{"id":3598,"date":"2016-07-04T04:44:44","date_gmt":"2016-07-03T23:14:44","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3598"},"modified":"2016-07-04T04:44:44","modified_gmt":"2016-07-03T23:14:44","slug":"kaushal-khurrana-where-does-shah-rukh-khan-stand","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=3598","title":{"rendered":"In a World of Kaushals and Khurranas, Where Does King Khan Now Stand?"},"content":{"rendered":"\n

I<\/span><\/p>t\u2019s been a fascinating year for Bollywood. <\/span>Deepika Padukone and Ranveer Singh<\/span><\/a> started off the year with <\/span>Padmaavat<\/span><\/i> \u2013 that defied Karni Sena\u2019s numerous threats and box-office expectations \u2013 and are ending it with a big fat Indian wedding. <\/span>Veere Di Wedding<\/span><\/i>, a film made by women and for women, found more takers than <\/span>Race 3<\/span><\/i>, a Salman Khan vanity show packaged for the over-populated Bhaiverse. In between, a horror comedy became the flavour of the season, while audiences guaranteed that the statute of limitations on doing a <\/span>Namaste to England<\/span><\/a> finally expired. <\/span>\n\nIn fact, this year is proof that Bollywood is finally responding to some long overdue overhaul. And this change is telling in the year\u2019s two biggest winners as well: Actors, who haven\u2019t been cocooned in <\/span>Karan Johar<\/span><\/a> launchpads or met Bollywood\u2019s standards of attractiveness. Instead, they\u2019re two unassuming men, who\u2019ve shattered the romanticised idea of a leading romantic hero: Vicky Kaushal and Ayushmann Khurrana. <\/span>\n\nBetween them, Kaushal and Khurrana have given Bollywood four box-office successes and everlasting proof of their chameleon-like ability to sink into characters distinctly different from their previous outings. To put it simply, 2018 has begun, ended, and relied on both these acting powerhouses, even though it\u2019s also a year that comprises ambitious film outings by the three Khans. Especially <\/span>Shah Rukh Khan<\/span><\/a>, Bollywood\u2019s beloved King of Romance, who\u2019s looking forward to capping off the year with Anand L Rai\u2019s <\/span>Zero<\/span><\/i>. <\/span>\n\nIn 2018, SRK \u2013 who turns 53 today \u2013 has aged just a wee bit. The salt n pepper feels as familiar as his glorious dimple and the actor is just as capable of giving our hearts a flip, as he did a decade back. But in an age when Bollywood seems to have found its new King K \u2013 in a <\/span>Khurrana<\/span><\/a> and a Kaushal no less \u2013 is the original King Khan\u2019s dominance over our hearts and cinema screens under threat?<\/span>\n

Kaushal and Khurrana are just products of their age \u2013 the way Shah Rukh once was.<\/blockquote>\nIrrespective of whether you\u2019re a fan or not, you can\u2019t deny that SRK was born to be Bollywood\u2019s king of romance: If \u201cAur paas\u201d can still manage to speed up our heart rates then \u201cPalat, palat, palat\u201d and his outstretched arms have the power to reduce grown women to giggly, blushing schoolgirls. For a long time, we\u2019ve blindly assumed that SRK would forever remain the undisputed romantic hero \u2013 one who\u2019d keep discovering newer ways of big-screen romance. But even years later, the ageing Khan\u2019s romantic rulebook includes the oft-abused templates: outstretched arms, irresistible charm, and romancing actresses 20 years younger. And as evidenced by last year\u2019s disastrous <\/span>Jab <\/span><\/i>Harry Met Sejal<\/span><\/i><\/a>,<\/span><\/i> even the title of King of Romance comes with an expiry date.<\/span>\n\nAs a result, SRK\u2019s fandom was left oscillating in a deep well of confusion. Just like the actor\u2019s film choices in the last few years, which ranged from playing an anti-hero (<\/span>Raees<\/span><\/i>), a goofy romantic one (<\/span>Happy New Year<\/span><\/i>), an intense romantic (<\/span>Dilwale, Jab Tak Hai Jaan<\/span><\/i>) to a troubled one (<\/span>Jab Harry Met Sejal<\/span><\/i>), a superhero (<\/span>Ra.One<\/span><\/i>), and an ambitious double role of a commoner and a hero (<\/span>Fan<\/span><\/i>). And yet, his last superhit was in 2014. <\/span>\n\nIn the last few years, Khan\u2019s dwindling relevance as a romantic hero has rested on his larger-than-life legacy. The baggage of being <\/span>SRK<\/span><\/a> has ensured all his newer roles are almost always laced with indulgence (he literally played himself in <\/span>Fan<\/span><\/i>) and hat-tips to his older films. The actor\u2019s legacy that spans multiple decades and mediums, is in a way his unfortunate shield \u2013 one that retrofits unconventional storylines, performances, or projects into the predictable and recognisable brand of Shah Rukh Khan. It\u2019s why even the most die-hard fan of the actor is now just in love with the idea of SRK and not the actor. <\/span>\n\nIt\u2019s exactly what has propelled Khurrana and <\/span>Kaushal\u2019s<\/span><\/a> meteoric rise as Bollywood\u2019s romantic heroes. The two veritable outsiders are as yet, actors devoid of baggage. It\u2019s why they come off as actors who have nothing to lose \u2013 ones who get into the skin of their characters with sincerity, as if they are aware that it might be their last role. <\/span>\n\nThe new-age romance of Khurrana and Kaushal is believable, and yet impossibly romantic. Unlike SRK\u2019s brand of excess, their romantic outings revel in the little things. Like Sanjay Chaturvedi (Kaushal in <\/span>Love Per Square Foot<\/span><\/i>) dreaming of owning a house in Mumbai and then realising that any dream is better when fulfilled together. Or Nakul (Khurrana in <\/span>Badhaai Ho<\/span><\/i>) blaming his affectionate parents for him being a disinterested lover and Aakash (Khurrana in <\/span>Andhadhun<\/span><\/i>) not shying away from using trickery to gain the affections of Sophie (<\/span>Radhika Apte<\/span><\/a>).<\/span>\n\nKaushal and Khurrana are just products of their age \u2013 the way Shah Rukh once was. In the efficient hands of Khurrana and Kaushal, the new-age romantic hero is flawed and struggles with emotions. He also doesn\u2019t stretch his arms, except ironically. The only question is, with Khurrana and Kaushal\u2019s debut on <\/span>Koffee with Karan<\/span><\/i> just a few weeks away and the anticipated <\/span>Zero<\/span><\/i>, a month away, can SRK step into their shoes as easily as they\u2019ve stepped into his?<\/span>\n","protected":false},"excerpt":{"rendered":"

Shah Rukh Khan is looking forward to capping off the year with Anand L Rai\u2019s Zero. But in an age when Bollywood seems to have found new King Ks \u2013 in Vicky Kaushal and Ayushmann Khurrana \u2013 is the original King Khan\u2019s dominance over our hearts and screens under threat?<\/p>\n","protected":false},"author":299,"featured_media":3599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1780,152,6788,4214],"class_list":["post-3598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-ayushmann-khurana","tag-shah-rukh-khan","tag-shah-rukh-khan-birthday","tag-vicky-kaushal"],"yoast_head":"\nIn a World of Kaushals and Khurranas, Where Does King Khan Now Stand?<\/title>\n<meta name=\"description\" content=\"Shah Rukh Khan is looking forward to capping off the year with Anand L Rai\u2019s Zero. 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