{"id":3753,"date":"2016-05-08T09:47:54","date_gmt":"2016-05-08T04:17:54","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3753"},"modified":"2016-05-08T09:47:54","modified_gmt":"2016-05-08T04:17:54","slug":"disabled-protagonists-bollywood-films","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=3753","title":{"rendered":"What Bollywood Always Gets Wrong About the Differently Abled"},"content":{"rendered":"\n

I<\/span><\/p><\/div>

n John Krasinski\u2019s 2018 post-apocalyptic masterpiece<\/span> A Quiet Place<\/span><\/i><\/a>,<\/span><\/i> the world is ravaged by monsters with ultra-sensitive hearing, forcing a family of four to go into semi-permanent hiding. While three members of the family are able-bodied, the fourth member, Regan, the teenage daughter is actually deaf. What\u2019s surprising is that viewers don\u2019t realise this until much later when Lee Abbott, Regan\u2019s father uses sign language to communicate with her. <\/span>\n\nRegan\u2019s deafness makes for an efficient survival tactic in the film but her character doesn\u2019t exist in a vacuum, written simply to garner sympathy points. <\/span>A Quiet Place<\/span><\/i> gives Regan an equal footing in the process, never fetishising her <\/span>disability<\/span><\/a>. What\u2019s even more inspiring is that Krasinski went to great lengths to ensure that the part of Regan went to an actual deaf actor. <\/span>\n\nYep, Millicent Simmonds is deaf as well as a brilliant actor. How is that for representation and diversity? And when can we hope to see it in <\/span>Bollywood<\/span><\/a>? \u00a0<\/span>\n\nRemember Thakur in <\/span>Sholay<\/span><\/i>, where every viewer was called upon to ignore what was staring them in the face \u2013 that Sanjeev Kumar\u2019s arms were tucked under his kurta? Exactly 30 years later, we had <\/span>Sanjay Leela Bhansali\u2019s<\/span><\/a> Black<\/span><\/i>, a story of a Helen Keller-like protagonist who is \u201csaved\u201d by her teacher. This is disability in Bollywood, an obstacle that needs to be overcome. <\/span>\n\n

The age we live in right now, misrepresentation and erasure in pop-culture has the capacity to do palpable harm and set back actual work done by activists.<\/p><\/blockquote> \n\nIn fact, Bhansali specialises in narratives featuring disability. <\/span>Khamoshi: The Musical <\/span><\/i>(1996) uses the saviour trope for maximum emotional effect, while in <\/span>Guzaarish<\/span><\/i> (2010), the disabled character has to resort to euthanasia to free himself of his disability. In all three of <\/span>Bhansali\u2019s <\/span><\/a>films, disability is portrayed as an overwhelming \u201cother\u201d, which either needs to be warded off completely, or needs to be overpowered. <\/span>\n\nWhy can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In <\/span>Sparsh <\/span><\/i>(1980)<\/span>,<\/span><\/i> Naseeruddin Shah <\/span><\/a>plays the blind Anirudh who falls in love with Kavita (Shabana Azmi). During a scene in the film, Anirudh says something along the lines of, \u201cThe blind need help, not pity.\u201d That pretty much describes the fault in how Bollywood portrays disabled protagonists. In <\/span>Sparsh<\/span><\/i>, Anirudh\u2019s affliction doesn\u2019t dominate his character. It\u2019s the same with Gulzar\u2019s <\/span>Koshish <\/span><\/i>(1972). <\/span>\n\nAnurag Basu\u2019s <\/span>Barfi <\/span><\/i>(2012) and <\/span>Jagga Jassos<\/span><\/i> (2018) refused to treat disability as the other; instead getting to understand it. It\u2019s similar to the especially progressive <\/span>Margarita With A Straw <\/span><\/i>(2014)<\/span>,<\/span><\/i> where we see <\/span>Kalki Koechlin\u2019s <\/span><\/a>Laila, who is suffering from cerebral palsy, come to terms with her sexuality. These films have steered away from harmful tropes and used effective storytelling to their advantage.<\/span>\n\nWhich brings me to the point of representation. Both on-screen portrayals and representation go hand-in-hand; one complements the other. Perhaps Indian filmmakers could take a leaf out of Vince Gilligan\u2019s book. In<\/span> Breaking Bad<\/span><\/i><\/a>,<\/span><\/i> Walter White Jr \u2014 or Finn \u2014 is played by RJ Mitte. In the show, Finn suffers from cerebral palsy and has impaired motor control; just like the character, RJ Mitte too has cerebral palsy. And the writers ensure that Finn isn\u2019t just a disabled kid who needs sympathy. He is a regular teenager coming to terms with his drug lord father\u2019s continued absence. His disability isn\u2019t his calling card. It\u2019s just a part of him. <\/span>\n\nSo when will Bollywood filmmakers get this memo?<\/span>\n\nIt\u2019s the same argument which has been brought up time and again when it comes to LGBTQIA+ representation. I call this the <\/span>Danish Girl<\/span><\/i> syndrome. In 2015\u2019s romantic drama, Eddie Redmayne, a cis-white <\/span>male <\/span><\/a>actor plays a trans-woman. Redmayne is a terrific actor but it\u2019s impossible to ignore that he was woefully miscast. The film itself, although well-received, erased a real-life trans person. But while Hollywood is trying to learn from its mistakes, it looks like the Hindi film industry isn\u2019t even trying. <\/span>\n\nIn only a few days, we\u2019ll get to see all the glitz and colour associated with a Shah Rukh Khan film. In <\/span>Zero, <\/span><\/i>he\u2019ll play a person suffering from dwarfism, who is in love with a woman who has cerebral palsy. <\/span>SRK <\/span><\/a>has been made shorter digitally and warning bells are already ringing in my head. Were there really no dwarf actors in Bollywood?<\/span>\n\nCasting disabled actors \u2014 or even actors who have lived with a disability \u2014 for such roles shouldn\u2019t come as an afterthought. In fact, in the age we live in right now, misrepresentation and erasure in <\/span>pop-culture <\/span><\/a>has the capacity to do palpable harm and set back actual work done by activists. <\/span>\n\nI suppose, because filmmaking is such a visual medium that is easily accessible to a wide audience, the onus falls on the creators to tell better, nuanced stories, and not fall into lazy tropes. Good representation begins with empathy and good creators, even before jotting down a story, writers need to empathise with the characters they create \u2013 abled, disabled, straight, queer, white, black, or brown \u2013 and not treat them as \u201cothers\u201d. Some day, I hope, <\/span>Bollywood <\/span><\/a>will listen?<\/span>\n","protected":false},"excerpt":{"rendered":"

Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.<\/p>\n","protected":false},"author":293,"featured_media":3754,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[7037,141,288,7038,7039,7040,5093,1931,7041,152,7042,7043,7044,5521],"class_list":["post-3753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pov","tag-barfi","tag-bollywood","tag-breaking-bad","tag-danish-girl","tag-differently-abled","tag-disabled","tag-filmmakers","tag-jagga-jasoos","tag-protagonists","tag-shah-rukh-khan","tag-sparsh","tag-vince-gilligan","tag-walter-white-jr","tag-zero"],"yoast_head":"\nWhat Bollywood Always Gets Wrong About the Differently Abled<\/title>\n<meta name=\"description\" content=\"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=3753\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What Bollywood Always Gets Wrong About the Differently Abled\" \/>\n<meta property=\"og:description\" content=\"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/13.201.39.237\/?p=3753\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-08T04:17:54+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1543825956.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1520\" \/>\n\t<meta property=\"og:image:height\" content=\"850\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Amal Singh\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"What Bollywood Always Gets Wrong About the Differently Abled\" \/>\n<meta name=\"twitter:description\" content=\"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Amal Singh\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753\"},\"author\":{\"name\":\"Amal Singh\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/aaaf71d1b21a55e00303014853d493ea\"},\"headline\":\"What Bollywood Always Gets Wrong About the Differently Abled\",\"datePublished\":\"2016-05-08T04:17:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753\"},\"wordCount\":888,\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1543825956.jpg\",\"keywords\":[\"barfi\",\"bollywood\",\"breaking bad\",\"danish girl\",\"differently-abled\",\"disabled\",\"filmmakers\",\"Jagga Jasoos\",\"protagonists\",\"Shah Rukh Khan\",\"sparsh\",\"vince gilligan\",\"walter white jr\",\"zero\"],\"articleSection\":[\"POV\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753\",\"name\":\"What Bollywood Always Gets Wrong About the Differently Abled\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1543825956.jpg\",\"datePublished\":\"2016-05-08T04:17:54+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/aaaf71d1b21a55e00303014853d493ea\"},\"description\":\"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.\",\"breadcrumb\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\\\/\\\/13.201.39.237\\\/?p=3753\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#primaryimage\",\"url\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1543825956.jpg\",\"contentUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1543825956.jpg\",\"width\":1520,\"height\":850},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=3753#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/13.201.39.237\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"What Bollywood Always Gets Wrong About the Differently Abled\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/\",\"name\":\"Arr\u00e9\",\"description\":\"In every person lies a creator and in every creator, an enterprise.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/13.201.39.237\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/aaaf71d1b21a55e00303014853d493ea\",\"name\":\"Amal Singh\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g\",\"caption\":\"Amal Singh\"},\"url\":\"http:\\\/\\\/13.207.105.184\\\/?author=293\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"What Bollywood Always Gets Wrong About the Differently Abled","description":"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/13.201.39.237\/?p=3753","og_locale":"en_US","og_type":"article","og_title":"What Bollywood Always Gets Wrong About the Differently Abled","og_description":"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.","og_url":"http:\/\/13.201.39.237\/?p=3753","og_site_name":"Arr\u00e9","article_published_time":"2016-05-08T04:17:54+00:00","og_image":[{"width":1520,"height":850,"url":"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1543825956.jpg","type":"image\/jpeg"}],"author":"Amal Singh","twitter_card":"summary_large_image","twitter_title":"What Bollywood Always Gets Wrong About the Differently Abled","twitter_description":"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.","twitter_misc":{"Written by":"Amal Singh","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/13.201.39.237\/?p=3753#article","isPartOf":{"@id":"http:\/\/13.201.39.237\/?p=3753"},"author":{"name":"Amal Singh","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/aaaf71d1b21a55e00303014853d493ea"},"headline":"What Bollywood Always Gets Wrong About the Differently Abled","datePublished":"2016-05-08T04:17:54+00:00","mainEntityOfPage":{"@id":"http:\/\/13.201.39.237\/?p=3753"},"wordCount":888,"image":{"@id":"http:\/\/13.201.39.237\/?p=3753#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1543825956.jpg","keywords":["barfi","bollywood","breaking bad","danish girl","differently-abled","disabled","filmmakers","Jagga Jasoos","protagonists","Shah Rukh Khan","sparsh","vince gilligan","walter white jr","zero"],"articleSection":["POV"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/13.201.39.237\/?p=3753","url":"http:\/\/13.201.39.237\/?p=3753","name":"What Bollywood Always Gets Wrong About the Differently Abled","isPartOf":{"@id":"http:\/\/13.201.39.237\/#website"},"primaryImageOfPage":{"@id":"http:\/\/13.201.39.237\/?p=3753#primaryimage"},"image":{"@id":"http:\/\/13.201.39.237\/?p=3753#primaryimage"},"thumbnailUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1543825956.jpg","datePublished":"2016-05-08T04:17:54+00:00","author":{"@id":"http:\/\/13.201.39.237\/#\/schema\/person\/aaaf71d1b21a55e00303014853d493ea"},"description":"Why can\u2019t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn\u2019t as if we don\u2019t have precedents. In films like Sparsh and Jagga Jasoos, the leads\u2019 afflictions don\u2019t dominate their characters.","breadcrumb":{"@id":"http:\/\/13.201.39.237\/?p=3753#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/13.201.39.237\/?p=3753"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/13.201.39.237\/?p=3753#primaryimage","url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1543825956.jpg","contentUrl":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1543825956.jpg","width":1520,"height":850},{"@type":"BreadcrumbList","@id":"http:\/\/13.201.39.237\/?p=3753#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/13.201.39.237\/"},{"@type":"ListItem","position":2,"name":"What Bollywood Always Gets Wrong About the Differently Abled"}]},{"@type":"WebSite","@id":"http:\/\/13.201.39.237\/#website","url":"http:\/\/13.201.39.237\/","name":"Arr\u00e9","description":"In every person lies a creator and in every creator, an enterprise.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/13.201.39.237\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/13.201.39.237\/#\/schema\/person\/aaaf71d1b21a55e00303014853d493ea","name":"Amal Singh","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4ac788d7df35f66fe215a0a02ed079607ce639997a2deaa37b2c518a18b35d85?s=96&d=mm&r=g","caption":"Amal Singh"},"url":"http:\/\/13.207.105.184\/?author=293"}]}},"jetpack_featured_media_url":"http:\/\/13.207.105.184\/wp-content\/uploads\/2026\/07\/1543825956.jpg","_links":{"self":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/3753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/users\/293"}],"replies":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3753"}],"version-history":[{"count":0,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/posts\/3753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=\/wp\/v2\/media\/3754"}],"wp:attachment":[{"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3753"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/13.207.105.184\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}