{"id":2959,"date":"2016-03-02T07:36:59","date_gmt":"2016-03-02T02:06:59","guid":{"rendered":"http:\/\/13.201.39.237\/?p=2959"},"modified":"2026-07-17T20:18:51","modified_gmt":"2026-07-17T14:48:51","slug":"ant-man-and-the-wasp-marvel-universe-women-problem","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2959","title":{"rendered":"Ant-Man and the Wasp: What Will it Take for Marvel to Fix its \u201cWomen Problem\u201d?"},"content":{"rendered":"\n

A<\/span><\/p><\/div>

nt-Man and the Wasp is Marvel\u2019s first Avenger offering after the bleak <\/span>Infinity War<\/span><\/i><\/a>, <\/span><\/i>a movie that didn\u2019t just shatter countless box-office records, but also all our hearts. For a franchise whose memoir could be <\/span>Genocide (And Other Existential Crises)<\/span><\/i>, the frothy <\/span>Ant-Man and the Wasp <\/span><\/i>provides its fans some much-needed respite.<\/span>\n\nScott Lang\/Ant-Man is perhaps the only remaining <\/span>Avenger<\/span><\/a> who we can turn to for some casual, irreverent fun where no one dies. The film\u2019s second installment features predictably rock-solid performances (Michael Douglas, Randall Park, Michelle Pfeiffer) and the introduction of a fantastically <\/span>spooky<\/span><\/a> baddie, Ghost (Hannah John-Kamen). Besides, is it possible to not like the ever-enjoyable Paul Rudd? <\/span>\n\nBut the reason I was looking forward to <\/span>Ant-Man and the Wasp<\/span><\/i> was to witness the transformation of Hope Pym (Evangeline Lilly) into the Wasp. Ending 10 years of speculation over Black Widow and Scarlet Witch, Marvel had at last zeroed in on a headlining superheroine in Wasp: the perfect <\/span>no-nonsense<\/span><\/a> foil to Ant-Man\u2019s wisecracking charm offensive. <\/span>\n\nIn the film\u2019s first edition, we\u2019d seen Hope van Dyne \u2014 who refuses to use her father\u2019s last name \u2014 betray him before joining forces with Scott. Her return to the family fold set up the kind of compelling, complex hero journey that Marvel does so well, but it\u2019s the <\/span>emotional<\/span><\/a> heft I was looking forward to. <\/span>\n\nI couldn\u2019t be any more disappointed.<\/span>\n\nFrom its very beginning, the film advertises Hope as a much better superhero than Scott: She punches faster and kicks harder, transforming from life-size to wasp aided by stunning effects. She\u2019s the superior driver, serving up some enthralling chase scenes with her F1-level skills, a brilliant quantum physicist and inventor in a plot that \u2013 what is now a Marvel Universe staple \u2013 relies on a lot of wibbly-wobbly <\/span>sci-fi<\/span><\/a> where the word \u201cquantum\u201d is appended to everything. <\/span>\n\n

As we\u2019d learnt in Ant-Man, Hope\u2019s singular aim was to rescue Janet van Dyne from the quantum realm where she\u2019d been trapped decades ago.<\/blockquote>\nHope proves that Marvel\u2019s superheroines can be just as impressive and engrossing. And this film offered the studio the perfect <\/span>playground<\/span><\/a> to fix its infamous \u201cwoman problem\u201d. So why does the film feel like <\/span>Ant-Man and the Afterthought<\/span><\/i>, rather than <\/span>Ant-Man and the Wasp<\/span><\/i>? <\/span>\n\nIn the last decade, we\u2019ve all been acquainted with the makings of a Marvel hero and have been emotionally invested in their personal lives: Whether it\u2019s Bruce Banner\u2019s perpetual struggle against his uncontrollable Hulk self or Tony Stark coming to terms with a trigger-happy government. <\/span>\n\nIt\u2019s here that <\/span>Ant Man and the Wasp<\/span><\/i> fails. Hope never gets the heroic treatment that Marvel has consistently set for its male players, leaving Hope little room to be anything except a plot device. It makes the film\u2019s claims to reset the <\/span>gender<\/span><\/a> dynamic look like a promotional facade.<\/span>\n\n\"the\n
\n

It takes an ample amount of audaciousness to breathe a female character into a film only to shut down criticism of the franchise\u2019s sexist treatment of women.<\/p>\n

Image Credits: bcheights<\/p>\n<\/figcaption>\n<\/figure>\n\nAs we\u2019d learnt in <\/span>Ant-Man<\/span><\/i>, Hope\u2019s singular aim was to rescue Janet van Dyne from the quantum realm where she\u2019d been trapped <\/span>decades<\/span><\/a> ago. Unfortunately, the sequel seems to have forgotten about Hope\u2019s feelings for her mother. She shows zero hesitation when she endangers the mission to rescue her mother to save Scott instead. Of course, the scene exists to only resolve the veiled tension between the duo with a good ol\u2019 Marvel <\/span>kiss<\/span><\/a>. <\/span>\n\nHope\u2019s doubts about Scott and her opinion of her father\u2019s chequered past are left unexamined, making her much less satisfactory than her alter ego. Rarely do we get to see or understand things through her eyes \u2013 and the film\u2019s gaze belongs to Scott. Even more confusing is the film\u2019s abject refusal to explore what it would mean for Hope to be reunited with her mother. Clearly, the film believes that giving a heroine the privilege to kick ass in a room full of men amounts to character development. At this point, she\u2019s more robot than human.<\/span>\n\nWasp is the recent casualty of Marvel\u2019s \u201cwomen problem\u201d that the testosterone-laded MCU has no idea how to fix. From the sidelining of badasses like Black Widow and <\/span>Gamora<\/span><\/a>, to the relegation of Mary Jane Watson and Vanessa Carlysle to mere girlfriend status, Marvel has always been guilty of criminally underusing talented actresses. <\/span>\n\nBut the token progressiveness of <\/span>Ant-Man and the Wasp <\/span><\/i>feels much more infuriating because it reeks of double standards. It takes an ample amount of audaciousness to breathe a female character into a film<\/span> only<\/span><\/i> to shut down criticism of the franchise\u2019s sexist treatment of women \u2013 without making any real effort to change the narrative! Even a male supporting character like Bill Foster felt more nuanced and complete than Wasp.<\/span>\n\nIf Marvel can\u2019t afford its women the spotlight beyond putting them on the marquee, perhaps it\u2019s better to remove them altogether and circumvent the charade \u2013 at least until the release of Captain Marvel, where, hopefully, fans will finally be able to see a true superheroine. <\/span>\n","protected":false},"excerpt":{"rendered":"

Marvel\u2019s first female headliner offers the studio the perfect playground to fix its infamous \u201cwoman problem\u201d. So why does the film feel like Ant-Man and the Afterthought, rather than Ant-Man and the Wasp?<\/p>\n","protected":false},"author":208,"featured_media":2962,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[5870,5871,1451,5872,3144,5873,735],"class_list":["post-2959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-action","tag-ant-man","tag-marvel","tag-problem","tag-universe","tag-wasp","tag-women"],"yoast_head":"\nAnt-Man and the Wasp: What Will it Take for Marvel to Fix its \u201cWomen Problem\u201d?<\/title>\n<meta name=\"description\" content=\"Marvel\u2019s first female headliner offers the studio the perfect playground to fix its infamous \u201cwoman problem\u201d. 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