{"id":2644,"date":"2016-06-26T12:32:13","date_gmt":"2016-06-26T07:02:13","guid":{"rendered":"http:\/\/13.201.39.237\/?p=2644"},"modified":"2026-07-17T20:08:33","modified_gmt":"2026-07-17T14:38:33","slug":"bhavesh-joshi-superhero-harshvardhan-kapoor","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2644","title":{"rendered":"Bhavesh Joshi Super Zero: The Vigilante Who Never Rises"},"content":{"rendered":"\n

I<\/span><\/p><\/div>

n Vikramaditya Motwane\u2019s <\/span>Bhavesh Joshi Superhero<\/span><\/i>, two <\/span>college<\/span><\/a> students Sikandar (Harshvardhan Kapoor) and Bhavesh Joshi (Priyanshu Painyuli) are among the horde of protesters detained in the aftermath of the 2011 anti-<\/span>corruption<\/span><\/a> movement. At the police station, the<\/span> protesters<\/span><\/a> sing motivational songs; their infectious energy wins the Mumbai police over in no time. Just when you settle in, bracing the film\u2019s sombre but activist-y tone, it suddenly changes course. The protesters begin to evoke the hoary \u201cMumbai spirit\u201d and start chanting <\/span>\u201cSachinnn\u2026 Sachinn!\u201d<\/span><\/a>\n\nHilarious. In a way, this scene is also symbolic of the film\u2019s proceedings. <\/span>\n\nBhavesh Joshi Superhero<\/span><\/i> wants to be a lot of things. It\u2019s at once, a plea against <\/span>armchair activism<\/span><\/a>, a social-justice warrior comedy, a vigilante justice drama, an angry revenge thriller, and a <\/span>superhero <\/span><\/a>origin story. It essentially uses all the right words (atankwadi, anti-national, dushman ka agent) and touches upon pertinent topics (water crisis, fake encounters, widespread corruption, police apathy), but unfortunately has nothing new to offer. Come to think of it, even that would have been fine, if handled deftly, especially in the hands of a more accomplished actor. <\/span>\n\nIn a film where several characters randomly carry out surgical strikes on each other, Motwane causes the most harm by self-sabotaging and casting Kapoor in and as <\/span>Bhavesh Joshi Superhero<\/span><\/i>. His <\/span>vigilante <\/span><\/a>friend\u2019s death guilts him into taking Bhavesh\u2019s place \u2013 with a shiny mask. Kapoor\u2019s limited talent is glaringly visible in every frame he occupies. He\u2019s unable to inhabit any persona other than that of a hero \u2013 he walks, talks, moves, cries, broods, and even drowns like a star and not an actor. <\/span>\n\nIt\u2019s precisely why his intensity comes off as comical, especially in a scene where he grieves his friend\u2019s death and yells at a martial arts teacher, causing the entire theatre to collectively chuckle. <\/span>\n\nIn a film about a rookie citizen going rogue, social awkwardness plays a significant role: You\u2019d expect him to be scared, but more importantly, you\u2019d expect him to be unsure of his actions. Kapoor unfortunately is too much in love with the idea of being a star to be able to evoke a vigilante. <\/span>\n\n\"Bhavesh\n

\n\n

Bhavesh Joshi Superhero<\/em> should have taken its own catchphrase seriously: \u201cHeroes paida nahi hote.\u201d\n<\/p>

Image Credit: Phantom Films<\/p>\n<\/figcaption>\n<\/figure>\n\nNo wonder then that he\u2019s mostly out of the picture in the film\u2019s first half, where Painyuli efficiently sets up the foundation for Bhavesh Joshi. Unfortunately, the film that proudly boasts traces of <\/span>The Dark Knight,<\/span><\/i> Kick Ass<\/span><\/i>, and <\/span>Chinatown<\/span><\/i>, shortchanges him by dragging the eventuality of his death (and by extension, Kapoor\u2019s transformation) for well over an hour. Naturally the film\u2019s bloated and indulgent runtime, at 153 minutes, fosters repetition and the novelty wears off sooner than you\u2019d expect.<\/span>\n\nBut the main reason why <\/span>Bhavesh Joshi Superhero<\/span><\/i> feels so frustrating is because of what it could have been. The <\/span>city that never sleeps<\/span><\/a> is an apt backdrop (and antagonist) for an unsatisfied vigilante \u2013 who is considered a madman. To his credit, <\/span>Motwane<\/span><\/a> does milk every bit of Mumbai noir he can: right from an innovative bike chase on a local train platform (that also overstays its welcome) to a gorgeous fight sequence on a water pipeline. It\u2019s competent but not compelling.<\/span>\n\nIt\u2019s also not like the film doesn\u2019t know what it should be angling toward; it does have stray clues here and there. Like when a friend tells Sikandar that he can\u2019t kill everyone just because they killed his friend. Or makes him realise the gravity of a <\/span>death<\/span><\/a>, that\u2019s indirectly his doing. <\/span>Bhavesh Joshi Superhero<\/span><\/i> gets close, but never quite addresses the elephant in the room: the futility of vigilantism. <\/span>\n\nIn a system where corruption is so deeply and systemically entrenched, vigilantism \u2013 no matter how noble \u2013 stands no chance. It\u2019s as unchecked as the sins that are committed against innocent citizens every day. Moreover, vigilantism breaks rules the same way perpetrators do. Then how can it claim a moral high ground? And, more importantly, has it eroded the idea of <\/span>justice<\/span><\/a>?<\/span>\n\nUnfortunately, <\/span>Bhavesh Joshi Superhero <\/span><\/i>doesn\u2019t seem too interested in answering any of these questions and that is the film\u2019s biggest letdown. Instead, it indulges in weaving a naively optimistic superhero (Kapoor\u2019s bike has superpowers and he is almost immortal) tale that\u2019s as unrealistic as it is at odds with the theme. <\/span>\n\nAs a result, the third act of the film is essentially a lesson in misdirection, desperate in its need to be Malad\u2019s <\/span>Rang De Basanti<\/span><\/i> and surprised at its own ability to become Dahanu\u2019s <\/span>Shape Of Water<\/span><\/i><\/a>. <\/span>\n\nExcept, neither did Bhavesh Joshi need to be a superhero nor did the film require any heroism. It makes you wish the film took its own catchphrase seriously: \u201cHeroes paida nahi hote.\u201d<\/span>\n","protected":false},"excerpt":{"rendered":"

Let down by Harshvardhan Kapoor, Bhavesh Joshi Superhero gets close, but never quite addresses the elephant in the room: the futility of vigilantism. All it succeeds at becoming is a cross between Malad\u2019s Rang De Basanti and Dahanu\u2019s The Shape Of Water.<\/p>\n","protected":false},"author":103,"featured_media":2647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1287,5357,5358,5359,5360,4375,5361],"class_list":["post-2644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-anurag-kashyap","tag-bhavesh-joshi","tag-bhavesh-joshi-superhero","tag-harshvarshan-kapoor","tag-the-dark-knight","tag-vigilante-justice","tag-vikarmaditya-motwane"],"yoast_head":"\nBhavesh Joshi Super Zero: The Vigilante Who Never Rises<\/title>\n<meta name=\"description\" content=\"Let down by Harshvardhan Kapoor, Bhavesh Joshi Superhero gets close, but never quite addresses the elephant in the room: the futility of vigilantism. 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