{"id":6002,"date":"2016-04-25T02:11:20","date_gmt":"2016-04-24T20:41:20","guid":{"rendered":"http:\/\/13.201.39.237\/?p=6002"},"modified":"2016-04-25T02:11:20","modified_gmt":"2016-04-24T20:41:20","slug":"tanhaji-review-ajay-devgn-hyper-nationalism-padmaavat-panipat","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=6002","title":{"rendered":"Tanhaji: The Unsung Warrior Review: A Pulpy Action Thriller that Needs a History Lesson"},"content":{"rendered":"\nU<\/span>ntil yesterday, if someone had told me that there would be very little to look forward to in this new decade, I would have scoffed at that level of pessimism. We\u2019re only 10 days into the new year; the possibilities are endless, I\u2019d argue. But today, in the two hours that I have had to sit through Om Raut\u2019s <\/span>Tanhaji: The Unsung Warrior<\/span><\/i>, I\u2019d concur with that defeating outlook. It\u2019s hard to be optimistic about a new year that starts with <\/span>Ajay Devgn<\/span><\/a> finding yet another excuse to urgently leap around forts, walls, cliffs, and common sense as if the world would come to an end if he decided to sit still for a moment.\n\nOf late, Bollywood has taken to historical biopics that open with disclaimers absolving them of all responsibility of staying true to history with the same blindfolded devotion as actors have taken to being apolitical. It was only a matter of time before Ajay Devgn, who has in the last few years serenaded mountains (<\/span>Shivaay<\/span><\/i>), ghosts (<\/span>Golmaal Again)<\/span><\/i>, Indian bureaucracy (<\/span>Raid<\/span><\/i>) and women out of his league (<\/span>De De Pyaar De<\/span><\/i>) would come around to romanticising <\/span>hyper-nationalism<\/span><\/a>. On its part, <\/span>Tanhaji <\/span><\/i>goes all out: It implies a good Hindu as someone who\u2019s morally conscious and puts the nation over self. The film boasts of ample endorsements to saffronisation, and is peppered with chants of \u201c<\/span>Jai Shri Ram<\/span><\/a>\u201d; it casts any adversary of the <\/span>Marathas<\/span><\/a> as the root cause of evil (the words used are \u201cshaitaan\u201d and \u201cdarinde\u201d).\n\nSet in the mid-17th century, <\/span>Tanhaji<\/span><\/i> revolves around the storied battle of Singahad as per its convenience \u2013 its main premise is being a paean to Tanaji\u2019s (Devvgn) bravery. It was Tanaji, Shivaji\u2019s trusted aide who recaptured the Kondhana Fort right from under the nose of Udaybhan Rathod (Saif Ali Khan), a Rajput general in Aurangzeb\u2019s army. That the director doesn\u2019t care much for historical accuracy is evident from the fact that <\/span>Tanhaji<\/span><\/i> is unabashedly revisionist. Like <\/span>Padmaavat<\/span><\/i><\/a>, <\/span>Panipat<\/span><\/i><\/a>,<\/span><\/i> and <\/span>Manikarnika<\/span><\/i><\/a>, <\/span>Tanhaji<\/span><\/i> also equates nationalism solely with Hinduism. There\u2019s another easy but commercially profitable target that Om Raut chooses to champion \u2013 Maratha pride. Even though the film will have you believe otherwise, there\u2019s nothing unsung about this approach.\n\n

Like Padmaavat<\/em>, Panipat<\/em>, and Manikarnika<\/em>, Tanhaji<\/em> also equates nationalism solely with Hinduism. <\/p><\/blockquote> \n\nLike its predecessors, <\/span>Tanhaji<\/span><\/i> is also unbearably one-note and <\/span>Islamophobic<\/span><\/a>. Yet, unlike <\/span>Padmaavat<\/span><\/i> and <\/span>Panipat<\/span><\/i>, its antagonist isn\u2019t Muslim; he is a Rajput. The film\u2019s Islamophobia is far more insidious, given that it implies, in as many words, that there is nothing worse than a Hindu who sides with Muslims. By extension, it makes a distinction between who is really a good Hindu and what a traitor looks like.\n\nTanhaji is a dutiful family man has no vices, and is dedicated to such an extent that he leaves his son\u2019s wedding to wage a war. On the other hand, Khan\u2019s Rathod is given identifiers that are usually reserved for <\/span>Mughal<\/span><\/a> villainy: He is built up to be a brutal sadist who holds a young Hindu woman hostage, has an entire year\u2019s worth of kohl around his eyes, and boasts of a diet that includes a roasted crocodile. Even his wardrobe \u2013 he is only dressed in black as opposed to Tanaji\u2019s saffron \u2013 is designed to underline how perverse he really is. But just like <\/span>Padamaavat<\/span><\/i>, <\/span>Tanhaji\u2019s<\/span><\/i> inherent stereotyping works against it. Khan\u2019s gleeful irreverence makes Udaybhan\u2019s villainy extremely enjoyable. Khan, an actor who\u2019s always up for being the joke, has so much fun with his character that it single-handedly rescues Devgn\u2019s unbearable self-seriousness.\n\nYet, despite the broad strokes that it adopts, <\/span>Tanhaji<\/span><\/i> is surprisingly fun in the same way as watching your drunk friend make a fool of himself: You enjoy the mess despite yourself. I rolled my eyes at the film\u2019s Cartoon Network-ish rendition of the past when clear skies hadn\u2019t yet faced the wrath of <\/span>pollution<\/span><\/a>. But even my interest was piqued when the film brought forth its trump card: the inventive action set-pieces that make two adult men fighting with swords seem cool. Hindi cinema rarely gets scale right, but Raut comes very close, crafting a pulpy action entertainer that could have been so much more had its makers chosen to read a history book.\n","protected":false},"excerpt":{"rendered":"

Ajay Devgn\u2019s self-seriousness in Tanhaji: The Unsung Warrior is unbearable. But Saif Ali Khan\u2019s gleeful irreverence makes the villainy of Udaybhan Rathod, a Rajput general in Aurangzeb\u2019s army, extremely enjoyable.<\/p>\n","protected":false},"author":103,"featured_media":6003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[2597,9921,8274,2602,1694,9922,9923,8542,4131,3936,1206,2017,9924,1207,1420,9925,9926,9927],"class_list":["post-6002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-ajay-devgn","tag-aurangzeb","tag-de-de-pyaar-de","tag-golmaal-again","tag-hinduism","tag-hyper-nationalism","tag-islamophobic","tag-jai-shri-ram","tag-manikarnika","tag-marathas","tag-mughal","tag-panipat","tag-raid","tag-saif-ali-khan","tag-shivaay","tag-tanhaji","tag-tanhaji-review","tag-tanhaji-the-unsung-warrior"],"yoast_head":"\nTanhaji: The Unsung Warrior Review: A Pulpy Action Thriller that Needs a History Lesson<\/title>\n<meta name=\"description\" content=\"Ajay Devgn\u2019s self-seriousness in Tanhaji: The Unsung Warrior is unbearable. But Saif Ali Khan\u2019s gleeful irreverence makes the villainy of Udaybhan Rathod, a Rajput general in Aurangzeb\u2019s army, extremely enjoyable.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=6002\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tanhaji: The Unsung Warrior Review: A Pulpy Action Thriller that Needs a History Lesson\" \/>\n<meta property=\"og:description\" content=\"Ajay Devgn\u2019s self-seriousness in Tanhaji: The Unsung Warrior is unbearable. 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