{"id":4754,"date":"2016-06-21T09:22:34","date_gmt":"2016-06-21T03:52:34","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4754"},"modified":"2016-06-21T09:22:34","modified_gmt":"2016-06-21T03:52:34","slug":"hbo-chernobyl-review-disaster-propaganda","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4754","title":{"rendered":"HBO\u2019s Chernobyl Warns Us About the Disasters of Propaganda & State-Sponsored Truths"},"content":{"rendered":"\n

A<\/span>fter the disaster that was the last season of <\/p>Game of Thrones<\/span><\/i><\/a>, I\u2019ll admit I was a bit skeptical about a series that aimed to encapsulate a story as complex, controversial, and layered as the Chernobyl disaster within five episodes and under seven hours of runtime. How do you do justice to the scale of devastation and loss \u2014 both in human and ecological terms \u2014 without losing the audience to the grimness of the minutiae that make the story simultaneously tragic and terrifying? <\/span>\n\nDo you focus on the catastrophic nature of the consequences that loomed over humanity, had the radioactive fallout and contamination not been contained? Or does the heroism of the 600,000-odd civic and <\/span>military<\/span><\/a> personnel who saved millions of lives by taking on the dangerous work of building, evacuating, cleaning, monitoring, and providing medical care in an active radioactive zone take narrative centrestage? <\/span>\n\nIs it more important to meditate about the toxicity of political playacting and the resultant chilling disregard for human life in an attempt to save face internationally, especially the \u201c<\/span>Americans<\/span><\/a>\u201d \u2014 in a telling scene in episode four, the deputy chairman of the council of ministers bleakly calls the Soviet Union a country \u201cobsessed with not being humiliated\u201d? Or is the audience best served by using the Chernobyl story to sound an urgent alarm about authoritarian governments, the power of propaganda, and State-sponsored truths in the age of fake news and unbridled threats to free press. <\/span>\n\nHistory, after all, has the perplexing habit of repeating itself. <\/span>\n\nFor an entire decade after the incident, many details about the days, weeks and months following the cataclysmic explosion of the core of nuclear reactor No 4 at the Chernobyl Nuclear Power Plant in April 1986 remained murky due to the Soviet <\/span>government\u2019s<\/span><\/a> near-complete suppression of information trickling out of the disaster site. Even so, this much is undebatable: the State\u2019s propensity for classifying documents that threatened its agenda \u2014 even if that meant concealing crucial scientific research \u2014 \u00a0played a catalysing part in the events that transpired on that fateful night. It is impossible to watch Chernobyl without this one unsettling question gnawing away at your intellect with increasing persistence: could the worst nuclear accident in the history of humankind have been averted if those all-important documents containing vital information about structural damages and flaws in the design of the reactor hadn\u2019t been redacted? The answer is almost too awful to contemplate.<\/span>\n

Is the Soviet Union\u2019s insistence on controlling the narrative with arbitrary, unilateral decisions about censorship any different from the brazen rewriting of history in India?<\/blockquote>\nThese questions are alarming during the best of times, but they take on an added urgency in a world where the very idea of an objective truth and reality is finding itself buried under misinformation so dense, it can sometimes be hard to imagine there exists anything on the other side of this darkness. Is the Soviet Union\u2019s insistence on controlling the narrative with arbitrary, unilateral decisions about <\/span>censorship<\/span><\/a> any different from the brazen rewriting of history in India? <\/span>\n\nIn the final episode of the series, Valery Legasov, a high-ranking nuclear physicist who is tasked with planning and strategising the cleanup efforts and one of the three protagonists, gives a stirring testimony in a court about the cost of truth and lies. But before that, we see him offering up a carefully constructed, government-approved version of it to a group of scientists who want to know whom to blame. There\u2019s a parallel to be drawn between the frustration of a nuclear physicist muzzled by an autocratic government, and the resignation of the acting chairman of the National Statistical Commission of India in January this year over political strong-arming and manipulation of employment and <\/span>GDP<\/span><\/a> data under the Modi government. At a certain point, after enough voices have been silenced, the pursuit of truth becomes futile.<\/span>\n\nChernobyl creator Craig Mazin and director Johan Renck have done a spectacular job of capturing truth\u2019s fragile \u2014 and tortured \u2014 relationship with <\/span>power<\/span><\/a> in the series, even as it takes liberties with the truth in the interest of fabricating tension and drama. You can see resigned contempt etched in every line of Valery Legasov\u2019s (Jared Harris) face and hear impatience lacing his every word as he struggles to find out how the impossible happened, even as his government prioritises prestige over its people\u2019s protection \u2014 until it no longer can. Ulana Khomyuk, a sharp nuclear physicist from Minsk who cottons on to the truth of what might really be going on faster than everyone else around her, might be a fictionalised character, but she beautifully represents the community of scientists who worked on unmasking the truth, one poor decision at a time, despite the constant scrutiny and red tape. Emily Watson plays the character to perfection \u2014 just the right mix of stoicism and academic pride. And finally, there is the brilliant Stellan Skarsg\u00e5rd\u00a0as\u00a0Boris Shcherbina, the\u00a0deputy chairman of the Council of Ministers, whose bluster as an important state official gives way to horror as the import of what humanity faces truly hits home. <\/span>\n\nSure, these characters may be oversimplified for narrative convenience \u2014 Legasov is too ignorant of Soviet bureaucracy for the first half of the show to be as high up in the hierarchy as he is, Khomyuk is too \u201cgood\u201d to be a truthful representation of a group of people beaten into submission by a system that silences every murmur of dissent, and Shcherbina is too deferential too quickly \u2014 but they\u2019re all effective interlocutors for a story pop culture has waited too long to tell. A story of unborn <\/span>children<\/span><\/a> absorbing the radiation assailing their mothers in the womb and dying within hours of birth, of first responders dying torturous deaths far away from home, and of the staggering 350,000 people who forever lost their homes. <\/span>\n\nChernobyl raises and leaves you with many ideological questions about truth and lies, pliancy and resistance, and the rights and wrongs of it all. But in the end, it leaves you with this: Will it matter who emerges the hero and who is cast as the <\/span>villain<\/span><\/a>, when no one is left to sing praises or assign blame? <\/span>\n","protected":false},"excerpt":{"rendered":"

It is impossible to watch HBO\u2019s Chernobyl without one unsettling question gnawing away at your intellect: Could the worst nuclear accident in the history of humankind have been averted if documents containing vital information about structural damages and flaws in the design of the reactor hadn\u2019t been redacted? The answer is almost too awful to contemplate.<\/p>\n","protected":false},"author":306,"featured_media":4755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[8395,1462,1668,1307,8396],"class_list":["post-4754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-chernobyl","tag-hbo","tag-propaganda","tag-russia","tag-state-sponsored-truth"],"yoast_head":"\nHBO\u2019s Chernobyl Warns Us About the Disasters of Propaganda & State-Sponsored Truths<\/title>\n<meta name=\"description\" content=\"It is impossible to watch HBO\u2019s Chernobyl without one unsettling question gnawing away at your intellect: Could the worst nuclear accident in the history of humankind have been averted if documents containing vital information about structural damages and flaws in the design of the reactor hadn\u2019t been redacted? 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