{"id":5486,"date":"2016-07-23T13:09:04","date_gmt":"2016-07-23T07:39:04","guid":{"rendered":"http:\/\/13.201.39.237\/?p=5486"},"modified":"2016-07-23T13:09:04","modified_gmt":"2016-07-23T07:39:04","slug":"mumbai-and-its-complicated-relationship-with-the-underworld-mumbai-mirrored","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=5486","title":{"rendered":"Mumbai and Its Complicated Relationship With the Underworld"},"content":{"rendered":"\n<p><span class=\"dropcap\">T<\/span><\/p><span style=\"font-weight: 400;\">wenty-seven years ago in September 1992, Shashilal K Nair\u2019s <\/span><i><span style=\"font-weight: 400;\">Angaar<\/span><\/i><span style=\"font-weight: 400;\">, a mafia drama speculated to be based on the life of Karim Lala, the leader of the \u201cPathan gang\u201d that operated from the crime-infested Muslim ghettos of Dongri and Nagpada, released in the theatres. By the advent of the \u201990s, filmmakers being fascinated by the cult of real-life ganglords and modelling the characters in their films on them, was routine affair. But <\/span><i><span style=\"font-weight: 400;\">Angaar<\/span><\/i><span style=\"font-weight: 400;\">, starring Jackie Shroff, Nana Patekar, and Dimple Kapadia was followed by an unfortunate coincidence.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">There\u2019s a sequence in <\/span><i><span style=\"font-weight: 400;\">Angaar<\/span><\/i><span style=\"font-weight: 400;\"> where gangsters plant bombs in the city. Six months later, a similar situation unfolded across Mumbai when a series of 12 bomb explosions took place in the course of a single day on March 1993. It was a day that not only altered the course of Mumbai. For instance, until the blasts, the Mumbai underworld was said to have been secular, a status that changed after the blasts. Soon, gangs became communalised, and so did pockets in the city.\u00a0\u00a0\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">If in the \u201990s, the Mumbai underworld came above ground and fostered a complicated, yet codependent, relationship with the city, then in the late \u201970s, it was just beginning to take shape. According to Julio Ribeiro, the retired Police Commissioner, this was the time when ganglords \u201cused to be afraid of the police\u201d and would never come in front of the inspector. In a <\/span><span style=\"font-weight: 400;\">conversation<\/span><span style=\"font-weight: 400;\"> with <a href=\"https:\/\/mumbaimirror.indiatimes.com\/mumbaimirrored\/episodes\/julio-francis-ribeiro\">Mumbai Mirror<\/a>, Ribeiro takes a pragmatic walk down memory lane, describing the situation as a<\/span> <span style=\"font-weight: 400;\">\u201cthree-legged stool,\u201d which involved the criminal, the politician, and the police.\u00a0<\/span>\n\n<iframe loading=\"lazy\" title=\"Julio Ribeiro - From Bombay Boy to Mumbai Super Cop\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iaiK1JZKPZE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<figcaption>\n<p>In this episode of the #MumbaiMirrored video series, retired police commissioner and civil servant Julio Ribeiro discusses the evolution of the relationship between the police, the notorious mafia, and the city\u2019s journey from Bombay to Mumbai.<\/p>\n<p>Video courtesy Mumbai Mirror<\/p>\n<\/figcaption>\n<\/figure>\n\n<span style=\"font-weight: 400;\">This fascinating period of Mumbai\u2019s history has been well-documented \u2013 in books and movies. A gang warfare that began with Haji Mastan\u2019s rivalry with Yusuf Patel is now part of the city\u2019s lore. Films of this period replicated the angst on the small screen by taking inspiration from the lives of real-life gangsters. In <\/span><i><span style=\"font-weight: 400;\">Deewar<\/span><\/i><span style=\"font-weight: 400;\"> (1975), Amitabh Bachchan\u2019s Vijay was borrowed from Haji Mastan and Pran\u2019s Sher Khan in <\/span><i><span style=\"font-weight: 400;\">Zanjeer<\/span><\/i><span style=\"font-weight: 400;\"> (1973) had traces of Karim Lala. And the world these gangsters occupied \u2013 marked by dance bars, jetties, and smuggled gold biscuits \u2013 provided a backdrop to our films. <\/span><span style=\"font-weight: 400;\">At that point, the underworld felt as if it was a part of the very fabric of Mumbai. In his book <\/span><i><span style=\"font-weight: 400;\">Maximum City: Bombay Lost and Found<\/span><\/i><span style=\"font-weight: 400;\">, author Suketu Mehta succinctly echoes this thought, \u201cIn Bombay, the underworld is an overworld; it is somehow suspended above this world and can come down and strike any time it chooses.\u201d<\/span>\n\n<span style=\"font-weight: 400;\">Yet it was in the \u201980s, that both Mumbai and the underworld became impossibly intertwined. Gangsters diversified from gold smuggling to include land grab rackets. This was the decade that saw the rise of Dawood Ibrahim and gave birth to a more flamboyant Mumbai. Ibrahim ushered in a period in Bollywood where gangsters, taken in by the glamour that the industry promised, started becoming directly involved with films.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">Either they married starlets or kept them as mistresses, and financed films. Rumours of Mandakini\u2019s alleged affair with Dawood were rife back in the day. A <\/span><a href=\"https:\/\/www.indiatoday.in\/magazine\/cover-story\/story\/19970825-desperate-for-funds-underworld-dons-extort-money-from-bollywood-831993-1997-08-25\"><span style=\"font-weight: 400;\">report<\/span><\/a><span style=\"font-weight: 400;\"> from the time suggests as much, <\/span><span style=\"font-weight: 400;\">\u201cWhen Dawood Ibrahim entered the scene in the mid-1980s&#8230; financing films became less romance, more serious business.\u201d It was in this backdrop that <\/span><i><span style=\"font-weight: 400;\">Ardha Satya <\/span><\/i><span style=\"font-weight: 400;\">(1983), a gangster film that \u201cepitomised a cop\u2019s frustration with the growing nexus with politicians and criminals\u201d released. More importantly, this film painted a different shade of Mumbai\u2019s underworld, one that featured gang bosses who were engrossed in the city at a fundamental level.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">When my uncle, a mild-mannered man, came to Bombay from Kolkata for his first job as an accountant back in 1985, he put himself up in a rundown hostel bang opposite the Nagpada police station. In his five months in the city, he lived in close quarters with people who belonged to different gangs and blended in as if it was no big deal. During his meals at Sarvi, a restaurant frequented by the underworld, he claims to have shared a table and conversation with gang members of the Company on a daily basis. His assessment of them was surprising to me: jovial men who could surprise you with their humour and humility when you least expected it.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">One particular conversation that he keeps going back to, involves a heated discussion with one of Ibrahim\u2019s right hand-men who insisted that the ganglords, despite their criminal records, were not terrorists. It\u2019s fascinating that even Ribeiro, responsible for leading many criminal encounters, subscribes to this thought, \u201cYou see the underworld, they bribe you. They don\u2019t kill you. They will respect you; they will get you with money,\u201d he <\/span><span style=\"font-weight: 400;\">admits<\/span><span style=\"font-weight: 400;\"> to <a href=\"https:\/\/mumbaimirror.indiatimes.com\/mumbaimirrored\/episodes\/julio-francis-ribeiro\">Mumbai Mirror<\/a>.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">Today, Mumbai has evolved. Gang wars are no longer part of the city\u2019s lexicon. Yet, every few years there comes a film that offers a throwback to the days of guns and goondas. The influence of the underworld on the city we know today is best summed up by Manjula Ramakrishnan, a historian and journalist, who suggests looking at the intricate maze of mafia gangs as the subtext to the ethos of the city: malfunctioning but rebellious.<\/span>\n","protected":false},"excerpt":{"rendered":"<p>As Bombay evolved into Mumbai, a lot has changed. The underworld and its dons are no longer part of the city\u2019s everyday lexicon. #MumbaiMirrored is a video series, presented by Mumbai Mirror that charts the journey of the city. An anecdotal look at the city\u2019s murky yet fascinating past.<\/p>\n","protected":false},"author":103,"featured_media":5487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7083],"tags":[702,9331,9332,7087,5891,9333,1895,9334,9335,9336,9307,9337,9338,6537,4196,9339,3673,9340,7221,9341],"class_list":["post-5486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","tag-amitabh-bachchan","tag-angaar","tag-deewar","tag-dimple-kapadia","tag-dongri","tag-haji-mastan","tag-jackie-shroff","tag-julio-ribeiro","tag-karim-lala","tag-maximum-city-bombay-lost-and-found","tag-mumbaimirrored","tag-muslim-ghettos","tag-nagpada","tag-nana-patekar","tag-pran","tag-shashilal-k-nair","tag-sher-khan","tag-suketu-mehta","tag-underworld","tag-yusuf-patel"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mumbai and Its Complicated Relationship With the Underworld<\/title>\n<meta name=\"description\" content=\"As Bombay evolved into Mumbai, a lot has changed. 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