{"id":3314,"date":"2016-06-16T21:58:31","date_gmt":"2016-06-16T16:28:31","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3314"},"modified":"2026-07-17T20:29:32","modified_gmt":"2026-07-17T14:59:32","slug":"manmarziyaan-review-vicky-kaushal-anurag-kashyap-tapsee-pannu-abhishek-bachchan","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=3314","title":{"rendered":"Manmarziyaan Review: The Bollywood Love Triangle, Redefined"},"content":{"rendered":"\n

A<\/span><\/p>nurag Kashyap\u2019s <\/span><\/a> Manmarziyaan<\/span><\/i> is not just another love triangle that puts forth two oft-abused options \u2013 carefree excitement and routine stability \u2013 in front of its female lead. It dismantles just about everything we\u2019re conditioned to believe about how we love, fed through sugarcoated Bollywood romance; a throbbing manifesto of <\/span>modern love<\/span><\/a> that threatens to unravel the inadequacies of romance.<\/span>\n\nSet in Amritsar, it revolves around Rumi (an electric <\/span>Tapsee Pannu<\/span><\/a>), a gutsy 20-something orphan who is in love with Vicky Sandhu aka DJ Sandz (the inimitable <\/span>Vicky Kaushal<\/span><\/a>), the neighbourhood drifter. They have the kind of passionate, all-consuming romance that inevitably sets the universal standard for how \u201ctrue\u201d love should make us feel \u2013 equally soul-crushing during its highs and lows. Trouble brews when the lovers are discovered by Rumi\u2019s extended family. Their instant disapproval of her unambitious lover forces her to devise an ultimatum: If he doesn\u2019t ask for her hand the next day, she\u2019ll marry whoever they pick. <\/span>\n\nOf course, he doesn\u2019t show up. Nor does he transform into a dependable lover overnight. In a tragi-comic scene that highlights the latter, Rumi changes her mind about eloping with Vicky, a few minutes after they\u2019ve already left. Sensing that he will always be indifferent to life\u2019s practicalities, Rumi gives him an earful about how he shits all over responsibilities. Her grievances don\u2019t shock Vicky, who subverts the <\/span>\u201cmacho hero\u201d<\/span> <\/a>trope by being aware of his weaknesses. His face registers a shade of puppy-hurt, as he tells her \u2013 with tears in his eyes \u2013 that even though her outburst is accurate, she shouldn\u2019t have shown him the mirror. Rumi, eventually, interprets his repeated indecisiveness as rejection and marries Robbie, the dependable NRI banker (Abhishek Bachchan). <\/span>\n\nHere\u2019s the catch though. In Kashyap and writer Kanika Dhillon\u2019s deft hands, Bachchan\u2019s Robbie undercuts the proverbial nice guy trope that continues to be peddled in Hindi cinema. Traditionally, the nice guy has always been depicted as the boring second choice (Ajay Devgn in <\/span>Hum Dil De Chuke Sanam<\/span><\/i>), the calm bystander (R Madhavan in <\/span>Tanu Weds Manu<\/span><\/i>)<\/span>, <\/span><\/i>or the kind-hearted stranger (<\/span>Salman Khan<\/span><\/a> in <\/span>Kuch Kuch Hota Hai<\/span><\/i>).<\/span> He\u2019s limited to being the silent spectator in someone else\u2019s love story \u2013 one who shows up the inadequacy of the existing lover, and wins over the girl due to his selflessness, stability, and unwavering love. If you think about it, we\u2019ve never really known the nice guy beyond his perfections. <\/span>\n\nThat is, until <\/span>Manmarziyaan\u2019s<\/span><\/i><\/a> Robbie.<\/span>\n\n\"Manmarziyaan\n

\n

Abhishek Bachchan’s Robbie is Manmarziyaan’s <\/em>most interesting character.<\/p>\n

Image credit: Colour Yellow Productions<\/p>\n<\/figcaption>\n<\/figure>\n\nOn the surface, Robbie displays every imaginable trait of the nice guy: He\u2019s instantly besotted by Rumi and liked by her <\/span>family<\/span><\/a>. He\u2019s understanding to a fault, lives by the rules, and is the kind of person who will double-check whether his own wife wants to sleep with him. But these are red herrings: Robbie refuses to be defined by his niceness or be sidelined from what he believes is his love story. He relentlessly pursues Rumi despite knowing that she loves Vicky, takes advantage of Vicky\u2019s flaws, and manipulates Rumi and Vicky\u2019s complicated situation in his favour.<\/span>\n\nUnlike Sanjay Dutt in <\/span>Saajan<\/span><\/i>, Robbie doesn\u2019t give up at the mere sight of another suitor. In any other love triangle, he\u2019d be framed as the heartless villain, but in Kashyap\u2019s gaze, he is the film\u2019s most interesting character. By levelling the field for all three of his protagonists, Kashyap utilises Robbie (and Bachchan\u2019s restrained performance) to drive home the point misunderstood by almost every Bollywood love triangle: There can be no <\/span>nice guys<\/span><\/a> in the selfish, amoral pursuit of love.\u00a0<\/span>\n\nIt squashes the myth of \u201cthe one\u201d, going so far as stating that love is never a person; even someone who is perfect for you in every way, can hardly give you everything. And the idea of the one true love \u2013 you can have the most intense romance with someone and still not end up together.<\/span>\n\nIt\u2019s not surprising then that <\/span>Manmarziyaan <\/span><\/i>doesn\u2019t treat love as a competition and consciously eschews taking sides \u2013 Robbie, Rumi, and Vicky get to star in their own love stories. It\u2019s a decision that hoists the woman in a love triangle from being a mere \u201cobject\u201d of affection to a person who\u2019s flawed, indecisive, and really no better than her suitors. Even the film\u2019s manchild and nice guy aren\u2019t reduced to caricatures.<\/span>\n\nManmarziyaan<\/span><\/i> takes it upon itself to remind you that love doesn\u2019t magically happen to you; you have to be ready for it. At the same time as your significant other. Love may not be a person, but it sure is timing \u2013 a thought that Kashyap captures in a quietly heartbreaking <\/span>La La Land<\/span><\/i><\/a>-esque parting scene.<\/span>\n\nIt leaves you with a fascinating question: Which love story is more valid? And is there even a way to assess that? There are no answers: It\u2019s only fitting that <\/span>Manmarziyaan<\/span><\/i> is dedicated to <\/span>Amrita Pritam<\/span><\/a>, the woman who revelled in her dual love lives.<\/span>\n","protected":false},"excerpt":{"rendered":"

Anurag Kashyap\u2019s Manmarziyaan is both a manifesto of modern love and a statement against Bollywood’s unrealistic portrayal of love triangles. Aided by smart writing and affecting performances, the film subverts the nice guy trope and squashes the idea of the one true love.<\/p>\n","protected":false},"author":103,"featured_media":3317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1898,1287,141,224,6440,6441,1771,5855,4214],"class_list":["post-3314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-abhishek-bachchan","tag-anurag-kashyap","tag-bollywood","tag-love","tag-manmarzoyaan-review","tag-manmaziyaan","tag-nice-guys","tag-tapsee-pannu","tag-vicky-kaushal"],"yoast_head":"\nManmarziyaan Review: The Bollywood Love Triangle, Redefined<\/title>\n<meta name=\"description\" content=\"Anurag Kashyap\u2019s Manmarziyaan is both a manifesto of modern love and a statement against Bollywood's unrealistic portrayal of love triangles. 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