{"id":4302,"date":"2016-06-03T11:32:42","date_gmt":"2016-06-03T06:02:42","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4302"},"modified":"2016-06-03T11:32:42","modified_gmt":"2016-06-03T06:02:42","slug":"badla-review-a-safe-crime-thriller-suffering-from-a-kahaani-hangover","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4302","title":{"rendered":"Badla Review: A Safe Crime Thriller Suffering From a Kahaani Hangover"},"content":{"rendered":"\n

A<\/span><\/p><\/div>

t one point in Sujoy Ghosh\u2019s <\/span>Badla<\/span><\/i>, Badal Gupta (Amitabh Bachchan), the defence attorney hired to represent Naina Sethi (Taapsee Pannu), a married entrepreneur accused of murder, mocks the unrealistic scenarios conjured up by his client. \u201cTumhare kahaani mein jisko jo karna hota hai woh naye naye cheezein aise hi seekh jaata hai,\u201d Badal tells Naina, as if bemoaning the death of logic at the altar of plot twists in every crime thriller.<\/span>\n\nIt\u2019s a delightful meta-moment where Badal behaves like a stand-in for the audience and refuses to buy Naina\u2019s story, which involves her lover \u2013 a photographer \u2013 waking up as a \u201cbank system expert\u201d one fine day. But what makes the moment even more amusing is that it\u2019s also the stand that explains <\/span>Badla<\/span><\/i>. Its plot takes multiple sensational detours but ends with circling back to the most obvious \u2013 and logical \u2013 explanation, albeit with a dose of disbelief.<\/span>\n\nAdapted from Orio Paulo\u2019s <\/span>The Invisible Guest<\/span><\/i>, a 2016 Spanish crime thriller, <\/span>Badla <\/span><\/i>(Paulo is credited for the story) begins when an injured Naina is found locked in a hotel room with Arjun, her dead lover. Because there are no forced signs of entry or any possible way to get out of that locked room, Naina is accused and arrested, although she insists on her innocence. The responsibility of uncovering the truth and acquitting Naina then, falls on Badal Gupta, who is reputed for never losing a case. As Naina and Badal piece together the events that led to Arjun\u2019s (newcomer Tony Luke) death, a tale of deceit, double murders, and revenge emerges.<\/span>\n\n

Badla’s<\/em> cast hinders it from being consistently engrossing.<\/p><\/blockquote> \n\nMuch of the straightforward <\/span>Badla<\/span><\/i> unfolds in the living room of an apartment where Naina is holed up after being out on bail \u2013 a filmmaking decision that usually relies heavily on actors to build and sustain suspense. It\u2019s to Ghosh\u2019s credit that he has Bachchan and Pannu \u2013 a formidable pair who share chemistry and history as a lawyer-client couple (<\/span>PINK<\/a><\/span><\/i>) \u2013 in the lead roles. Both the actors elevate the intrigue in a way that makes it somewhat difficult to read them. But this is an exception; the rest of the cast hinders <\/span>Badla<\/span><\/i> from being consistently engrossing: Luke\u2019s accented Hindi is unbelievably distracting and he seems determined to not act; Manav Kaul is wasted in an inconsequential role; while Amrita Singh plays a mother who is more grating than grieving. <\/span>\n\nIt also doesn\u2019t help that <\/span>Badla\u2019s<\/span><\/i> red herrings \u2013 especially, its final reveal \u2013 and the directorial style seem eerily reminiscent of Ghosh\u2019s <\/span>Kahaani<\/span><\/i>. In fact, the film\u2019s <\/span>Kahaani <\/span><\/i>hangover is its weakest link. Unlike the Vidya Balan-starrer, <\/span>Badla<\/span><\/i> falls short of being extraordinary or ingenious, solely because of its filmmaking decisions: Some of the dialogues are stitled and clunky, the cast is largely random and unforgettable, and the movie never quite manages to fully sustain the mystery of its unreliable narrator. These don\u2019t just strip much of <\/span>Badla\u2019s<\/span><\/i> charm, but also guarantee that it can\u2019t be anything more than just a passable thriller.<\/span>\n\nIt\u2019s a shame considering <\/span>Badla<\/span><\/i> shows promise. Although the film is otherwise a faithful adaptation, Ghosh deviates from the thematic origins of Paulo\u2019s original story by reversing the genders of two significant characters. In <\/span>The Invisible Guest<\/span><\/i>, the character accused of murder is a man, as is the one exacting revenge. But in Ghosh\u2019s adaptation, both these characters are women. It affords <\/span>Badla<\/span><\/i> the chance to contextualise a simple tale of revenge into one that resembles the most famous Indian reference for revenge: the Mahabharata. Mythology is generously relied upon in <\/span>Badla<\/span><\/i> and the arc of one of the main protagonists borrows from that of Draupadi. More importantly, by having two women \u2013 who go to unimaginable lengths to prove themselves \u2013 face off each other in a crime thriller instead of two men, Ghosh builds a solid case against the assumption of innocence that we often grant women accused of heinous crimes. If only <\/span>Badla<\/span><\/i> lived up to its intent.<\/span>\n","protected":false},"excerpt":{"rendered":"

Sujoy Ghosh’s Badla, starring Amitabh Bachchan and Tapsee Pannu suffers from an acute Kahaani hangover. But unlike the Vidya Balan-starrer, Badla falls short of being extraordinary or ingenious because it doesn’t manage to fully sustain the mystery of its unreliable narrator.<\/p>\n","protected":false},"author":103,"featured_media":4303,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[7735,7736],"class_list":["post-4302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-badla","tag-badla-review"],"yoast_head":"\nBadla Review: A Safe Crime Thriller Suffering From a Kahaani Hangover<\/title>\n<meta name=\"description\" content=\"Sujoy Ghosh's Badla, starring Amitabh Bachchan and Tapsee Pannu suffers from an acute Kahaani hangover. 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