{"id":4317,"date":"2016-06-03T02:00:21","date_gmt":"2016-06-02T20:30:21","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4317"},"modified":"2026-07-17T21:01:35","modified_gmt":"2026-07-17T15:31:35","slug":"made-in-heaven-zoya-akhtar-myth-bollywood-marriages","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4317","title":{"rendered":"How Zoya Akhtar\u2019s Made in Heaven Shatters the Myth of the Bollywood Vivah"},"content":{"rendered":"\n

T<\/span>he quote \u201cMarriages are made in heaven\u201d is attributed to English writer and playwright John Lyly. But if there\u2019s a country that has followed the saying like scripture, it would be India. None more so than Bollywood, a collective so perversely in awe of the ceremonial theatrics of a <\/p>marriage<\/span><\/a>, that it has rarely attempted to look beyond its one-night splendour. But Zoya Akhtar and Reema Kagti\u2019s <\/span>Made in Heaven<\/span><\/i> is having none of that.<\/span>\n\nI faintly remember watching <\/span>Hum Aapke Hain Kaun..!<\/span><\/i> at Chandigarh\u2019s iconic Piccadily theatre as a kid, surveying middle-aged men and women exfoliate their tear glands at every plot twist at this Sooraj Barjatya-sponsored marriage porn. Even though, I was scarred back then, it\u2019s not hard to discern why it would elicit such reactions. At its peak in the \u201990s, marriage in Hindi <\/span>cinema<\/span><\/a> was part-climax and part-catharsis \u2013 a natural end to the human condition that manifested either in romantic triangles or heroic struggles. It was never a compromise; always an aspirational hard-fleshed idea that was the culmination of our want and will. <\/span>\n\nThe problem with the Bollywoodised depiction of marriages isn\u2019t that it serviced illusions, but the fact that it has done it in a way that pretty much colonised reality as well. Celebrities who have hardly shown as fierce a jest for nuptials as they have invested their lives in selling it, have convinced commoners that the shortcut to a happily-ever-after is marriage. What <\/span>Made in Heaven<\/span><\/i><\/a> does exceptionally well is flush this very toxicity by imparting agency to the perspective of the women shackled in a marriage. And in doing so, lower the forged divinity of a custom that is just a means to an end.<\/span>\n\nFor a long time in Hindi cinema, marriage has always been an idea created and serviced by men, for <\/span>men<\/span><\/a>. Bollywood has tendered marriage like it were the consummation of existence itself. Thank god then for, <\/span>Made in Heaven<\/span><\/i>, which intends to tear a hole in the utter romanticisation of this custom. <\/span>\n\n

There is no better evidence of Made in Heaven\u2019s insistence of dissecting marriages without romanticising it than in its opening episode. Karan and Tara pitch a grand marriage by saying \u201cThe Roshans are the new-age royalty.\u201d<\/blockquote>\n\nThere are several weddings \u2013 one each in every episode \u2013 in <\/span>Made in Heaven<\/span><\/i>. In each of them the glitter, the nauseating synchronicity, the false exuberance of the families are just a side note. What takes centre-stage instead, is a more primal dissection of the mentalities that constitute a marriage, from families prioritising business ties to <\/span>brides<\/span><\/a> weighing one sacrifice against the other, at times choosing between dignity and lifestyle. The show revolves around two wedding planners who see it as such: Disarmingly honest in the way they separate indulgence from work, Karan (Arjun Mathur) and Tara (Sobhita Dhulipala) barter on behalf of parents and at times even collude with them \u2013 in one <\/span>wedding<\/span><\/a>, they have a bride\u2019s virginity investigated. Marriage to them, like most planners and families in India, is a transaction.<\/span>\n\n\"made_in_heaven\"\n
\n

Marriage to them, like most planners and families in India, is a transaction.<\/p>\n

Image Credits: Amazon Prime<\/p>\n<\/figcaption>\n<\/figure>\n\nCrucially, it is through women, the common denominator of all patriarchal fantasies \u2013 the \u201cacchi bahu\u201d \u2013 that we see most of <\/span>Made in Heaven<\/span><\/i>. Even more crucial, though, is the disinclination to cast all of them as victims. In one episode, a Ludhiana girl participates in a Miss India-like pageant to be considered as a bride for an impotent <\/span>NRI<\/span><\/a> man and then marries him, because he offers her a ticket to America. Even though, she believes it will be her liberation, what it essentially is, is a transfer between two different prisons. In another, a pilot about to be wedded into a royal family, pays off a woman to keep mum about an incident of abuse at her pre-wedding celebrations instead of confronting it. It\u2019s a side of marriage \u2013 an examination of why people choose to be in it \u2013 that has rarely been depicted on celluloid. <\/span>\n\nAlong most of the threads in <\/span>Made in Heaven<\/span><\/i>, the cynical energy of reality illuminates aspects that with the exception perhaps of Mira Nair\u2019s <\/span>Monsoon Wedding(2001) <\/span><\/i>have never been done before. A bride in one episode, for instance, turns a blind eye toward the financial modesty of her <\/span>family<\/span><\/a>, all for the performance of needless extravagance. In another, a high-ranking civil servant who wants a \u201csmall wedding\u201d refuses to call out his family\u2019s extravagant last-minute demand for dowry. Across its palette, the marriages in <\/span>Made in Heaven<\/span><\/i> are much more than mere ceremonial flourishes, echoing the complexity of a real relationships that though natural, have always been considered contractual. \u00a0\u00a0\u00a0\u00a0<\/span>\n\nThere is no better evidence of <\/span>Made in Heaven<\/span><\/i>\u2019s insistence of dissecting marriages without romanticising it than in its opening episode. Karan and Tara pitch a grand marriage by saying \u201cThe Roshans are the new-age royalty.\u201d One of the Roshans (Neena Gupta) looks at her <\/span>husband<\/span><\/a>, smiles approvingly and concurs with a \u201cSo true.\u201d It is a quietly revelatory moment, one that uncorks the bottled self-interest behind the grandeur of this institution that after a point leaves its two wheels \u2013 the groom and the bride \u2013 behind. <\/span>\n\nMarriages are indeed made on earth \u2013 often for a lot of ungainly reasons. And <\/span>Made in Heaven<\/span><\/i> shows us that. <\/span>\n","protected":false},"excerpt":{"rendered":"

For a long time, Bollywood has convinced us that the shortcut to a happily-ever-after is marriage. But Zoya Akhtar and Reema Kagti\u2019s Made in Heaven intends to tear a hole in the utter romanticisation of this custom. It shows us a side of marriage \u2013 an examination of why people choose to be in it \u2013 that has rarely been depicted on celluloid.<\/p>\n","protected":false},"author":137,"featured_media":4320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[141,944,224,7750,7751,7752,408,6689],"class_list":["post-4317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-bollywood","tag-husband","tag-love","tag-made-in-heaven","tag-marriages","tag-relationhips","tag-sex","tag-wives"],"yoast_head":"\nHow Zoya Akhtar\u2019s Made in Heaven Shatters the Myth of the Bollywood Vivah<\/title>\n<meta name=\"description\" content=\"For a long time, Bollywood has convinced us that the shortcut to a happily-ever-after is marriage. But Zoya Akhtar and Reema Kagti\u2019s Made in Heaven intends to tear a hole in the utter romanticisation of this custom. It shows us a side of marriage \u2013 an examination of why people choose to be in it \u2013 that has rarely been depicted on celluloid.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=4317\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Zoya Akhtar\u2019s Made in Heaven Shatters the Myth of the Bollywood Vivah\" \/>\n<meta property=\"og:description\" content=\"For a long time, Bollywood has convinced us that the shortcut to a happily-ever-after is marriage. But Zoya Akhtar and Reema Kagti\u2019s Made in Heaven intends to tear a hole in the utter romanticisation of this custom. 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