{"id":3975,"date":"2016-04-07T16:17:57","date_gmt":"2016-04-07T10:47:57","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3975"},"modified":"2026-07-17T20:51:19","modified_gmt":"2026-07-17T15:21:19","slug":"gully-boy-trailer-ranveer-singh-zoya-akhtar-gully-rap","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=3975","title":{"rendered":"Gully Boy Trailer: Ranveer Singh Drops His Extraness to Channel His Inner Bantai"},"content":{"rendered":"\n<div class=\"container page-content\"><p><span class=\"dropcap\">Z<\/span><\/p><\/div><p>oya Akhtar\u2019s <\/span><i><span style=\"font-weight: 400;\">Gully Boy<\/span><\/i><span style=\"font-weight: 400;\">, inspired by the slums-to-riches journey of gully rappers Divine and Naezy, released its trailer today and made one thing crystal clear: If there\u2019s ever yet another sequel to <\/span><i><span style=\"font-weight: 400;\">Singh is Kinng<\/span><\/i><span style=\"font-weight: 400;\">, it\u2019s <a href=\"http:\/\/admin.arre.co.in\/bollywood\/ranveer-singh-alauddin-khilji-padmaavat\/\">Ranveer Singh\u2019s<\/a> for the taking. Last year, Singh \u2013 a Bollywood A-lister if ever there was one \u2013 opened and ended the year with two excellent performances, which also happened to be box-office hits. In fact, it was his performance that made it impossible to not hold the two films to the same extraordinary standard. <\/span>\n\n<span style=\"font-weight: 400;\">In Sanjay Leela Bhansali\u2019s <\/span><i><span style=\"font-weight: 400;\">Padmaavat,<\/span><\/i><span style=\"font-weight: 400;\"> Singh essayed Allauddin Khilji, creating an unhinged invader so unwavering about his own inhumanity, it tricked the audience into empathising with him, rather than the film\u2019s milquetoast hero played by Shahid Kapoor. And in last month\u2019s problematic <\/span><i><span style=\"font-weight: 400;\">Simmba<\/span><\/i><span style=\"font-weight: 400;\">, Singh, who played a boisterous cop, elevated the Rohit Shetty universe several notches. <\/span>\n\n<span style=\"font-weight: 400;\">And yet, disparate as they are, both these performances share a common thread \u2013 Khilji and Simmba are characters borne out of the excess that Singh embodies. In the last couple of years, a majority of Singh\u2019s commercially acclaimed films have him mainstreaming this kind of behaviour that, in millennial-speak, is labelled \u201cextra\u201d. The same sort of OTT-ness that defined the Govinda era \u2013 but was still considered a speciality. Think about it: Bittu from <\/span><i><span style=\"font-weight: 400;\">Band Baaja Baaraat<\/span><\/i><span style=\"font-weight: 400;\">, Ram from <\/span><i><span style=\"font-weight: 400;\">Goliyon Ki Rasleela Ram-Leela<\/span><\/i><span style=\"font-weight: 400;\">, or even Kabir Mehra from <\/span><i><span style=\"font-weight: 400;\">Dil Dhadakne Do<\/span><\/i><span style=\"font-weight: 400;\"> are characters who benefit from Ranveer Singh\u2019s natural exuberance and larger-than-life idiosyncrasies. <\/span>\n\n<span style=\"font-weight: 400;\">And yet, Singh\u2019s most evocative performance has been as Varun Shrivastav, a thief moonlighting as a poetic lover in the criminally underrated <\/span><i><span style=\"font-weight: 400;\">Lootera.<\/span><\/i>\n\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1547044774.jpg\" alt=\"Gully Boy Trailer\" width=\"675\" height=\"407\" class=\"alignnone size-medium wp-image-44311\" \/>\n<figcaption>\n<p>The <em>Gully Boy<\/em> trailer shows great promise.<\/p>\n<p>Excel Entertainment<\/p>\n<\/figcaption>\n<\/figure>\n\n<span style=\"font-weight: 400;\">Perhaps, that\u2019s why the spectacular trailer of Zoya Akhtar\u2019s coming-of-age rap-drama instantly stands out. Six years after <\/span><i><span style=\"font-weight: 400;\">Lootera<\/span><\/i><span style=\"font-weight: 400;\">, here is Singh, playing against type, once again. Here is Ranveer Singh, letting a character enrich him, instead of the other way round. As evident from the <\/span><i><span style=\"font-weight: 400;\">Gully Boy<\/span><\/i><span style=\"font-weight: 400;\"> trailer, Singh, plays Naved Shaikh aka Naezy, an unassuming slum-dweller whose words \u2013 as the tagline emphasises \u2013 set him free. Throughout most of the two-minute trailer, Singh disappears completely, emerging as a rapper, who just wants his voice to be heard.<\/span>\n\n<span style=\"font-weight: 400;\">Come to think of it, the <\/span><i><span style=\"font-weight: 400;\">Gully Boy<\/span><\/i><span style=\"font-weight: 400;\"> trailer points to another return to roots. Like Singh, Zoya Akhtar\u2019s biggest hits have been films, set in a universe where she is most comfortable, revelling in a brand of indulgence. Whether it is channelling the lavish duplicity of a wealthy South Delhi family\u2019s fraught ties in <\/span><i><span style=\"font-weight: 400;\">Dil Dhadakne Do,<\/span><\/i><span style=\"font-weight: 400;\"> or while painting a millennial wanderlust love-letter to Spain in <\/span><i><span style=\"font-weight: 400;\">Z<a href=\"http:\/\/admin.arre.co.in\/outdoors\/road-trip-losing-friends-zindagi-na-milegi-dobara\/\">indagi Na Milegi Dobara<\/a><\/span><\/i><span style=\"font-weight: 400;\">. Yet <\/span><i><span style=\"font-weight: 400;\">Gully Boy<\/span><\/i><span style=\"font-weight: 400;\">, in contrast, seems to have exchanged that comfort in favour of authenticity \u2013 an obvious hark back to the style of Akhtar\u2019s debut film <\/span><i><span style=\"font-weight: 400;\">Luck By Chance<\/span><\/i><span style=\"font-weight: 400;\">. Except, this time she\u2019s training her lens on music, instead of on the people lip-syncing them.<\/span>\n\n<span style=\"font-weight: 400;\">In about a month, we\u2019ll come to know whether <\/span><i><span style=\"font-weight: 400;\">Gully Boy<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 \u00a0a film whose mere existence legitimises gully rap as dining table conversation \u2013 examines the struggle for fame and success, as succinctly as <\/span><i><span style=\"font-weight: 400;\">Luck By Chance<\/span><\/i><span style=\"font-weight: 400;\">. If the trailer is any proof, it could just be 2019\u2019s first blockbuster.<\/span>\n","protected":false},"excerpt":{"rendered":"<p>The Gully Boy trailer is firm indication that Ranveer Singh is Bollywood\u2019s finest A-lister. Two of last year\u2019s biggest hits, Padmaavat and Simmba, benefited from Singh\u2019s natural exuberance \u2013 yet, he disappears completely in the Gully Boy trailer, letting the character enrich him.<\/p>\n","protected":false},"author":30,"featured_media":3978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[],"class_list":["post-3975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gully Boy Trailer: Ranveer Singh Drops His Extraness to Channel His Inner Bantai<\/title>\n<meta name=\"description\" content=\"The Gully Boy trailer is firm indication that Ranveer Singh is Bollywood\u2019s finest A-lister. 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