{"id":2179,"date":"2016-03-20T09:09:00","date_gmt":"2016-03-20T03:39:00","guid":{"rendered":"http:\/\/13.201.39.237\/sridevi-death-hawa-hawai-queer-gay-icon\/"},"modified":"2026-07-17T19:56:21","modified_gmt":"2026-07-17T14:26:21","slug":"sridevi-death-hawa-hawai-queer-gay-icon","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2179","title":{"rendered":"Ms Hawa Hawai: Shehzaadi of the Meek, the Freak, the Queer"},"content":{"rendered":"\n

B<\/span><\/p>ijli ki rani, main hoon aayi, kehte hain mujh ko\u2026 Hawa Hawai<\/em>\n\nAnd so she came, guns blazing, sparks flying \u2013 lighting up the stage, the screen, the walls, my eyes. After waiting three excruciating weeks for <\/span>Mr India<\/span><\/i>\u2019s debut on DD1, this electrifying woman had just blown all my fuses. Everyone on screen might as well have been wearing Anil Kapoor\u2019s watch. Body draped in gems and sequins, she grew to fill the screen until there was nothing else left; until there was only <\/span>Sridevi<\/span><\/a>. <\/span>\n\nTo a <\/span>nineties kid<\/span><\/a> rejected for being effeminate \u2013 which in the school playground is the sum total of hating sports, hanging out with girls, sashaying instead of walking normally \u2013 this <\/span>extravagant charm<\/span><\/a> didn\u2019t just strike a chord. It turned into a full-blown symphony. <\/span>\n\nBut why Sridevi? What did Ms Hawa Hawai have that appealed to an adolescent at the brink of discovering his sexuality? \u00a0<\/span>\n\nMadhuri\u2019s \u201cDhak Dhak\u201d<\/span>,<\/span><\/i> Rekha\u2019s \u201cSalaam-e-Ishq\u201d, Helen\u2019s \u201cO Haseena\u201d, Zeenat\u2019s \u201cJawaani Jaaneman\u201d were just as fabulous as any of Sridevi\u2019s item numbers. All of these women were and are queer icons in their own right. <\/span>\n\n

In a time when queer and trans experiences were repurposed for comic relief, she shone as a statement of assertion.<\/blockquote>\n\nBut not one of these could hold a candle to this ostentatious woman whose on-screen outr\u00e9 personality refused to be contained. In an industry that capitalised only on a heroine\u2019s sexuality, Sridevi treaded a fine balance. She dished out bucketloads of sensuality in \u201cKaate Nahi Kat-te\u201d or even the angry, loaded \u201cMain Teri Dushman\u201d. But that didn\u2019t mean she\u2019d refrain from making ridiculous expressions, even in the midst of blatantly erotic songs like \u201cTera Beemar Mera Dil\u201d. Where <\/span>Madhuri<\/span><\/a> and <\/span>Rekha<\/span><\/a> winked and swayed demurely, Sridevi preferred to channel Chaplin\u2019s slapstick. <\/span>\n\nAnd that\u2019s just it. Sridevi never took herself seriously, unabashedly making jokes at her own expense, and yet somehow without compromising sensuousness. Her sexiness and her hilarity were never mutually exclusive; neither emotion took anything away from the other. All of her roles were like this, a polygon of differences amalgamated in perfect symbiosis. <\/span>\n\n\"Hawa\n
\n

What did Ms Hawa Hawai have that appealed to an adolescent at the brink of discovering his sexuality?<\/p>\n

Image credit: Boney Kapoor Productions<\/p>\n<\/figcaption>\n<\/figure>\n\nWatching <\/span>Chaalbaaz<\/span><\/i>, us dregs of society found ourselves mirrored in Anju, long-suffering and oppressed, and learnt to find ourselves through Manju, brazen and robust, armed with a horsewhip to beat the shit out of her oppressors. And yet, both of her characters were balanced: the feminine Anju displaying blind rage against her abusive foster parents while doing the tandava, and the almost masculine Manju metamorphosing into a maternal force to protect her sister. She effortlessly broke down the binaries of gender, and looked like a total, friggin\u2019 weirdo doing it. <\/span>\n\nConsider also the combustible portrayal of lust between sky-saree\u2019d Sridevi and some random invisible man in <\/span>Mr India<\/span><\/i>\u2019s \u201cKaate Nahi Kat-te\u201d. I say random because Anil Kapoor\u2019s presence in this song is perfunctory; he does little more than lip sync for Kishore Kumar. Sri, on the other hand, becomes the manifestation of the sexual chemistry between both lovers. Her fleeting encounters with him (grabbing at sarees, kissing napes) are interspersed by large segments composed of her simply having fun by and with herself \u2013 her sexuality independent of any man. Even at the end, drenched in rainwater, stretched out on a bed of hay – <\/span>Tumne jo li angdayi hai <\/span><\/i>– she nibbles on straws with a drenched fire in her eyes, leaving Mr Kapoor to chivalrously lie on a distant haystack. <\/span>\n\nThis was the plurality of Sridevi, who could seamlessly mutate into distinct, intricate personalities, each of them unyielding to \u201clog kya kahenge\u201d. <\/span>\n\nIn her portrayals, she showed the outliers and freaks that we were not solitary, that we were multitudes living inside each person, within each community. Her cavalier reappropriation of filmi womanhood embodied the rise of the \u201cother\u201d, of those that languish in prisons of self-expression. In a time when queer and trans experiences were repurposed for comic relief, she shone as a statement of assertion: We are not limited to the roles and regulations preordained by society. <\/span>\n\n\"Hawa\n

\n

In her portrayals, she showed the outliers and freaks that we were not solitary, that we were multitudes living inside each person, within each community. <\/p>\n

Image credit: Boney Kapoor Productions<\/p>\n<\/figcaption>\n<\/figure>\n\nSridevi was the emblem of the misfits. She incorporated our struggles, our dysphoria into her characters. And with her, all the queer kids transcended the insular stereotypes we were pigeonholed into. She might be gone, but the universe she opened for us remains. <\/span>\n\nComing back to the first line of this article, the die-hard fan in you has probably been itching to report this inaccuracy. Well, too bad, it was intentional. The lyrics of \u201cHawa Hawai\u201d don\u2019t go <\/span>Bijli ki rani, main hoon aayi<\/span><\/i> as I thought when I first heard it. It sounds so much cooler when you\u2019re a child, though: Queen of electricity! But the original lyric is far more meaningful when you listen to it as an adult. <\/span>\n\nBijli girane main hoon aayi.<\/span><\/i> I have come to rain lightning down on you. I am Hawa Hawai, the gold-crowned destroyer of evil and protector of the meek. I am Sridevi.<\/span>\n","protected":false},"excerpt":{"rendered":"

Sridevi\u2019s cavalier reappropriation of filmy womanhood ensured the rise of the \u201cother\u201d, the outliers and the freaks that languish in prisons of self-expression. No wonder she was India\u2019s queer icon.<\/p>\n","protected":false},"author":131,"featured_media":2183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[141,4416,546,4417,4418,227,4379,1955,4419,4420,4421],"class_list":["post-2179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-bollywood","tag-dead-body","tag-films","tag-filmy","tag-freak","tag-queer","tag-shri-devi-funeral","tag-sridevi","tag-sridevi-family-photo","tag-sridevi-hawa-hawai","tag-womanhood"],"yoast_head":"\nMs Hawa Hawai: Shehzaadi of the Meek, the Freak, the Queer<\/title>\n<meta name=\"description\" content=\"Sridevi\u2019s cavalier reappropriation of filmy womanhood ensured the rise of the \u201cother\u201d, the outliers and the freaks that languish in prisons of self-expression. 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