lead turn by the in-form Devaiah. The actor plays Nakul \u2013 a man who disappoints himself more than the world can disappoint him \u2013 with a passivity that makes him endlessly watchable. But what makes Afsos<\/em>, a supremely original endeavour is how its narrative thrives on a constant element of surprise. It remains a thrilling overreach, even when the newer directions the latter episodes take don\u2019t add up as seamlessly as the initial ones.<\/p>\n\n\n\n

There\u2019s also so much more to Afsos<\/em> than just Nakul and Upadhyay. Soon, they make up just a fraction of the show\u2019s proceedings. In a matter of episodes, Afsos<\/em> diverts into an immortality angle that rides on the country\u2019s devotion toward godmen and a Russian tourist and scientist scam that borders on the ludicrous. They’re accompanied by a troupe of well-meaning cops who make for easy supporting acts and nosy journalists<\/a> allergic to fact-checks who boast of the worst depiction of the profession since Sonakshi Sinha\u2019s outing in Noor. (<\/em>In a show that otherwise boasts of a terrific ensemble, Dhruv Sehgal\u2019s cameo as the magazine editor is a test of patience).<\/p>\n\n\n\n

There are times when Afsos<\/em> feels needlessly stuffed and over-the-top and yet there\u2019s rarely a moment when it isn\u2019t deliciously entertaining. A plot-twist in the penultimate episode for instance, had me marvelling at the narrative pluck. Then there’s the deftness with which the writers employ dry humour to bridge the gap between the show as a social satire and an existential comedy, that has an almost irresistible appeal. A sub-plot about daily wage labourers literally hanging between life and death intersects seamlessly with the lives of people still figuring out whether death could rescue them from the lives they lead. But most of all, the show’s rumination on the business and the privilege of death, that flits between bleakness and irreverence, equips Afsos<\/em> with a novelty that’s hard to imitate.<\/p>\n\n\n\n

In the current eco-system of Indian streaming shows that are distinguishable by how easily they play by safe beats and worn-out tropes, it\u2019s rare to witness creators make a comedy that is informed by its wickedness. It’s even rarer to set that comedy in a homegrown universe that pokes fun at the double standards of middle-class<\/a> anxieties \u2013 death, religion, millennial indecisiveness and existentialism \u2013 in a way that is immediately recognisable. Afsos<\/em> manages to do both. It\u2019s the most fun an Indian comedy series has had in a while. It\u2019s certainly the most fun I\u2019ve had watching an Indian comedy series that understands what it takes to create one.<\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.<\/p>\n","protected":false},"author":103,"featured_media":6206,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[10238,3698,542,10239,7402,10240],"class_list":["post-6205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-afsos","tag-amazon-prime","tag-comedy","tag-fun","tag-laughter","tag-standuo-comedy"],"yoast_head":"\nAfsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die<\/title>\n<meta name=\"description\" content=\"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=6205\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die\" \/>\n<meta property=\"og:description\" content=\"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/13.201.39.237\/?p=6205\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-07-21T23:51:21+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1581144004-1024x573.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"573\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Poulomi Das\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die\" \/>\n<meta name=\"twitter:description\" content=\"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Poulomi Das\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205\"},\"author\":{\"name\":\"Poulomi Das\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"headline\":\"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die\",\"datePublished\":\"2016-07-21T23:51:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205\"},\"wordCount\":1102,\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1581144004.png\",\"keywords\":[\"afsos\",\"Amazon Prime\",\"Comedy\",\"Fun\",\"laughter\",\"standuo comedy\"],\"articleSection\":[\"Pop Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205\",\"name\":\"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1581144004.png\",\"datePublished\":\"2016-07-21T23:51:21+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"description\":\"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.\",\"breadcrumb\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/13.201.39.237\\\/?p=6205\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#primaryimage\",\"url\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1581144004.png\",\"contentUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1581144004.png\",\"width\":1520,\"height\":850},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=6205#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/13.201.39.237\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/\",\"name\":\"Arr\u00e9\",\"description\":\"In every person lies a creator and in every creator, an enterprise.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/13.201.39.237\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\",\"name\":\"Poulomi Das\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g\",\"caption\":\"Poulomi Das\"},\"url\":\"http:\\\/\\\/13.207.105.184\\\/?author=103\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die","description":"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/13.201.39.237\/?p=6205","og_locale":"en_US","og_type":"article","og_title":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die","og_description":"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.","og_url":"http:\/\/13.201.39.237\/?p=6205","og_site_name":"Arr\u00e9","article_published_time":"2016-07-21T23:51:21+00:00","og_image":[{"width":1024,"height":573,"url":"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1581144004-1024x573.png","type":"image\/png"}],"author":"Poulomi Das","twitter_card":"summary_large_image","twitter_title":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die","twitter_description":"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.","twitter_misc":{"Written by":"Poulomi Das","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/13.201.39.237\/?p=6205#article","isPartOf":{"@id":"http:\/\/13.201.39.237\/?p=6205"},"author":{"name":"Poulomi Das","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679"},"headline":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die","datePublished":"2016-07-21T23:51:21+00:00","mainEntityOfPage":{"@id":"http:\/\/13.201.39.237\/?p=6205"},"wordCount":1102,"image":{"@id":"http:\/\/13.201.39.237\/?p=6205#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581144004.png","keywords":["afsos","Amazon Prime","Comedy","Fun","laughter","standuo comedy"],"articleSection":["Pop Culture"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/13.201.39.237\/?p=6205","url":"http:\/\/13.201.39.237\/?p=6205","name":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die","isPartOf":{"@id":"http:\/\/13.201.39.237\/#website"},"primaryImageOfPage":{"@id":"http:\/\/13.201.39.237\/?p=6205#primaryimage"},"image":{"@id":"http:\/\/13.201.39.237\/?p=6205#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581144004.png","datePublished":"2016-07-21T23:51:21+00:00","author":{"@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679"},"description":"It\u2019s rare to make a comedy that is informed by its wickedness. Even rare to set it in a homegrown universe that pokes fun at the double standards of middle-class anxieties \u2013 death, religion, millennial indecisiveness, and existentialism \u2013 in a way which is immediately recognisable. Afsos manages to do both.","breadcrumb":{"@id":"http:\/\/13.201.39.237\/?p=6205#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/13.201.39.237\/?p=6205"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/13.201.39.237\/?p=6205#primaryimage","url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581144004.png","contentUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581144004.png","width":1520,"height":850},{"@type":"BreadcrumbList","@id":"http:\/\/13.201.39.237\/?p=6205#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/13.201.39.237\/"},{"@type":"ListItem","position":2,"name":"Afsos Review: Gulshan Devaiah Kills It in this Crackling Tragicomedy About a Man Desperate to Die"}]},{"@type":"WebSite","@id":"http:\/\/13.201.39.237\/#website","url":"http:\/\/13.201.39.237\/","name":"Arr\u00e9","description":"In every person lies a creator and in every creator, an enterprise.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/13.201.39.237\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679","name":"Poulomi Das","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","caption":"Poulomi Das"},"url":"http:\/\/13.207.105.184\/?author=103"}]}},"jetpack_featured_media_url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1581144004.png","_links":{"self":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/6205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6205"}],"version-history":[{"count":0,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/6205\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/media\/6206"}],"wp:attachment":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6205"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}