{"id":5625,"date":"2016-06-14T09:31:10","date_gmt":"2016-06-14T04:01:10","guid":{"rendered":"http:\/\/13.201.39.237\/?p=5625"},"modified":"2016-06-14T09:31:10","modified_gmt":"2016-06-14T04:01:10","slug":"30-years-of-flop-show-jaspal-bhatti-political-satire-doordarshan","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=5625","title":{"rendered":"Flop Show is Back on DD: How Jaspal Bhatti Paved the Way for Political Satire in India"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><span class=\"dropcap\">B<\/span>ack in October 31, 1989, <a href=\"https:\/\/www.arre.co.in\/people\/vijaya-mulay-legendary-film\/\"><span style=\"font-weight: 400;\">Doordarshan<\/span><\/a><span style=\"font-weight: 400;\"> viewers were treated to an opening sequence that read (in Hindi), \u201cThis episode is dedicated to those government officers who misuse office machinery and have thus inspired us to make this show\u201d. At the time, this disclaimer might have seemed peculiar, but today, 30 years after it first appeared on screen, it has been seared into our collective consciousness as a distinctive dedication that made it clear that this show would spare no one from mockery, not even itself. The show in question, was Jaspal Bhatti\u2019s <\/span><i><span style=\"font-weight: 400;\">Flop Show<\/span><\/i><span style=\"font-weight: 400;\">, a satire skit series that earned the poker-faced Bhatti the moniker \u201cThe King of Satire\u201d.\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">A sense of distrust was on everyone\u2019s minds in the tumultuous \u201980s that saw the Bofors scam, faced a constant risk of unstable coalitions, and a general stagnation in the <\/span><a href=\"https:\/\/www.arre.co.in\/money-matters\/economy-recession-tips-save-money\/\"><span style=\"font-weight: 400;\">economy<\/span><\/a><span style=\"font-weight: 400;\"> percolate into the Indian psyche. The timing couldn\u2019t have been any more perfect. Bhatti went ahead and bottled these feelings into the veritable Molotov cocktail that was <\/span><i><span style=\"font-weight: 400;\">Flop Show.<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><i><span style=\"font-weight: 400;\">Flop Show<\/span><\/i><span style=\"font-weight: 400;\"> ran for a total of 10 episodes, all of which were under 30 minutes, and saw a rotating cast \u2013 part of Bhatti\u2019s close circle \u2013 that included his wife Savita Bhatti, and fellow <\/span><a href=\"https:\/\/www.arre.co.in\/pov\/no-laughing-matter-indian-comedy-scene\/\"><span style=\"font-weight: 400;\">comedians<\/span><\/a><span style=\"font-weight: 400;\"> Vivek Shauq and Rajesh Jolly. From a production point of view, it was extremely efficient: The show\u2019s aesthetics resembled something similar to a DIY home video; it was shot entirely in Chandigarh \u2013 at a budget of \u20b920 lakh \u2013 often on the campus of the Punjab Engineering College (Bhatti\u2019s alma mater). Over the course of the episodes, the cast took upon different roles. Bhatti for instance, oscillated between playing a government official, tenant, doctor, and chief guest.\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Departing from the <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/H%C4%81sya\"><span style=\"font-weight: 400;\">hasya-kavi<\/span><\/a><span style=\"font-weight: 400;\"> or humourous poetic tradition of merely telling jokes, <\/span><i><span style=\"font-weight: 400;\">Flop Show<\/span><\/i><span style=\"font-weight: 400;\"> relied heavily on visual gags. There was situational comedy, parody, and satire thrown into the mix ably as Bhatti took on pressing issues. One of my favourite scenes from the show has Bhatti telling his wife that he always dreamt of giving her a ride in a government vehicle, as the camera slowly zooms out to reveal that the duo is travelling in a roadroller. The show\u2019s singular magic, however, lay in the genius writing that mined universality from oddly specific situations. Consider the very first episode, where a boss asks his <\/span><a href=\"https:\/\/www.arre.co.in\/pov\/bosses-employees-colleagues-family-work-culture\/\"><span style=\"font-weight: 400;\">employees<\/span><\/a><span style=\"font-weight: 400;\"> to help find his missing dog as they vie for promotions \u2012 it is bound to remind you of that one boss who still makes a recurring appearance in your nightmares. Taking a dig at dignitaries who arrive late, Bhatti plays a chief guest who arrives on time at functions, but his <\/span><a href=\"https:\/\/www.arre.co.in\/pov\/punctuality-productivity-debate-indian-office\/\"><span style=\"font-weight: 400;\">punctuality<\/span><\/a><span style=\"font-weight: 400;\"> ensures that no one really believes that he is the real deal.\u00a0<\/span><br><blockquote class=\"quote--center\"><i>Flop Show<\/i> \u2019s singular magic, however, lay in the genius writing that mined universality from oddly specific situations.<\/blockquote><br><i><span style=\"font-weight: 400;\">Flop Show\u2019s<\/span><\/i><span style=\"font-weight: 400;\"> appeal was further solidified by the fact that most of the scenarios presented in the episodes have origins in real life. Is it strange that government officials were dispatched to find a lost dog? Wait until you hear about how three policemen in Uttar Pradesh were <\/span><a href=\"https:\/\/www.ndtv.com\/india-news\/azam-khans-stolen-buffaloes-found-3-policemen-punished-549621\"><span style=\"font-weight: 400;\">suspended following delays in the search<\/span><\/a><span style=\"font-weight: 400;\"> of Samajwadi Party MP Azam Khan\u2019s lost buffaloes. Even the gag where a doctor seemingly forgets his watch inside a patient\u2019s stomach is not without precedent; a <\/span><a href=\"https:\/\/timesofindia.indiatimes.com\/city\/jaipur\/Negligent-doctors-leave-scissors-in-patients-stomach\/articleshow\/19011416.cms\"><span style=\"font-weight: 400;\">similar case <\/span><\/a><span style=\"font-weight: 400;\">was reported in Rajasthan in 2013. As for the sixth episode about office meetings, where <\/span><a href=\"https:\/\/www.arre.co.in\/grub\/pizza-samosa-cheese-recipe\/\"><span style=\"font-weight: 400;\">samosas<\/span><\/a><span style=\"font-weight: 400;\"> and gulab jamuns were prioritised over the agenda of the meeting, not much has changed in our offices today. But I suspect, the real reason <\/span><i><span style=\"font-weight: 400;\">Flop Show \u2013 <\/span><\/i><span style=\"font-weight: 400;\">available to watch on YouTube <\/span><i><span style=\"font-weight: 400;\">\u2013<\/span><\/i><span style=\"font-weight: 400;\"> endures until this day is because of the irreverence with which it called out the hypocrisy of Indian bureaucracy and how it underlined the power of comedy to instigate. In a YouTube video, comedian <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCz-Kdy9egftvWrQKNyKGoHA\"><span style=\"font-weight: 400;\">Garv Malik<\/span><\/a><span style=\"font-weight: 400;\"> recalls a demonstration where Bhatti wore a garland of onions to protest the high prices. \u201cThat one is priceless,\u201d he laughs referring to the comedian\u2019s antics, adding that even today once can relate to the gag as prices of onions soar every year.\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">In a way, <\/span><i><span style=\"font-weight: 400;\">Flop Show\u2019s<\/span><\/i><span style=\"font-weight: 400;\"> relentless charm was synonymous with Bhatti\u2019s wit, which spilled offscreen in his print columns and public protests and brought a scathing freshness to television humour. An affable and generous comedian, Bhatti perfectly embodied the <\/span><a href=\"https:\/\/www.arre.co.in\/health\/mental-health-permanent-anxiety\/\"><span style=\"font-weight: 400;\">anxieties<\/span><\/a><span style=\"font-weight: 400;\"> and preoccupations of an Everyman <\/span><i><span style=\"font-weight: 400;\">\u2013 <\/span><\/i><span style=\"font-weight: 400;\">Bhatti <\/span><a href=\"https:\/\/www.tribuneindia.com\/news\/at-25-flop-show-still-a-smash-hit\/226086.html\"><span style=\"font-weight: 400;\">came up <\/span><\/a><span style=\"font-weight: 400;\">with the title because he apparently felt that the life of a common man was nothing but a \u201cFlop Show\u201d. It\u2019s no wonder then that the show wasn\u2019t interested in offering solutions as much as in wanting to earn a laugh which made you wonder about the absurdities of life. There\u2019s no better testament to how the show turned not taking itself seriously into a sport than in its tenth episode. In what was the show\u2019s final outing, Bhatti turned the meta-gun on himself (and Doordarshan) by taking a jab at the antics of daft TV producers and their blinded obsession with ratings.\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">In an interview to <\/span><a href=\"https:\/\/www.tribuneindia.com\/news\/at-25-flop-show-still-a-smash-hit\/226086.html\"><span style=\"font-weight: 400;\">Tribune<\/span><\/a><span style=\"font-weight: 400;\"> a few years ago, Savita Bhatti recollected the extent to which her husband cared about the show. During the telecast of the early episodes, he would take a round of Chandigarh\u2019s sectors at 9 pm when the show aired to check how many people were on the road instead of being in front of the TV. \u201cThe fewer he spotted the merrier he became,\u201d she said.\u00a0<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">By the time Bhatti passed away in 2012, the landscape of primetime TV comedy had irrevocably changed, turning into gaudy melodrama geared toward promoting the next big film launch, peppered with generous helpings of <\/span><a href=\"https:\/\/www.arre.co.in\/gender\/slut-shaming-schools-sexism-gurgaon\/\"><span style=\"font-weight: 400;\">misogyny<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/www.arre.co.in\/bollywood\/homophobic-bollywood-section-377-india-sonam-kapoor-dostana\/\"><span style=\"font-weight: 400;\">homophobia<\/span><\/a><span style=\"font-weight: 400;\">. Still, the influence of Bhatti\u2019s legacy lives on. Today, political satire is no longer an anomaly. Kunal Kamra and Varun Grover might have Jaspal Bhatti to thank the man, who turned self-deprecation into an artform, who fearlessly took on the powers that be, much before the dawn of <\/span><a href=\"https:\/\/www.arre.co.in\/pov\/half-liberal-privileged-woke-millennials\/\"><span style=\"font-weight: 400;\">wokeness<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The enduring appeal of Jaspal Bhatti\u2019s Flop Show lies in the fact that it is rooted in reality. In one episode, government officials were dispatched to find a lost dog \u2013 not too different from the three UP cops who were punished for delays in looking for Azam Khan\u2019s stolen buffaloes.<\/p>\n","protected":false},"author":373,"featured_media":5626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[9538,1632,9539,9540,9541],"class_list":["post-5625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-dd-channel","tag-doordarshan","tag-flop-show","tag-jaspal-bhatti","tag-political-satire"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flop Show is Back on DD: How Jaspal Bhatti Paved the Way for Political Satire in India<\/title>\n<meta name=\"description\" content=\"The enduring appeal of Jaspal Bhatti\u2019s Flop Show lies in the fact that it is rooted in reality. 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