{"id":5921,"date":"2016-06-26T11:03:18","date_gmt":"2016-06-26T05:33:18","guid":{"rendered":"http:\/\/13.201.39.237\/?p=5921"},"modified":"2026-07-17T21:55:41","modified_gmt":"2026-07-17T16:25:41","slug":"good-newwz-review-locker-room-humour-akshay-kumar-diljit-dosanjh","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=5921","title":{"rendered":"Good Newwz Review: Sorry, We Have No Good News for You. The Film\u2019s Terrible"},"content":{"rendered":"\n<span class=\"dropcap\">I<\/span>f there\u2019s anyone in Bollywood who is in drastic need of an intervention as we usher in a new year, it is Karan Johar\u2019s Dharma Productions. Its slate of films in 2019 \u2013 <\/span><a href=\"https:\/\/www.arre.co.in\/bollywood\/kesari-review-saragarhi-akshay-kumar-sikh-soldiers-afghan-tribesmen\/\"><i><span style=\"font-weight: 400;\">Kesari<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><a href=\"https:\/\/www.arre.co.in\/bollywood\/student-of-the-year-2-review-tiger-shroffs-muscles-ananya-pandey-tara-sutaria\/\"><i><span style=\"font-weight: 400;\">Student of the Year 2<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><a href=\"https:\/\/www.arre.co.in\/bollywood\/kalank-review-ailia-bhatt-abhishek-varman-varun-dhawan-baahubali\/\"><i><span style=\"font-weight: 400;\">Kalank<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><a href=\"https:\/\/www.arre.co.in\/bollywood\/drive-review-sushant-singh-rajput-karan-johar\/\"><i><span style=\"font-weight: 400;\">Drive<\/span><\/i><\/a><span style=\"font-weight: 400;\">, and now <\/span><i><span style=\"font-weight: 400;\">Good Newwz<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 have been various shades of abominable. If the first four films took to testing the average Indian patience like it were an adventure sport, then its final offering of the year \u2013 Raj Mehta\u2019s <\/span><i><span style=\"font-weight: 400;\">Good Newwz <\/span><\/i><span style=\"font-weight: 400;\">\u2013 does everything imaginable to shatter any semblance of sanity.\n\nThe movie, co-written by Raj Mehta, Jyoti Kapur, and Rishabh Sharma, revolves around a mix-up at a fertility clinic that swaps the sperm of two couples struggling to get pregnant. The added hilarity is derived from the fact that both couples share the same surname and have nothing in common with each other \u2013 if one couple is based in Mumbai, then the other is simply oozing Chandigarh. Yet, they\u2019re effectively having the other\u2019s baby, which also means that they are left with no choice but to find a common ground. The two sets of Batras comprise the urban, designer-friendly, and unbearably elitist Varun <a href=\"https:\/\/www.arre.co.in\/people\/akshay-kumar-bollywood-birthday-gold\/\"><span style=\"font-weight: 400;\">(Akshay Kumar)<\/span><\/a><span style=\"font-weight: 400;\"> and Deepti (Kareena Kapoor Khan), and the loud, \u201cintellectually inferior\u201d, and culturally comical Honey (Diljit Dosanjh) and Monika (Kiara Advani) who take wearing their names on their sleeves a little too literally.\n\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-57663\" src=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1577443800.jpg\" alt=\"good news\" width=\"562\" height=\"355\" \/>\n\n<figcaption>\n<p>To be fair, it\u2019s not a half-bad premise, which is aided by the fact that Kapoor and Kumar are delightfully in sync in the first half of <em>Good Newwz<\/em>.<\/p>\n<p>Zee Studios\/Dharma Productions\/Cape of Good Films<\/p>\n<\/figcaption>\n<\/figure>\n\nTo be fair, it\u2019s not a half-bad premise, which is aided by the fact that Kapoor and Kumar are delightfully in sync in the first half of <i><span style=\"font-weight: 400;\">Good Newwz<\/span><\/i><span style=\"font-weight: 400;\">. But the charms are few and far in between and for the most part, the movie just ends up stretching a one-line joke for far too long. Given that it is a commercial Hindi film with a A-list star cast, it resorts to the usual unseemly impulses that have lately made watching a mainstream entertainer such a joyless affair. Much of the film\u2019s comedy is derived only from playing up class stereotypes that highlight the distance between the worlds of the two protagonists. So there is Honey mispronouncing sperm as \u201cspam\u201d almost on cue every five minutes, fart jokes that feel straight out of a boys\u2019 <\/span><a href=\"https:\/\/www.arre.co.in\/gender\/why-are-indian-women-so-shy-of-baring-their-bodies-in-front-of-each-other\/\"><span style=\"font-weight: 400;\">locker room<\/span><\/a><span style=\"font-weight: 400;\">, and some more unnecessary mispronunciation that involve a toilet flush. It\u2019s the kind of humour that\u2019s poor in taste.\n\nIt doesn\u2019t help matters that the makers don\u2019t possess the emotional maturity required to dissect the complexities of parentage, the labour of pregnancy, or even adoption, in order to afford the film\u2019s premise some depth. So after a point, <i><span style=\"font-weight: 400;\">Good Newwz<\/span><\/i><span style=\"font-weight: 400;\"> has very little idea of what to do with itself. So the film disguises its confusion with emotionally-laden monologues that redefine the art of making a spectacle out of saying nothing. In a way, Dosanjh physically embodies this hollowness in an exasperating performance as a small-town buffon that does little to redeem his uneven filmography. <\/span><a href=\"https:\/\/www.arre.co.in\/bollywood\/kabir-singh-shahid-kapoor-misogyny-arjun-reddy\/\"><span style=\"font-weight: 400;\">Advani\u2019s<\/span><\/a><span style=\"font-weight: 400;\"> efforts to turn in a performance are futile. Worse, <\/span><i><span style=\"font-weight: 400;\">Good Newwz<\/span><\/i><span style=\"font-weight: 400;\"> fails to tap into Kumar\u2019s underrated comic timing. If anything, it makes me yearn for the time when the actor was appropriating nationalism and not mocking women\u2019s right to their own bodies.\n\n<blockquote class=\"quote--center\">The film\u2019s utter lack of compassion is disorienting for it goes to the heart of what remains a crucial Dharma problem<\/blockquote>\n\nGranted that it might be overtly optimistic to expect Dharma Productions to take a stance on any topic, much less on the ethics of abortion, but ensuring that they don\u2019t equate abortion with murder, is literally asking for the bare mininum. That\u2019s more or less the main problem with <i><span style=\"font-weight: 400;\">Good Newwz<\/span><\/i><span style=\"font-weight: 400;\">: The fact that it tremendously wastes its potential is excusable, but what is simply infuriating is how it tries to pretend to be progressive while doing nothing but furthering regressive attitudes with all its might. In that sense, a film that claims to tackle <\/span><a href=\"https:\/\/www.arre.co.in\/bollywood\/ranveer-singh-making-femininity-manly-again\/\"><span style=\"font-weight: 400;\">feminine<\/span><\/a><span style=\"font-weight: 400;\"> subjects such as pregnancy and IVF ends up mocking them. In 2019, even your most judgemental neighbourhood Kantaben must have softened up to the idea of adoption. But that a big-budget Hindi film shepherded by the country\u2019s most influential production house, stubbornly casts it as a villain, says a lot about the lengths of dishonesty that they are willingly to embrace to make money.\u00a0\n\nThe film\u2019s utter lack of compassion is disorienting for it goes to the heart of what remains a crucial Dharma problem \u2013 their outings feel less like films and more like a product. <i><span style=\"font-weight: 400;\">Good Newwz <\/span><\/i><span style=\"font-weight: 400;\">is a chief example of the fault in Johar treating films solely as business propositions and not as modes of storytelling. It\u2019s precisely why a Hindi film that reduces a woman\u2019s decision to want a baby in 2019 to a big, fat locker-room joke is titled <\/span><i><span style=\"font-weight: 400;\">Good Neww<\/span><\/i><span style=\"font-weight: 400;\">z.\n","protected":false},"excerpt":{"rendered":"<p>Good Newwz, starring Akshay Kumar, Kareena Kapoor Khan, Diljit Dosanjh, and Kiara Advani, revolves around a mix-up at a fertility clinic that swaps the sperm of the two couples struggling to get pregnant. It\u2019s humour is derived by playing up stereotypes, Dosanjh mispronouncing sperm as \u201cspam\u201d, and fart jokes.<\/p>\n","protected":false},"author":103,"featured_media":5924,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1589,1532,9547,8038,240,1204,7780,8496,3021],"class_list":["post-5921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-akshay-kumar","tag-diljit-dosanjh","tag-drive","tag-kalank","tag-karan-johar","tag-kareena-kapoor","tag-kesari","tag-kiara-advani","tag-student-of-the-year-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Good Newwz Review: Sorry, We Have No Good News for You. 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The Film\u2019s Terrible","isPartOf":{"@id":"http:\/\/13.201.39.237\/#website"},"primaryImageOfPage":{"@id":"http:\/\/13.201.39.237\/?p=5921#primaryimage"},"image":{"@id":"http:\/\/13.201.39.237\/?p=5921#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1577444703.png","datePublished":"2016-06-26T05:33:18+00:00","dateModified":"2026-07-17T16:25:41+00:00","author":{"@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679"},"description":"Good Newwz, starring Akshay Kumar, Kareena Kapoor Khan, Diljit Dosanjh, and Kiara Advani, revolves around a mix-up at a fertility clinic that swaps the sperm of the two couples struggling to get pregnant. 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The Film\u2019s Terrible"}]},{"@type":"WebSite","@id":"http:\/\/13.201.39.237\/#website","url":"http:\/\/13.201.39.237\/","name":"Arr\u00e9","description":"In every person lies a creator and in every creator, an enterprise.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/13.201.39.237\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/7cc6b159b4669ddf75eae5f2b536d679","name":"Poulomi Das","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9cf0b507b562a532eccd19be07aac58ddce2a6079eb4ea28e6afef54b07f4cf9?s=96&d=mm&r=g","caption":"Poulomi Das"},"url":"http:\/\/13.207.105.184\/?author=103"}]}},"jetpack_featured_media_url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1577444703.png","_links":{"self":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/5921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5921"}],"version-history":[{"count":1,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/5921\/revisions"}],"predecessor-version":[{"id":5923,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/5921\/revisions\/5923"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/media\/5924"}],"wp:attachment":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5921"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}