{"id":2946,"date":"2016-04-20T16:59:29","date_gmt":"2016-04-20T11:29:29","guid":{"rendered":"http:\/\/13.201.39.237\/?p=2946"},"modified":"2026-07-17T20:18:37","modified_gmt":"2026-07-17T14:48:37","slug":"killing-eve-sandra-oh-jodi-comer-bad-girls-tv","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2946","title":{"rendered":"Why We Need More Bad Girls on TV"},"content":{"rendered":"\n

E<\/span>ven eight episodes in, Phoebe Waller-Bridge\u2019s delightful <\/p>Killing Eve <\/span><\/i>remains unclassifiable: It\u2019s at once a <\/span>workplace <\/span><\/a>comedy, gritty police procedural, sexually charged <\/span>queer<\/span><\/a> love affair, and an intense portrait of sociopathy. But what makes the show truly stand out is how cleverly it subverts a testosterone-fuelled <\/span>spy<\/span><\/a> genre and feminises it: an overworked female spy chases a glamorous female assassin in <\/span>Killing Eve.<\/span><\/i>\n\nEven more refreshing is the fact that the show goes a step further and makes both these women utterly terrifying and impossibly unlikeable. And, by extension, deeply watchable. <\/span>\n\nAt a time when the Hollywood manual of flawed women hardly goes beyond one-dimensional stereotypes \u2013 all-out craziness (Amy in <\/span>Gone Girl)<\/span><\/i>, sporadic rebellion (Christine in <\/span>Ladybird<\/span><\/i><\/a>), or <\/span>alcoholism<\/span><\/a> (Kym in <\/span>Rachel Getting Married<\/span><\/i>) \u2013 the consistent complexity of the two female leads in <\/span>Killing<\/span><\/i> Eve<\/span><\/i> feels especially resounding. More so, because the show eschews the trope of justifying the actions of \u201cunlikeable leads\u201d, or have them demand affection or sympathy. <\/span>\n\nIt\u2019s a new way to look at flawed women on screen \u2013 and we\u2019re watching with a lot of excitement. Especially since this difficult-to-slot show has garnered Sandra Oh an Emmy nomination, making her the first Asian actress to be nominated for Lead Actress (Drama).<\/span>\n\n\"Killing\n\nAs Killing Eve<\/em> progresses, it\u2019s evident why despite their cat-and-mouse game, Eve and Villanelle become obsessed with each other. They\u2019re after all, two sides of the same coin.\n\nImage credit: BBC America\n\nIn <\/span>Killing Eve<\/span><\/i>, the titular protagonist (Sandra Oh) is a disgruntled and desk-bound MI5 security officer who gets surreptitiously promoted as an off-the-books MI6 intelligence operative. Her position is triggered by her meticulous deduction at a top-secret meeting, where she claims that the killer \u2013 responsible for a trail of high-profile murders, including the recent death of a well-guarded victim \u2013 had to be a <\/span>woman<\/span><\/a>. How else can someone get close to the victim in public without being considered a threat, she argues.<\/span>\n\nEve\u2019s nemesis is Villanelle (Jodi Comer), the high-flying and terrifying psychopath who kills her victims like a soulless maniac and whose eyes scream<\/span> death<\/span><\/a>. The kind of assassin whose gender doesn\u2019t stop her from relishing her inherent brutality. Whether it is casually asking a target the name of the designer who designed his silk bedsheet before gouging his eyes out. Or chillingly threatening another, \u201cI\u2019m going to kill you nicely. But then I\u2019m going to make a mess of your body afterward so it looks worse than it is. Just letting you know, okay?\u201d<\/span>\n\nAs the show progresses, it\u2019s evident why despite their cat-and-mouse game, Eve and Villanelle <\/span>become obsessed <\/span><\/a>with each other. They\u2019re after all, two sides of the same coin: women whose lonely lives feel reinvigorated when they chase their respective targets. Women who\u2019re hardly bothered about being likeable. Women who wear their vulnerabilities and ruthlessness on their sleeves, refusing to be trapped by their conscience.<\/span>\n\nKilling Eve<\/span><\/i>, doesn\u2019t just build a world where its female leads call the shots without making a big deal of it, but also wholeheartedly embraces unlikeable women in their flawed glory. <\/span>\n\nIt\u2019s not the first time Waller-Bridge has been credited with reclaiming the \u201cunlikeable female lead\u201d<\/span>. Back in 2016, she created, wrote, and starred in <\/span>Fleabag<\/span><\/i>, a show that the <\/span>The New Yorker <\/span><\/a>labelled an \u201coriginal bad-girl comedy\u201d and which gave us the most affecting and repulsive female TV lead in recent times. In the show, the unnamed British protagonist (nicknamed Fleabag) is mourning the death of her best friend, even while struggling with urban loneliness, aftermath of trauma, and repressed resentment. <\/span>\n\n\"Killing\n\nIt\u2019s telling that in the last couple of years, TV has seen a spate of flawed and complex female leads, including the arrogant Ruth in GLOW<\/em>.\n\nImage credit: Netflix\n\nFleabag is depicted as a fucked-up person who derives pleasure from making people around her wince in abject pain \u2013 <\/span>o<\/span>ne who wears her selfishness with as much as swag as a Gucci overcoat. There\u2019s absolutely nothing about her that is redeemable, and yet, by refusing to manipulate sympathy from the audience, <\/span>Fleabag <\/span><\/i>argues that female leads don\u2019t need to be likeable to be lovable. Just like <\/span>Killing Eve<\/span><\/i>, it attempts to ask: Why should women be burdened with upholding every possible virtue on the planet?<\/span>\n\nKilling Eve\u2019<\/span><\/i>s leads aren\u2019t alone. It\u2019s telling that in the last couple of years, TV has seen a spate of flawed and complex female leads: a cheating June\/Offred in <\/span>The Handmaid\u2019s Tale<\/span><\/i><\/a>, an unpleasant Alyssa in <\/span>The End of The F***ing World<\/span><\/i>, Mickey in<\/span> Love<\/span><\/i>, who\u2019s a straight-up asshole, the fucked up, angry Jen in Dead to Me<\/em>, and the arrogant Ruth in <\/span>GLOW<\/span><\/i>. In fact, even <\/span>Orange is the New Black\u2019s<\/span><\/i> Piper Chapman has steadily traversed the journey over seven seasons from nice white woman to hateful lead who brings out her worst traits.<\/span>\n\nWhat\u2019s striking though, is that none of these leads are painted as either heroes or villains. Instead, <\/span>their snarky, egotistical, and emotionally detached personalities are portrayed as a vital part of their identities. Just like how TV has been depicting male leads, who\u2019d been afforded the exclusive hall-pass to veer into various shades of assholery and still be heartthrobs for years. <\/span>Think, <\/span>Dr House<\/span><\/a> in <\/span>House<\/span><\/i>, Sherlock Holmes in <\/span>Sherlock<\/span><\/i><\/a>, or Patrick Jane in <\/span>The Mentalist<\/span><\/i>.<\/span> If anything, it\u2019s liberating to watch female leads act out without being mandated to apologise for their outburst minutes later.\n\nMore importantly, the unanimous critical and public popularity of these shows (including Emmy nominations for <\/span>Killing Eve<\/span><\/i>, <\/span>GLOW,<\/span><\/i> and <\/span>The Handmaid\u2019s Tale<\/span><\/i>) is testament to the fact that there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. <\/span>\n\nIf <\/span>Killing Eve<\/span><\/i> is any indication, we\u2019re thankfully past niceness.<\/span>\n","protected":false},"excerpt":{"rendered":"

As Killing Eve and GLOW have proved, there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. If these shows are any indication, we\u2019re thankfully past the age of niceness.<\/p>\n","protected":false},"author":103,"featured_media":2950,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[5843,5844,5845,5162,5846,5847,224,5848,5849,5850,291,5851],"class_list":["post-2946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-brie-allison","tag-fleabag","tag-glow","tag-handmaids-tale","tag-jodi-comer","tag-killing-eve","tag-love","tag-mickey","tag-phoebe-waller-bridge","tag-sandra-oh","tag-tv","tag-unlikeable-female-leads"],"yoast_head":"\nWhy We Need More Bad Girls on TV<\/title>\n<meta name=\"description\" content=\"As Killing Eve and GLOW have proved, there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. If these shows are any indication, we\u2019re thankfully past the age of niceness.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/13.201.39.237\/?p=2946\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why We Need More Bad Girls on TV\" \/>\n<meta property=\"og:description\" content=\"As Killing Eve and GLOW have proved, there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. If these shows are any indication, we\u2019re thankfully past the age of niceness.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/13.201.39.237\/?p=2946\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-20T11:29:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-17T14:48:37+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1531420138.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1520\" \/>\n\t<meta property=\"og:image:height\" content=\"850\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Poulomi Das\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Why We Need More Bad Girls on TV\" \/>\n<meta name=\"twitter:description\" content=\"As Killing Eve and GLOW have proved, there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. If these shows are any indication, we\u2019re thankfully past the age of niceness.\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Poulomi Das\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946\"},\"author\":{\"name\":\"Poulomi Das\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"headline\":\"Why We Need More Bad Girls on TV\",\"datePublished\":\"2016-04-20T11:29:29+00:00\",\"dateModified\":\"2026-07-17T14:48:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946\"},\"wordCount\":986,\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1531420138.jpg\",\"keywords\":[\"Brie Allison\",\"Fleabag\",\"Glow\",\"handmaid's tale\",\"Jodi Comer\",\"Killing Eve\",\"love\",\"mickey\",\"Phoebe-Waller-Bridge\",\"Sandra Oh\",\"tv\",\"unlikeable female leads\"],\"articleSection\":[\"Pop Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946\",\"url\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946\",\"name\":\"Why We Need More Bad Girls on TV\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946#primaryimage\"},\"image\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/?p=2946#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/13.207.105.184\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1531420138.jpg\",\"datePublished\":\"2016-04-20T11:29:29+00:00\",\"dateModified\":\"2026-07-17T14:48:37+00:00\",\"author\":{\"@id\":\"http:\\\/\\\/13.201.39.237\\\/#\\\/schema\\\/person\\\/7cc6b159b4669ddf75eae5f2b536d679\"},\"description\":\"As Killing Eve and GLOW have proved, there\u2019s nothing more fun than watching women being absolute jerks \u2013 and absolutely human \u2013 on screen. 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