{"id":4049,"date":"2016-05-15T00:55:37","date_gmt":"2016-05-14T19:25:37","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4049"},"modified":"2016-05-15T00:55:37","modified_gmt":"2016-05-14T19:25:37","slug":"m-night-shyamalans-superheroes-glass-review","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=4049","title":{"rendered":"In a Post-Marvel Age, M Night Shyamalan’s Superheroes and Villains are Irrelevant"},"content":{"rendered":"\n

W<\/span><\/p>ith <\/span>Glass<\/span><\/i>, M Night Shyamalan has, at long last, concluded his Eastrail 177 trilogy that began with <\/span>Unbreakable <\/span><\/i>at the beginning of the noughties. For a long time, the series promised to be a sharp, subversive, and thrilling take on <\/span>comic-book <\/span><\/a>tropes. Yet in the final installment, Shyamalan ruins a good thing by piling on the outdated thematic messages with a heavy hand. <\/span>\n\nUnbreakable<\/span><\/i> followed a tense cat-and-mouse game between Elijah Price, alias Mr Glass (Samuel L Jackson) and David Dunn (Bruce Willis). Dunn is returning from New York to his home in Philadelphia on a train when it crashes. Dunn emerges as the only survivor but what\u2019s even more shocking is that he escapes almost untouched. That\u2019s when he encounters Glass, who explains to Dunn that some people are \u201cunbreakable\u201d. Glass then pushes him to explore his strength and his new-found abilities, forcing him to accept his identity as a vigilante, The Overseer. But when Dunn finds out that Glass killed innocent people just to manipulate him, he confines him to an <\/span>asylum <\/span><\/a>for the criminally insane. <\/span>\n\nIt was an interesting look at the coincidence-rich world of comic books, where an essential ingredient of minting superheroes from Spider-Man to <\/span>Batman <\/span><\/a>and beyond, is some kind of tragic personal loss. Glass, with his wheelchair and propensity to groom budding superheroes, is clearly an homage to Professor X of the <\/span>X-Men<\/span><\/i> (whose first franchise film released the same year). Rather than casting Glass as the good guy who helps other mutant heroes, Shyamalan\u2019s version unerringly captures a handicapped genius with a God complex that comes to fruition in <\/span>Glass<\/span><\/i>. <\/span>\n\nIn 2016\u2019s <\/span>Split<\/span><\/i>, a sequel to <\/span>Unbreakable<\/span><\/i>, Dunn runs into Kevin Wendell Crumb (James McAvoy), a <\/span>man <\/span><\/a>suffering from Dissociative Identity Disorder, whose most brutal personality, The Beast, captured three teenage girls as a cannibalistic sacrifice. As Dunn tries to save them, Kevin is taken over by the Beast \u2013 referred to as The Horde \u2013 and escapes. <\/span>\n\nAnd <\/span>Glass<\/span><\/i>, the last film of the trilogy, brings all these heroes and villains together once and for all. The film opens with The Horde and The Overseer, being thrown in the same asylum as Glass. At the hands of Ellie Staple (Sarah Paulson), a psychiatrist who specialises in superhuman delusions of grandeur, they are treated for their supposed mental <\/span>disorders<\/span><\/a>. Meanwhile, their friends in the outside world are slowly figuring out that comic books are not fictional, but a historical record. <\/span>\n

Combined with Shyamalan\u2019s signature aesthetic, it makes for a gripping first half.<\/blockquote>\nCombined with Shyamalan\u2019s signature aesthetic, it makes for a gripping first half. As Kevin transitions into \u2013 and struggles against \u2013 each distinct personality, his desperation is both terrifying and heartbreaking. But as usual, there\u2019s never any straight shooting with Shyamalan, who seamlessly grounds fantasy in a deep, biological reality. After all, if The Beast\u2019s super-strength is merely the product of a <\/span>mental <\/span><\/a>illness, who\u2019s to say that The Overseer and Mr Glass are any different? Who can deny that Iron Man is fuelled more by paranoia than any kind of superpower? Are people who think they\u2019re superheroes crazy, or does it take a crazy person to become a superhero? And it\u2019s in trying to find pat answers to these questions that <\/span>Glass<\/span><\/i> stumbles. <\/span>\n\nUnlike 19 years ago when <\/span>Unbreakable<\/span><\/i> released, we\u2019ve now had several thousands films in the genre to ruminate on unnerving questions similar in theme. After the Joker\u2019s weirdly relatable <\/span>nihilism <\/span><\/a>in <\/span>The Dark Knight<\/span><\/i>, or Thanos\u2019 unassailable logic when he advocates for mass genocide in <\/span>Avengers: Infinity War<\/span><\/i>, the traditional notion of black-and-white, good vs evil comic book rhetoric no longer exists. <\/span>\n\nSo when Shyamalan forces his characters to expound on the duality of heroes and villains, and navigate the line between reality and fantasy, he\u2019s making an argument that is no longer novel. In a <\/span>post-Marvel <\/span><\/a>age, articulating terms like \u201cshowdown\u201d or using meta-references like \u201corigins story\u201d without a trace of irony, is downright insulting to audiences. In fact. <\/span>Glass<\/span><\/i>\u2019s depictions of comic book fans as a bunch of Seth Rogen-type nerds prove that Shyamalan has failed to recognise or acknowledge the genre\u2019s mainstream growth. <\/span>\n\nCome to think of it, Shyamalan\u2019s greatest disservice has ultimately been to his own cinematic universe. In <\/span>Unbreakable<\/span><\/i>, his forays into the superhero psycho were groundbreaking, paving the way a new age of comic book movies. Yet <\/span>Glass<\/span><\/i> is a testament that he\u2019s still stuck in the old one. <\/span>\n","protected":false},"excerpt":{"rendered":"

Are people who think they\u2019re superheroes crazy, or does it take a crazy person to become a superhero? In trying to find pat answers to such questions, M Night Shyamalan\u2019s Glass fails.<\/p>\n","protected":false},"author":208,"featured_media":4050,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[1461,7377,1745,7389,5903,2023,7390,1788,7391],"class_list":["post-4049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-batman","tag-glass","tag-hollywood","tag-ironman","tag-joker","tag-movie","tag-night","tag-review","tag-shyamalan"],"yoast_head":"\nIn a Post-Marvel Age, M Night Shyamalan's Superheroes and Villains are Irrelevant<\/title>\n<meta name=\"description\" content=\"Are people who think they\u2019re superheroes crazy, or does it take a crazy person to become a superhero? 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