{"id":4696,"date":"2016-06-06T09:11:17","date_gmt":"2016-06-06T03:41:17","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4696"},"modified":"2016-06-06T09:11:17","modified_gmt":"2016-06-06T03:41:17","slug":"pm-narendra-modi-review-vivek-oberoi-omung-kumar-hindutva-biopic","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4696","title":{"rendered":"PM Narendra Modi Review: The Most Lacklustre Endorsement of NaMo This Election Season"},"content":{"rendered":"\n

O<\/span><\/p>mung Kumar\u2019s<\/a> PM Narendra Modi <\/span><\/i>\u2013 the biopic whose release was stalled by the Election Commission for violating the Model Code of Conduct \u2013 is a classic case of a film getting to make good on its misfortunes. Now, it releases a day after the BJP\u2019s unrivalled win in the Lok Sabha elections that sets in stone five more years of Narendra Modi\u2019s rule in the country. <\/span>\n\nStarring Vivek Oberoi (whose last lead outing was when Congress was in power) as the eponymous prime minister, the biopic spans over 60 years of Modi’s life and yet opens with a disclaimer which states that the film is historically inauthentic. Biographical films, by design, are expected to remain true to facts \u2013 limited to depicting only what actually transpired in real life and not a fictional version of it. But <\/span>PM Narendra Modi<\/span><\/i> is bound by no such restrictions, mainly because Kumar hasn\u2019t made a film. Instead he\u2019s directed a 131-minute-long product placement of Narendra Modi.<\/a> It might has well have been titled \u201cModi No 1\u201d.<\/span>\n\nThe biopic begins in 1959 when Modi is a nine-year-old selling tea at his father\u2019s tea stall in Gujarat and ends in 2014, after he is elected Prime Minister. It\u2019s possibly the only smart move adopted by the filmmakers, given that this particular time-frame allows them the leeway to not touch on crucial fallacies of the Modi government, right from demonetisation to mob lynchings. If there was ever a doubt over Oberoi\u2019s<\/a> acting (or imitating) skills, the actor certainly puts that to rest with his turn in <\/span>PM Narendra Modi<\/span><\/i>. Despite the unflinching support of prosthetic, he plays PM Modi like a wax statue, who only comes to life to glare or frown. <\/span>PM Narendra Modi,<\/span><\/i> then, is reduced to being a costume drama, where Oberoi changes more outfits than expressions, making it the most lacklustre endorsement that the PM has received this election season.<\/span>\n\nThe sole purpose of the film remains highlighting the benevolence of the PM, positing him as the saviour that India didn\u2019t know it desperately needed. It\u2019s hardly a new narrative, having been parrotted endlessly by the BJP and fawning apolitical celebrities who vehemently believe that Modi’s fondness towards mangoes<\/a> is instrumental in the functioning of a democracy. Omung Kumar, an extremely unnecessary filmmaker, joins the party by packing <\/span>PM Narendra Modi <\/span><\/i>to the brim with forced references to the buzziest catchphrases and pet projects that have defined the prime minister\u2019s rule. <\/span>\n\nIt\u2019s the kind of film that allays criticism against the PM by trying to convince the audience that the first words Modi ever uttered was a political slogan. <\/span>In the opening minutes for instance, a nine-year-old Modi is shown serving chai to a group of customers and eavesdropping on their conversation about politics before explaining to his father that \u201cchai pe charcha is siksha without kharcha\u201d. Minutes later, we also see him serving chai to the mother of an Indian soldier, refusing to take money from her, saluting and yelling \u201cBharat Mata ki Jai\u201d to her instead. The next morning, he stops to salute the national flag while on his way back from school. In case you couldn’t tell, there is no patriot like Modi. <\/span>\n

PM Narendra Modi <\/em>is precisely the kind of propaganda that is capable to dictate decisive elections<\/blockquote>\n\nThe rest of the film follows this hyper-nationalistic gaze, littered with references to nari-shakti, the beti-padhao campaign, black money, chowkidars,<\/a> 56-inch chests, and anti-Pakistan sentiments \u2013 issues that has dominated the political narrative for the last five years. Yet the fact that <\/span>PM Narendra Modi <\/span><\/i>\u2013 covering only the formative years of Modi\u2019s ascent as a politician \u2013 exploits them to paint a towering show-reel of Modi as an effective leader is proof of its dishonest intentions. Kumar strips these issues of context and criticism and merely retrofits them to enable the myth of the PM\u2019s superhero-like origin story. <\/span>\n\nNaturally, the biopic romanticises Modi as someone who always goes out of his way to serve the citizens of India. Over the course of two hours, Modi rejects family life (it makes no mention of his wife Jashodaben) and exiles himself to the Himalayas to become a \u201csanyasi\u201d \u2013 motivated by Dev Anand\u2019s <\/span>Guide<\/span><\/i> and a book on Gautam Buddha. He hoists the national flag in Srinagar\u2019s Lal Chowk despite being attacked by terrorists, an event that <\/span>never<\/span><\/a> actually occurred in real life. He donates blood at a camp for the victims of the Godhra riots, an act that seems laughable even as fiction; single-handedly builds a canal in a village next to the Rann of Katch, moved by the plight of women who have to walk four kilometres for drinking water. And in the film\u2019s most bizarre surgical strike on the truth, he even teaches America a lesson for denying him a US visa, which the film argues wasn\u2019t due to his alleged complicity in the Godhra riots but because of a Congress-led conspiracy. <\/span>\n\nA trifecta of awful writing, acting, and filmmaking (Kumar will go down in history for having no concept of the passage of time), <\/span>PM Narendra Modi<\/span><\/i>\u2019s ridiculous alt-narratives take a sinister turn when it presents its \u201cversion\u201d of the Godhra riots. The film goes as far as suggesting that the pogrom was a result of a conspiracy hatched by Modi\u2019s rivals and victimises him as a well-meaning but helpless Chief Minister caught in the cross-hairs of inter-state politics \u2013 none of the neighbouring states extend any help, leaving a burning Gujarat to fend for itself. In the film, Modi is a concerned CM who leaps into action the moment he is apprised of the situation, even though he has been widely criticised for his negligence during the riots. In one scene, a police-officer informs Modi that the riots \u2013 that went on for three days in 2002 \u2013 are under control within 24 hours. Even for a film that is essentially revisionist in nature, it’s a bit of a stretch.<\/span>\n\nIt\u2019s Modi, who deserves the credit for uniting Hindus and Muslims, the film keeps yelling, as if the growing intolerance in the country is just a figment of overactive liberal imagination. On more than one occasion, the film shows Modi preaching the importance of not othering Muslims (When a police-officer informs him about the number of Muslims killed in the riots, Modi chides him for discriminating them based on their religion and insists he calls them \u201cIndians\u201d) and claims that \u201cviolence has no religion\u201d. Yet at the same time, the biopic doesn\u2019t shy away from contradicting it and revealing its Islamophobia: <\/span>The terrorists whose plans Modi foils in <\/span>PM Narendra Modi<\/span><\/i> have a religion \u2013 they are naturally Muslim. Hinduism<\/a>, on the other hand, is posited as the very reason that the country is still secular.\u00a0 <\/span>\n\nIt’s precisely the danger of a biopic, that enables propaganda that could influence the future of India. At a time when the BJP\u2019s clean sweep proves that the Hindutva narrative has more takers than we\u2019d like to believe, <\/span>PM Narendra Modi<\/span><\/i> then, exists to persuade us that there is nothing worse than questioning Prime Minister Narendra Damodardas Modi.\u00a0<\/span>\n","protected":false},"excerpt":{"rendered":"

Biographical films, by design, are expected to remain true to facts. But PM Narendra Modi is bound by no such restrictions, mainly because director Omung Kumar hasn\u2019t made a film. Instead he\u2019s directed a 131-minute-long product placement of Narendra Modi.<\/p>\n","protected":false},"author":103,"featured_media":4697,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[2881,538,8318,7315,8319,8320,5990],"class_list":["post-4696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-hindutva","tag-muslims","tag-omung-kumar-b","tag-pm-narendra-modi","tag-pm-narendra-modi-review","tag-ssandeep-singh","tag-vivek-oberoi"],"yoast_head":"\nPM Narendra Modi Review: The Most Lacklustre Endorsement of NaMo This Election Season<\/title>\n<meta name=\"description\" content=\"Biographical films, by design, are expected to remain true to facts. But PM Narendra Modi is bound by no such restrictions, mainly because director Omung Kumar hasn\u2019t made a film. 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