{"id":3396,"date":"2016-07-16T13:56:04","date_gmt":"2016-07-16T08:26:04","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3396"},"modified":"2026-07-17T20:31:27","modified_gmt":"2026-07-17T15:01:27","slug":"village-rockstars-review-oscar-entry","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=3396","title":{"rendered":"Village Rockstars Review: India\u2019s Entry to the Oscars is a Winning Ode to Childhood Dreams"},"content":{"rendered":"\n

M<\/span><\/p>idway through Rima Das\u2019s moving <\/span>Village Rockstars<\/span><\/i> \u2013 India\u2019s official entry to the 91st <\/span>Academy Awards<\/span><\/a> \u2013 10-year-old Dhunu (Bhanita Das) visits her widowed mother (Basanti Das) on the field one blistering afternoon. She goofs around for a while until her frail young mother decides to give her a lesson in <\/span>swimming<\/span><\/a>. Dhunu flails around hesitantly in the pond as her mother stands in front of her and holds her hand. A few seconds later, a smile flashes on Dhunu\u2019s face as she confidently floats. <\/span>\n\nProud of her new-found dexterity, Dhunu prods her mother about why her father couldn\u2019t swim. \u201cHe never stopped being afraid. That\u2019s why he drowned in the flood,\u201d she replies. This tender moment is a metaphor, a small example of the indomitable strength of poverty-stricken women and their inherent survival instinct. For Dhunu\u2019s mother, who learnt how to swim on her own, swimming is more than just a skill \u2013 it\u2019s an ability to survive in a world that is waiting for them to drown.<\/span>\n\nScenes such as these crowd <\/span>Village Rockstars<\/span><\/i> \u2013 written, directed, shot, produced, and edited by Rima Das (also credited for the production design), a self-taught filmmaker who\u2019s made the National Award-winning Assamese film on a shoestring budget and with a digital camera. Set in the remote village of Chhayagaon in <\/span>Assam<\/span><\/a> (where Das grew up), <\/span>Village Rockstars<\/span><\/i> follows a tomboyish Dhunu, who dreams of owning a guitar and forming a music band with her elder brother and her friends. Although Das intends the film to be a tribute to her village, her sensitivity and warmth guarantees that <\/span>Village Rockstars<\/span><\/i> also captures the innocence of childhood and highlights the doting bond between mothers and daughters.<\/span>\n

Village Rockstars\u2019 biggest strength lies in how deftly it handles its women and female autonomy. The women are both its caregivers and breadwinners.<\/blockquote>\nThe film opens with Dhunu attending a neighbourhood boy band performance by her friends. The makeshift concert involves fake guitars and drums made out of styrofoam and a singer who lip-syncs the songs. Yet, despite the saddening circumstances, the boys have the time of their lives on the stage, jumping around with boundless energy. Dhunu watches, mesmerised, nodding her head to the beats of the song. It’s when the dream of owning a real<\/span> guitar germinates in her mind,<\/span><\/a> even as she goes home and skillfully makes a (killer) styrofoam one. Through the wide-eyed naivete of Dhunu, Das underlines that period in everyone\u2019s childhood when our dreams remained unaffected by the burden of practicality.<\/span>\n\n\"\"\n
\n

Through the wide-eyed naivete of Dhunu, Das underlines that period in everyone\u2019s childhood when our dreams remained unaffected by the burden of practicality.<\/p>\n

Image credit: Rima Das<\/p>\n<\/figcaption>\n<\/figure>\n\nDhunu’s also at an age where she hasn\u2019t been forced into submitting her dreams and hobbies at the altar of poverty and defined gender roles yet. Das evokes her listless, carefree life \u2013 we see Dhanu hanging out with a gang of boys, speaking their language (where she admonishes a guy who slaps her), and spending the better part of her days climbing trees, cycling, napping in the fields, splashing in mudwater. Even when the village nearly gets submerged after heavy rains, Dhunu takes up the relief efforts \u2013 she rows boats, salvages crops, and rescues goats with her friends, much to the chagrin of the village women, who repeatedly try to school her to be more \u201cladylike\u201d. But Dhunu remains unperturbed, going straight back to climbing trees even after her puberty ceremony.<\/span>\n\nVillage Rockstars<\/span><\/i>\u2019 biggest strength lies in how deftly it handles its women and female autonomy. The women are both its caregivers and breadwinners (there is hardly an adult man in the film), the reality of countless villages across the country. While Dhunu instantly takes to books, earns extra money by harvesting betel nuts, and helps her mother at home, her brother stops going to school after the principal reprimands him for failing for the third time. <\/span>\n\nDas deftly charts out the mother-daughter relationship with the kind of realism that we rarely witness in mainstream cinema. Like the rest of the village, Dhunu\u2019s mother repeatedly suggests that she hang out with girls her age. But she never stops her daughter from doing what she wants. The mother sides with a teary Dhunu after the village elders threaten to punish her for climbing trees with boys. <\/span>\n\nIn fact, Dhunu\u2019s mother is angered by such moral policing. In another scene, right after hitting Dhunu for venturing out on a boat during the floods, her mother lovingly bathes her and then caresses her face while she\u2019s fast asleep. Das lets us feel her realising that Dhunu can fulfill her desires only during her childhood for it won\u2019t be too long before poverty and circumstances force her to grow up. It\u2019s why she doesn\u2019t object to Dhunu wanting to buy a guitar, even as everyone around her keeps reminding her how expensive it is. And sticks to her promise of making her daughter\u2019s dream come true. At its core then, it’s the heartfelt story of a mother quietly trying to keep the child in her daughter alive.<\/span>\n\nMuch of the charm of <\/span>Village Rockstars<\/span><\/i> is that it\u2019s near impossible to tell whether it\u2019s a film or a documentary. Das films Dhunu\u2019s life as if it\u2019s reality unfolding right before our eyes. After all, a mother doesn\u2019t always need a big screen to smile widely as she watches her daughter confidently swim against the waves of life.<\/span>\n","protected":false},"excerpt":{"rendered":"

The National Award-winning Village Rockstars, India\u2019s official entry to the Oscars, is a one-woman operation. While Rima Das intended the film to be a tribute to her village, her sensitivity and warmth guarantees that it also captures the innocence of childhood \u2013 and the doting bond between mothers and daughters.<\/p>\n","protected":false},"author":103,"featured_media":3399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[1217,1003,26,6517,6518,6519,6520],"class_list":["post-3396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-assam","tag-children","tag-cinema","tag-indian-film","tag-oscar-entry","tag-rima-das","tag-village-rockstars"],"yoast_head":"\nVillage Rockstars Review: India\u2019s Entry to the Oscars is a Winning Ode to Childhood Dreams<\/title>\n<meta name=\"description\" content=\"The National Award-winning Village Rockstars, India\u2019s official entry to the Oscars, is a one-woman operation. 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