{"id":2092,"date":"2016-05-22T00:13:18","date_gmt":"2016-05-21T18:43:18","guid":{"rendered":"http:\/\/13.201.39.237\/love-per-square-foot-review-vicky-kaushal-netflix-mumbai\/"},"modified":"2026-07-17T19:54:09","modified_gmt":"2026-07-17T14:24:09","slug":"love-per-square-foot-review-vicky-kaushal-netflix-mumbai","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=2092","title":{"rendered":"Love Per Square Foot and Mumbai\u2019s Complicated Relationship with Space"},"content":{"rendered":"\n

T<\/span><\/p><\/div>

he opening shots of Anand Tiwari\u2019s debut film, <\/span>Love Per Square Foot<\/span><\/i>, do a fine job of pitching space as both a theme and a metaphor in the lives of <\/span>Mumbai\u2019s<\/span><\/a> migrant <\/span>middle-class<\/span><\/a>. <\/span>\n\nNetflix\u2019s <\/span><\/a>first original Hindi film (co-written by Sumeet Vyas), opens with Sanjay Chaturvedi\u2019s (Vicky Kaushal) morning routine: He stands on the terrace, toothbrush in mouth and towel in hand, peeking intently into the lives that play out in the skyscraper across the road. While he waits for his railway-announcer father Bhaskar (<\/span>Raghubir Yadav <\/span><\/a>in top form) to free the bathroom for him, the couple across the road have no such worries. Nestled in their spacious apartment, they are the outliers in the city of dreams; ones who can afford the luxury of space, time, and companionship without having to compromise with the city that never sleeps. As Sanjay and the man in the apartment lock eyes, it\u2019s clear that Sanjay wants to live the ultimate Bombay dream: A place to call your own. <\/span>\n\nOn this side of the apartment block, Sanjay barely gets what he yearns for, even inside the confines of the bathroom: space. His mother\u2019s (Supriya Pathak echoing a distinct Hansa deja-vu) persistent warnings and father\u2019s simultaneous harmonium-laced singing practice keep reminding him of the paucity of privacy in the modest railway quarters that they inhabit. Passageways double up as drying areas, the living room is also Sanjay\u2019s bedroom. With his father\u2019s retirement due soon, there are now two choices in front of Sanjay: Either accompany his parents back to their ancestral house in Kanpur or fight it out in Mumbai and buy his own house. <\/span>\n\nOn the other side of the city is his colleague Karina D\u2019Souza (Angira Dhar) who is in a similar dilemma: She shares her relative\u2019s dilapidated studio on the verge of collapse with her Catholic mother Blossom (<\/span>Ratna Pathak Shah<\/span><\/a> at her comic best). Harassed by the frequent BMC eviction notices, her mother\u2019s fervent suggestions of <\/span>marriage<\/span><\/a> get more pressing. Blossom, unlike Karina, has lived in Mumbai long enough to let the city force her into lowering her expectations and take hard decisions. To her, Karina\u2019s marriage is the only escape from their carton-like house with walls so thin that they are reluctant eavesdroppers to their neighbour\u2019s sexual drive. Karina, on the other hand, is too young to not dream about having her own house in Mumbai. <\/span>\n\n\"Love\n

\n

Love Per Square Foot’<\/em>s leads represent a generation of couples whose romance is anchored to the idea of practicality and is wholly conditional.<\/p>\n

Image credit: RSVP Films\/ Netflix<\/p>\n<\/figcaption>\n<\/figure>\n\nBut, daring to dream and owning a house in Mumbai is easier said than done; a theme that was beautifully explored in Bhimsain Khurana\u2019s poignant <\/span>Gharaonda<\/span><\/i> a little over four decades back. The Amol Palekar-Zarina Wahab starrer touched on the worthlessness of human emotions in the big bad world of Mumbai housing, highlighting the ethical dilemmas of a young couple. In the older film, which shares a similar premise as the Netflix film, Sudip and Chaya save every penny, pooling in money to buy their own flat before getting married. <\/span>\n\nBecause this was set in 1977, when socialist cinema was peaking and focused on the \u201cmiddle class\u201d, the proposed flat never comes up and the builder decamps with their money. As tragedy strikes the much-in-love couple, the film takes an unexpected turn when Sudip suggests that Chaya marry Modi, her wealthy, older boss (who has had an eye for her) and bide time until his death. He reasons that since Modi has a heart condition, the wait can\u2019t be very long, and the two can reunite soon.<\/span>\n\nChaya agrees to the proposition, partly in order to fund her brother\u2019s education. But, soon settles into her new life as Modi\u2019s wife, nursing him back to health. Meanwhile, Sudip plunges into an abyss, desperately longing for her to walk out of the very marriage he suggested in the first place. <\/span>Gharaonda<\/span><\/i>, then, became a portrait of the other side of the much-lauded <\/span>spirit of Mumbai<\/span><\/a>, which involves making do, and arriving at a compromise that leaves one defeated and yet lets them survive.<\/span>\n\nLove Per Square Foot<\/span><\/i>, a spiritual and millennial update of <\/span>Gharaonda<\/span><\/i>, never gets quite as grim as its predecessor. Yet, it manages to delve into the perils of negotiating your space in a relationship in a city where existence is as much an act of rebellion as compromise.<\/span>\n\nIn the film, the two bank employees navigate their dysfunctional romantic encounters \u2013 \u00a0Karina ends a suffocating, love-dead relationship with her boyfriend Sam (a hilarious Kunaal Roy Kapur) and Sanjay puts an end to his submissive fling with his boss Rashi \u2013 to come around to the idea of a marriage of convenience with each other. In their heads, a harmless pretence of husband and wife is a worthy barter for landing their own house, a thought echoed succinctly by Sanjay. \u201cMain ghar ke liye shaadi bhi kar sakta hoon,\u201d he admits twice; once jokingly, the next convincingly during the 134-runtime of <\/span>Love Per Square Foot<\/span><\/i>.<\/span>\n\n\"Love\n

\n

The problems affecting modern romances are much more internal. In Love Per Square Foot<\/em>, Sanjay and Karina’s relationship needs to pass the hurdles of their own moral beliefs and defeat trust issues<\/p>\n

Image Credit: RSVP FIlms\/Netflix<\/p>\n<\/figcaption>\n<\/figure>\n\nIn doing so, the film\u2019s leads represent a generation of couples whose <\/span>romance<\/span><\/a> is anchored to the idea of practicality and is wholly conditional. The romance that springs between them sidesteps the boy-meets-girl template; it\u2019s a romance that is instead scooped out of practical companionship. Take away the house from the equation, and their romance might not even exist. <\/span>\n\nBesides throwing a light on the lack of privacy for intimacy in the city (a theme beautifully captured in last year\u2019s short film <\/span>The Affair<\/span><\/i><\/a>), the dissolution of purity from romantic encounters, and the perils of millennial ambition, <\/span>Love Per Square Foot<\/span><\/i> is also a long, hard look at the intensity of the problems afflicting modern romances. For today\u2019s generation, the problems are more internal. In <\/span>Gharaonda<\/span><\/i>, for instance, Sudip and Chaya\u2019s alliance were to fight external factors like Modi, a cheating developer, and the heartlessness of Mumbai. <\/span>\n\nIt\u2019s the opposite for Sanjay and Karina, whose relationship instead needs to pass the hurdles of their own moral beliefs and defeat trust issues. It\u2019s also precisely why their differing religions, their disparate upbringings, and their parents\u2019 inability to identify with each other are no more than passing thoughts. <\/span>\n\nThey are powerless to cause a dent in their children\u2019s love lives solely because romance just doesn\u2019t work that way anymore. <\/span>Love Per Square Foot<\/span><\/i> is then, as much about finding the space for a Mumbai romance, as it is about surviving the transactional consequences of an urban romance. <\/span>\n","protected":false},"excerpt":{"rendered":"

Love Per Square Foot, a spiritual and millennial update of Gharaonda, delves into the perils of negotiating your space in a relationship in a city where existence is as much as an act of rebellion as compromise.<\/p>\n","protected":false},"author":103,"featured_media":2096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[4205,4206,4207,4208,4209,4210,4211,2383,1799,4212,4213,4197,4214],"class_list":["post-2092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-anand-tiwari","tag-angira-dhar","tag-arunoday-singh","tag-kunal-roy-kapur","tag-love-per-square-foot","tag-mumbai-romance","tag-netflixs-first-hindi-film","tag-raghubir-yadav","tag-ratna-pathak-shah","tag-ronnie-screwvala","tag-sumeet-vyas","tag-supriya-pathak","tag-vicky-kaushal"],"yoast_head":"\nLove Per Square Foot and Mumbai\u2019s Complicated Relationship with 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