{"id":1925,"date":"2016-05-14T12:18:17","date_gmt":"2016-05-14T06:48:17","guid":{"rendered":"http:\/\/13.201.39.237\/the-post-spielberg-tom-hanks-media\/"},"modified":"2026-07-17T19:50:27","modified_gmt":"2026-07-17T14:20:27","slug":"the-post-spielberg-tom-hanks-media","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=1925","title":{"rendered":"What Indian Media Can Learn From The Post"},"content":{"rendered":"\n

T<\/span><\/p>oward the end of Steven Spielberg\u2019s <\/span>The Post<\/span><\/i>, set in 1971 and the spiritual prequel to <\/span>All The President\u2019s Men<\/span><\/i>, comes a line soaked in relevance for the <\/span>press<\/span><\/a> and the media owners of today.<\/span>\n\n\u201cThe press was to serve the governed, not the governors,\u201d utters Chief Justice Black, delivering a judgement in favour of the New York Times and the Washington Post after the Nixon administration took the papers to court. The errant newspapers had published the classified \u201cPentagon Papers\u201d that laid bare the lies that the <\/span>American government<\/span><\/a> had been disseminating to the public about the country\u2019s political and military involvement in the Vietnam War. The most damning revelation was how the Nixon administration continued drafting soldiers for the war despite being aware that <\/span>America<\/span><\/a> would lose. <\/span>\n\nThe Post<\/span><\/i> chronicles the days that lead up to how the Washington Post, then a largely local paper, plays second fiddle to the New York Times, and publishes the Pentagon Papers after the Times had been taken to court for doing the same. Their \u201cpunishment\u201d was intended as a message for all newspapers who were even daring to think about the report. In those conflicted times, when many owners would have rather safeguarded their business than attack the Nixon administration and end up serving a prison sentence, it was the Washington Post\u2019s publisher, Katherine Graham (Meryl Streep) and its editor Ben Bradlee (Tom Hanks), who displayed exemplary courage.<\/span>\n\nThe duo took on the Nixon administration head on, and published a series of damning reports revealing the extent of the lies being told to the American public. They did it despite several personal and professional hiccups, including jeopardising the future of the company. For Ben Bradlee, who believed in the power of a free and fair press (evidenced early in the film when he refuses to allot a different reporter to cover the President\u2019s daughter\u2019s wedding because the government had refused access to their usual <\/span>White House <\/span><\/a>correspondent), the choice to publish was excruciating simple. Not only would they hold the government accountable, but they would also be showing solidarity with the New York Times. Of course, in the process, the Post also got the benefit of not being regarded as just another local paper, when a host of others followed their lead and published the report on their front pages as well. <\/span>\n

In the era of fake and paid news that we live in today, where the freedom of the press is under attack across the globe, the film\u2019s appeal for a brave media and even braver owners has never been more relevant.<\/blockquote>\nBut for Katherine Graham, the heir and the new owner of the paper, passed down to her after the demise of her husband, the decision was much more difficult. For one, her gender ensured the other patronising board members did not take her inputs seriously. Besides, the decision to publish could also come in the way of the paper\u2019s public offering, with many investors threatening to bow out if she did decide to go ahead. Then there was her friendship with the government officials indicted in the very report her paper was about to publish. Graham, inevitably, was at loggerheads with doing what was best for the company she loved and be willing to speak truth to power. <\/span>\n\nIn the era of fake and paid news that we live in today, where the freedom of the press is under attack across the globe, the film\u2019s appeal for a brave media and even braver owners has never been more relevant. With state governments issuing <\/span>media gags<\/span><\/a>, publications shying away from reporting on the mysterious <\/span>death of a judge<\/span><\/a> presiding over the explosive Sohrabuddin Sheikh encounter case, and the tussle between \u201cpageviews\u201d and quality reporting, even the Indian media is admittedly at its rock-bottom. <\/span>\n\n\"The\n
\n

For Ben Bradlee( Tom Hanks), who believed in the power of a free and fair press, the choice to publish The Pentagon Papers was excruciating simple\n\nImage credit: 20th Century Fox<\/p>\n<\/figcaption>\n<\/figure>\n\nThe only option, is to fight back. To reclaim the legitimacy of the fourth estate and refuse to be silent. It\u2019s especially sacrosanct in a time when the the country\u2019s media climate is run on the whims of a business magnate, who dictates a media outlet\u2019s news cycle. <\/span>\n\nTo take just one instance, the need for a free, fair, and fearless media is especially imperative as India bears a helpless witness to an <\/span>Aadhar <\/span><\/a>makeover. If the media won\u2019t hold the UIDAI and the government accountable, who will? Day in and out, we wake up to unflattering news about people in power mysteriously vanishing within days of it being published. In letting the \u201cgovernor\u201d influence the workings of the media so intensely, we\u2019re ensuring that the media stops serving the \u201cgoverned\u201d. As <\/span>The Post <\/span><\/i>outlines, the responsibility of the free and fair press in the country rests as much on the reporters as it does on the media owners who should take a leaf out of Graham\u2019s book.<\/span>\n\nAt the 74th <\/span>Golden Globes<\/span><\/a> last year, a few months into <\/span>Donald Trump\u2019<\/span><\/a>s presidency, Meryl Streep had taken the stage to give the night\u2019s most rousing speech. \u201cWe need the principled press to hold power to account, to call them on the carpet for every outrage,\u201d she said. A year later, she echoes the same sentiment with her character in <\/span>The Post<\/span><\/i>. It\u2019s time for us to listen.<\/span>\n","protected":false},"excerpt":{"rendered":"

Steven Spielberg\u2019s The Post, is a powerful appeal for a brave media, and even braver owners. It\u2019s a lesson that media owners desperately need and it couldn\u2019t have come at a better time.<\/p>\n","protected":false},"author":103,"featured_media":1928,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[3850,3851,3852,3853,121,3854,463,3855,3856,3857,3579,3858,3859,3860,3861,3862],"class_list":["post-1925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-bob-odenkirk","tag-bradley-whitford","tag-bruce-greenwood","tag-carrie-coon","tag-donald-trump","tag-indian-media","tag-journalism","tag-media","tag-meryl-streep","tag-paid-media","tag-sarah-paulson","tag-steven-spielberg","tag-the-post","tag-tom-hanks","tag-tracy-letts","tag-vietnam-war"],"yoast_head":"\nWhat Indian Media Can Learn From The Post<\/title>\n<meta name=\"description\" content=\"Steven Spielberg\u2019s The Post, is a powerful appeal for a brave media, and even braver owners. 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