{"id":2172,"date":"2016-03-29T16:52:08","date_gmt":"2016-03-29T11:22:08","guid":{"rendered":"http:\/\/13.201.39.237\/dum-laga-ke-haisha-ayushmann-khuranna-bhumi-pednekar\/"},"modified":"2026-07-17T19:56:13","modified_gmt":"2026-07-17T14:26:13","slug":"dum-laga-ke-haisha-ayushmann-khuranna-bhumi-pednekar","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2172","title":{"rendered":"The Evergreen Heftiness of Dum Laga Ke Haisha"},"content":{"rendered":"\n

T<\/span><\/p><\/div>

here\u2019s a scene in Sharat Katariya\u2019s <\/span>Dum Laga Ke Haisha<\/span><\/i> where an elated and <\/span>overweight <\/span><\/a>Sandhya Verma (an impressive <\/span>Bhumi Pednekar<\/span><\/a>) dances with pure abandon minutes before getting married to the distraught Prem Prakash Tiwari (<\/span>Ayushmann Khurrana<\/span><\/a>). The setting is quietly comic; a teeming community centre in Haridwar where Sandhya and Prem are one of the many couples whose marriage is getting officiated that day. Just as her in-laws arrive at the venue, Sandhya joins the other brides-to-be and gyrates deliriously to the music: Enjoying herself and acutely unconscious of her body, even as Prem, his friends, and her in-laws stare at her in horror. <\/span>\n\nFor Sandhya, her weight poses no great constraints. But to onlookers, this autonomy over her body is the reason for their glaring embarrassment. They look away disapprovingly, but the damage is done.<\/span>\n\nIn a way, this precious little scene sets the tone for what Katariya intends to achieve with <\/span>Dum Laga Ke Haisha<\/span><\/i>. Like this scene, what made the film revolutionary wasn\u2019t just that it starred an overweight actor essaying its overweight heroine (or in film parlance: a \u201cbrave\u201d film). It was the fact that for the first time, a young heroine completely refused to treat it as an inadequacy (unlike in <\/span>Shaandar<\/span><\/i>). <\/span>\n\nIn doing so, <\/span>Dum Laga Ke Haisha<\/span><\/i> sneakily shed a light on the frustrations and resentments that the weight of <\/span>aspirational manhood<\/span><\/a> inflicts on innumerable small-town men across the country. Couple that with Katariya\u2019s astute writing which brings alive the \u201990s small-town flavour \u2013 replete with Kumar Sanu\u2019s trademark \u201cHey hey\u201d, mohalla politics, abundance of dusty cassettes, and Limca being dispensed as a soother for an upset stomach \u2013 and you have Yash Raj Films\u2019 strongest, and arguably its best romantic comedy until date. With <\/span>Dum Laga Ke Haisha<\/span><\/i>, Katariya managed the impossible: paying a nostalgia-induced homage to everything that made the<\/span> \u201990s<\/span><\/a> what they were without an iota of irony.<\/span>\n\n\"Dum\n

\n

Dum Laga Ke Haisha<\/em> sneakily shed a light on the frustrations and resentments that the weight of aspirational manhood inflicts on innumerable small-town men across the country.<\/p>\n

Image credit: Yash Raj Films<\/p>\n<\/figcaption>\n<\/figure>\n\nThe year is 1995, and the film\u2019s lead Prem Prakash Tiwari, nicknamed Lapoo, is a 25-year-old loserish man-child who spends his days listening to Kumar Sanu\u2019s melodious ode to <\/span>love<\/span><\/a> and getting bullied by his waspish father. Prem, who has failed to clear his Class 10 exams twice, and is forced to run a small cassette shop, also devotes the better part of his day at a local RSS shakha in a bid to retain a semblance of masculinity. In fact, Katariya\u2019s quiet mockery of the shakha culture where overgrown men heap eloquence on the bravery of Bhagat Singh, Bose, and Vajpayee in khaki knickers, while being juvenile cowards in their personal lives, is a treat to watch. <\/span>\n\nPrem\u2019s emasculation \u2013 whether it is his father treating him like a wayward child and leaving him twenty rupees as pocket money or his ignoble illiteracy \u2013 hits a crescendo when his family forcefully marries him off to a fat girl. He vehemently protests the very idea, drowning out his family\u2019s pleas to think of the alliance as a financial trade-off. Sandhya is educated, on her way to becoming a teacher, and is in a position to revive the family\u2019s income, they tell him. And, after all, what is wrong with her? But, Prem is unable to digest the practicality of the alliance because it comes at the cost of his own self-worth. For him, marrying an ugly, <\/span>fat<\/span><\/a> girl will be the last straw, perennially reinstating his status as an utter failure. <\/span>\n\nPrem expresses his resentment in generous doses. He discusses his unsatisfying <\/span>sex life<\/span><\/a> with his shakha friends (a priceless iteration of the boys\u2019 club) and even compares sleeping with her to a \u201cliving hell\u201d. To hold on to a shred of aspirational masculinity, Prem has to consistently mistreat her. <\/span>\n\nIt takes a self-aware and unapologetic Sandhya to teach Prem that he can\u2019t achieve the mantle of manhood if he is unable to see beyond her weight. Yet, even when the nagging awareness that love could be out of her reach envelops her, she refuses to be burdened by her size. Despite her husband\u2019s loserish reputation, and his misbehaviour, she persists, trying to seduce him, understand him, and even love him. For, she, unlike him, is willing to look beyond. <\/span>\n\nWhat makes Sandhya all the more affecting is the fact that Bhumi Pednekar doesn\u2019t just play the character, but is indeed the character. Likewise, Ayushmann Khurrana \u2013 now the Bollywood poster boy for smashing<\/span> toxic masculinity<\/span><\/a> \u2013 evokes the vulnerability, misplaced rage, and the surprising entitlement that grasps numerous men in their relationships with women. <\/span>\n\n\"Dum\n

\n

It takes a self-aware and unapologetic Sandhya to teach Prem that he can\u2019t achieve the mantle of manhood if he is unable to see beyond her weight<\/p>\n

Image credit: Yash Raj Films<\/p>\n<\/figcaption>\n<\/figure>\n\nBut the real reason <\/span>Dum Laga Ke Haisha <\/span><\/i>is such a surprising film is because it comes from a studio that has come to paint a roseate picture of romance, the non-achievement of which upsets its hero so much. It goes against the grain of every template that Yash Raj has set up. It rails against the thin-is-beautiful heroine stereotype it has consistently worked hard to create. In film after film, whether it was Vaani Kapoor in <\/span>Befikre<\/span><\/i><\/a>, <\/span>Aishwarya Rai Bachchan<\/span><\/a> in <\/span>Dhoom 3<\/span><\/i>, or Rani Mukherjee in <\/span>Hum Tum<\/span><\/i>, the studio has peddled this narrow perception of beauty. It also eschews Yash Raj\u2019s studio perception of what a \u201csmall-town\u201d ought to look like (a vision that was so off-putting in <\/span>Rab Ne Bana Di Jodi<\/span><\/i>) and actually imbibes the flavour of Haridwar in the \u201990s. <\/span>\n\nCome to think of it, I\u2019d have liked <\/span>Dum Laga Ke Haisha<\/span><\/i> even if it just stopped at disseminating the lesson that an overweight woman doesn\u2019t need to lose weight to be attractive or worthy of love. But, Katariya guarantees that we fall in love with the film by extending it to the climax: When Prem succeeds in carrying Sandhya in the \u201cDum Laga Ke\u201d contest, it becomes a brilliant metaphor of him carrying the burden of entitlement, before realising it\u2019s imperative that he sheds it. <\/span>\n\nIt\u2019s a wholesome memo. And we could do with dozens more of them.<\/span>\n","protected":false},"excerpt":{"rendered":"

Dum Laga Ke Haisha is a brilliantly observed portrait of the burden of aspirational manhood innumerable small-town men carry all their lives, headlined by a heroine, who is completely unapologetic about her weight. It is arguably Yash Raj’s best romantic comedy in recent years.<\/p>\n","protected":false},"author":103,"featured_media":2176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1531,2218,2164,3004,2426,4410,4411,4412,1161,1783],"class_list":["post-2172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-anushka-sharma","tag-ayushmann-khurrana","tag-bhumi-pednekar","tag-dum-laga-ke-haisha","tag-haridwar","tag-kumar-sanu","tag-sharat-katariya","tag-sui-dhaaga","tag-varun-dhawan","tag-yash-raj-films"],"yoast_head":"\nThe Evergreen Heftiness of Dum Laga Ke Haisha<\/title>\n<meta name=\"description\" content=\"Dum Laga Ke Haisha is a brilliantly observed portrait of the burden of aspirational manhood innumerable small-town men carry all their lives, headlined by a heroine, who is completely unapologetic about her weight. 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It is arguably Yash Raj's best romantic comedy in recent years.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arre.co.in\/?p=2172\" \/>\n<meta property=\"og:site_name\" content=\"Arr\u00e9\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-29T11:22:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-17T14:26:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arre.co.in\/wp-content\/uploads\/2026\/07\/1519738678.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1520\" \/>\n\t<meta property=\"og:image:height\" content=\"850\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Poulomi Das\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"The Evergreen Heftiness of Dum Laga Ke Haisha\" \/>\n<meta name=\"twitter:description\" content=\"Dum Laga Ke Haisha is a brilliantly observed portrait of the burden of aspirational manhood innumerable small-town men carry all their lives, headlined by a heroine, who is completely unapologetic about her weight. 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