{"id":2194,"date":"2016-06-23T00:16:53","date_gmt":"2016-06-22T18:46:53","guid":{"rendered":"http:\/\/13.201.39.237\/robert-pattinson-oscars-hollywood\/"},"modified":"2026-07-17T19:56:39","modified_gmt":"2026-07-17T14:26:39","slug":"robert-pattinson-oscars-hollywood","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2194","title":{"rendered":"A Good Time To Be Robert Pattinson"},"content":{"rendered":"\n

T<\/span>his year\u2019s winner of the Best Actor Oscar ought to be Robert Pattinson. Except, he hasn\u2019t even been nominated.\n\n<\/p>Tomorrow<\/span><\/a>, when the ceremony begins in the wee hours, we\u2019ll all probably guffaw to the usual delivered-as-anticipated battle between two modern giants of acting, this time in the form of Gary Oldman and <\/span>Daniel Day-Lewis<\/span><\/a>. Both Oldman and Day-Lewis are anachronistic, vintage models in a contemporary setting that roll along the tarmac, laying their own carpet as they go. Not setting the bar, but defining measurement in personal terms. You can\u2019t help but be in awe of the pedigree. <\/span>\n\nCompare that to a young, yet fastidious, Robert Pattinson, who is seen through the gleam of the <\/span>Twilight<\/span><\/i> films, those awfully stylistic idylls erected in cinema\u2019s graveyard. The fact that you might still be wondering what performance by Pattinson was Oscar-worthy last year is testament to the fact that once you\u2019ve sold the \u201c<\/span>good looks<\/span><\/a>\u201d charm, it is especially difficult to sell the acting chops. Even if you give the kind of swashbuckling, revelatory performance that he did last year in <\/span>Good Time <\/span><\/i>(2017)<\/span>.<\/span><\/i>\n\nI admit I\u2019m a bit of a denial-ist when it comes to acknowledging shifts, whether they occur in the outlook or in the grain of depth. It is like being unable to accept that the same raw vegetable can taste good in something else. Pattinson is the antidote to that assumption. In <\/span>Good Time<\/span><\/i> he hooks and drags you along for the length of the film, from the very moment he bursts on to the screen, as the ragged, off-the-street, hard-to-classify anarchist Connie. <\/span>\n\n

Through his dirty, unkempt hairdo, his baggy trousers, and his adrenalised speech, there is a sense of inevitability that also makes Connie the most tragic character played on film last year.<\/blockquote>\n\nConnie\u2019s introduction is through a sequence where he barges in on a psychiatric evaluation of his brother Nick (played by director Benny Safdie) looking messy, worn yet defiant \u2013 a very un-Pattinson look and very far from the coiffed, rolled-sleeved Edward Cullen he built his reputation playing. Connie\u2019s street-fit righteousness contrasts poignantly with his intellectually slow brother, whom he considers a personal mission to rescue from order of any kind. Connie convinces his brother to assist on a bank job; a comically simple and naive plan that he has come up with for the two of them. <\/span>\n\nObviously, it all goes downhill from there.<\/span>\n\nPattinson\u2019s live-wire turn in <\/span>Good Time<\/span><\/i> \u2013 his best performance by some measure \u2013 isn\u2019t his only notable role that can be slated along the edge of the actors\u2019 roundtable, which Day-Lewis and Oldman basically own. Ever since <\/span>Twilight<\/span><\/i>, Pattinson has been on a mission to avenge his own, festishised identity as a heartthrob. And it is to his own credit, his will to outdo his reputation, that Pattinson chose to step down the ladder of stardom, go back to the grounds and work his way up to where he is today \u2013 a refreshingly, fiery young savant of aggression and rage, a thoroughly contemporary actor who is equal measure punk and sophistication, art gallery and the street. In between these opposites, he has now disappeared into several roles. Each essayed with vitality, a vernacular ease that has been a precursor to Pattinson\u2019s greatest performance till date. A blending-in act of the highest order, the other side of which Pattinson emerges having shed the tight-skin of celebrity, and meets human vulnerability at its peak.<\/span>\n\n\"Robert\n
\n

Pattinson\u2019s Connie is a distinctly prickly fellow, curdling the skin every now and then with his perpetually disorienting nerviness and the consistently comical acts he tries to overcome it with.<\/p>\n

PMC \/ Variety<\/p>\n<\/figcaption>\n<\/figure>\n\nIn David Cronenberg\u2019s <\/span>Cosmopolis <\/span><\/i>(2012) and <\/span>Maps to the Stars <\/span><\/i>(2015) Pattinson showed signs of potential, of a breakaway career that needed to first break away from the heap of cringe that underwrote it. His turn as the mentally challenged survivor Rey in David Michod\u2019s <\/span>The Road <\/span><\/i>(2014) might have set the template for the Connie of <\/span>Good Time<\/span><\/i>. Violent, uncompromising, and morally ambiguous, there is a fuse-like temperament to both characters. A diametrically opposite, yet of ensuing theme would be his role of Charles Prescott, the future self of a fascist leader in the making, in <\/span>The Childhood of a Leader <\/span><\/i>(2015)<\/span>. <\/span><\/i>In the vastly underrated <\/span>The Lost City of Z <\/span><\/i>(2017) he mesmerises not just by sporting a boorish <\/span>beard <\/span><\/a>but manning up behind it as well. <\/span>\n\nThere is probably no greater adulation for an artist, if his work is considered refreshing to his own previous self \u2013 the capacity not only to re-invent but invent to a greater, higher, better degree. Dare we then compare his performance this year with the two leading contenders for the Best Actor award? <\/span>\n\nBoth Oldman and Day-Lewis acted in period films, which automatically polishes the suavity of their approach \u2013 costumes, make-up, lots of reading, research, and so on. There\u2019s enough to gather your attention. Oldman plays Winston Churchill, an undisputed hero, colonial history notwithstanding, and Day-Lewis brings alive a finicky dressmaker in a strangely codependent <\/span>toxic <\/span><\/a>relationship with his young wife. <\/span>\n\nBy comparison, Pattinson\u2019s Connie is a distinctly prickly fellow, curdling the skin every now and then with his perpetually disorienting nerviness and the consistently comical acts he tries to overcome it with. <\/span>\n\nBut there is method to Pattinson\u2019s madness in <\/span>Good Time <\/span><\/i>as well. Through his dirty, unkempt hairdo, his baggy trousers, and his adrenalised speech, there is a sense of inevitability that also makes Connie the most tragic character played on film last year. Pattinson, however, manages to turn us against him. In a way, he plays two people at once, one that we see, and one we\u2019ll look back and sympathise with once <\/span>Good Time <\/span><\/i>is over.<\/span>\n\nThe code of the street is to keep hanging, any which way. To some extent through the years that followed the <\/span>Twilight<\/span><\/i> films Pattinson barely held onto the coattails of serious acting as well. It is nothing short of miraculous that he undressed himself of the symbolism that stardom carries, and owned a role that eulogises the street \u2013 something his popularity always distanced him from. <\/span>Good Time<\/span><\/i> ends with a close-up of Connie\u2019s tired eyes, his hair mangled, crowding our vision of them. I had almost forgotten by then that Pattinson indeed was dreamy. He won\u2019t get the Oscar that he deserves but he has surely resurfaced a new animal, a once-marginal actor now escaping the prison of stardom. All in good time.<\/span>\n","protected":false},"excerpt":{"rendered":"

Pattinson\u2019s live-wire turn as Connie in Good Time \u2013 his best showing by some measure \u2013 is the most tragic character played on film last year. But does it compare with the two leading contenders for the Best Actor Award at the Oscars?<\/p>\n","protected":false},"author":137,"featured_media":2197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[4437,1916,546,4438,1745,1425,4439],"class_list":["post-2194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-best-actors","tag-daniel-day-lewis","tag-films","tag-good-time","tag-hollywood","tag-oscars","tag-robert-pattinson"],"yoast_head":"\nA Good Time To Be Robert Pattinson<\/title>\n<meta name=\"description\" content=\"Pattinson\u2019s live-wire turn as Connie in Good Time \u2013 his best showing by some measure \u2013 is the most tragic character played on film last year. 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