{"id":4114,"date":"2016-05-26T02:27:09","date_gmt":"2016-05-25T20:57:09","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4114"},"modified":"2026-07-17T20:54:52","modified_gmt":"2026-07-17T15:24:52","slug":"10th-anniversary-luck-by-chance-zoya-akhtar","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4114","title":{"rendered":"Luck By Chance: The Finest, Most Self-Aware Movie About the Movies Ever Made"},"content":{"rendered":"\n

I<\/span><\/p><\/div>

n 2019, Bollywood gave us one of its most innovative films ever: <\/span>Gully Boy<\/span><\/i><\/a>. The Zoya Akhtar film explores the seething underbelly of Mumbai\u2019s grassroots rap scene. It\u2019s a film that doesn\u2019t inhabit the upper-class, slightly dysfunctional world her previous films have, but in many ways this story of ambition and self-esteem might be very close to her first film \u2013 which completes 12 years today. <\/span>\n\nFor many of us, <\/span>Luck By Chance<\/span><\/i> was Akhtar\u2019s finest work, a subtle drama exploring the meaning of <\/span>ambition<\/span><\/a> and happiness in the film industry, before she internalised the need for conventional happy endings and (at least) a small degree of formulaic storytelling. Ten years ago, as now, <\/span>Luck By Chance<\/span><\/i> remains path-breaking, but in a quiet, understated way. Its popularity has only grown, mostly through word of mouth \u2013 first, on Torrents (remember those?) and then on online streaming platforms. \u00a0<\/span>\n\nToday, <\/span>Luck By Chance<\/span><\/i> enjoys a cult status and gets better with every viewing, because it is rare to find a film this self-aware about the film industry. It looks inward like no film ever has before, and examines what makes the industry tick \u2013 from its film families and producers, to the <\/span>underpaid<\/span><\/a> crew members, to the thousands of struggling actors with no connections whose headshots often languish at the bottom of a pile somewhere, forgotten. <\/span>\n\n\"luck\n

\n

While both the leads deliver fine performances, the film belongs as much to them as to the rest of the large ensemble cast.<\/p>\n<\/figcaption>\n<\/figure>\n\nThe film traces the diverging journeys of two such \u201cstrugglers\u201d Vikram (Farhan Akhtar) and Sona (Konkona Sen Sharma). Vikram comes from a wealthy family that can afford to sponsor his pursuit of passion as he waits for his \u201cbig break\u201d. Sona is more comfortable with <\/span>Hindi<\/span><\/a> than English, can\u2019t afford a new fridge, and does small parts in large films to keep paying the bills. Is it any surprise that even now, the \u201coutsiders\u201d we see in the industry are often clones of the insiders \u2013 wealthy youngsters with English educations and urban accents, who have at least a few connections and the staying power to wait for their launches? <\/span>\n\nWhile both the leads deliver fine performances, the film belongs as much to them as to the rest of the large ensemble cast. Apart from the many cameos from prominent Bollywood faces, <\/span>Rishi Kapoor<\/span><\/a> is especially unforgettable as the film producer who alternates between upbeat and harried as he caves to the demands of his hero, heroine, heroine\u2019s <\/span>mother<\/span><\/a>, wife, and <\/span>pandit<\/span><\/i>. Dimple Kapadia\u2019s character might be the strongest of the lot \u2013 a tiger mom battling her own demons as she tries to give her daughter the life she never had. <\/span>\n\n

Zoya and Farhan are both from a prominent film family, as are many of the actors in the film \u2013 yet thankfully, the film doesn\u2019t try to excuse or justify it, merely presenting facts as facts.<\/p><\/blockquote> \n\nOne of the things that stands out for me, is the humour with which the film views the constant seeking of self-interest by everyone in the industry. It sees hypocrisy and vanity through an indulgent lens, rather than judgment. It smiles when a film shoot is moved to Ooty from Europe when the big-budget star is replaced by a \u201cnew face\u201d, as <\/span>Rishi Kapoor<\/span><\/a> declares him a \u201cvulcano of talent\u201d over and over to a befuddled reporter even though he wasn\u2019t his choice. Vikram personifies this pursuit of ruthless self-interest, a part of his character that ensures both his professional success and personal failures. <\/span>\n\nWell before <\/span>Kangana Ranaut<\/span><\/a> put it under the spotlight, nepotism was already a recurrent theme in the film. Zoya and Farhan are both from a prominent film family, as are many of the actors in the film \u2013 yet thankfully, the film doesn\u2019t try to excuse or justify it, merely presenting facts as facts. Isha Sharvani\u2019s opening scene (where she narrates how she was offered a massive break because the producer called her mother) is eerily close to Jahnvi Kapoor\u2019s narration last year of how she was picked for <\/span>Dhadak<\/span><\/i>. And Sona\u2019s annoyance at this narration \u2013 which she watches while eating Maggi in a one-room house with a broken fridge \u2013 is palpable. <\/span>Luck By Chance<\/span><\/i> looks at nepotism as a fact of the industry \u2013 as normal as junior artistes getting no attention whatsoever, as common as sexual harassment, as routine as the stuntmen who die on set. <\/span>\n\nAnd it isn\u2019t going away anytime soon either, the film says; a new face might get a break because the star dropped out (as <\/span>Karan Johar<\/span><\/a> expounds), but usually when a producer goes looking to cast a new hero, he speaks to a Bachchan, a Kapoor, a Khanna, an Oberoi. <\/span>\n\n\"luck\n

\n

One of the things that stand out is the humour with which the film views the constant seeking of self-interest by everyone in the industry.<\/p>\n<\/figcaption>\n<\/figure>\n\nAnd yet the contrast to newcomers is stark \u2013 and quietly brutal: Whether it\u2019s Sona being strung along by a director for years with the promise of her big break (only to be dropped quickly over the course of a meeting), Vikram\u2019s desperation to be as present and as \u201ccharming\u201d to every person he comes across, Dimple Kapadia\u2019s revelation of how she was pushed into the industry, every choreographer and technician looking to be the next big thing. It\u2019s no coincidence that Honey Irani (who is also Zoya\u2019s aunt) revealed in 2016 that she was sexually abused as a child artist, a fact that her <\/span>family<\/span><\/a> already knew of \u2013 the parallels to Kapadia\u2019s story, in hindsight, couldn\u2019t be clearer. <\/span>\n\nThe Indian film industry (let\u2019s not call it \u2018Bollywood\u2019 \u2013 that offends Ninaji) had its #MeToo moment in 2018 but the road is long and many predators remain hidden. The system that enables producers, directors and actors to prey on outsiders, especially women, is far from dead. The fundamental power imbalance that causes it has been around for decades and continues to exist: Much of Kapadia\u2019s character is explained by a crucial scene at the end where she describes her own rise to stardom; much of Sona\u2019s makes sense when she explains at the end how she came to <\/span>Mumbai<\/span><\/a>. <\/span>\n\nAs the movie closes, comparing Vikram and Sona\u2019s journeys into acting, it underscores how much of what a newcomer can achieve, depends on a combination of the flexibility of their morals, the circumstances they come from, their attitude toward success and toward challenges, and finally just dumb luck: being \u201cat the right time\u2026 in the right place,\u201d as Saurabh Shukla\u2019s character says at the beginning. Luck by chance is a cruel mistress. \u00a0\u00a0\u00a0<\/span>\n","protected":false},"excerpt":{"rendered":"

Luck By Chance remains Zoya Akhtar\u2019s finest work, a subtle drama exploring the meaning of ambition and happiness in the film industry \u2013 via nepotism, sexual harassment, and blind luck.<\/p>\n","protected":false},"author":263,"featured_media":4118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[4709,141,1010,4126,7495,5503],"class_list":["post-4114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-ambition","tag-bollywood","tag-farhan-akhtar","tag-film","tag-luck-by-chance","tag-zoya-akhtar"],"yoast_head":"\nLuck By Chance: The Finest, Most Self-Aware Movie About the Movies Ever Made<\/title>\n<meta name=\"description\" content=\"Luck By Chance remains Zoya Akhtar\u2019s finest work, a subtle drama exploring the meaning of ambition and happiness in the film industry \u2013 via nepotism, sexual harassment, and blind 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