{"id":1854,"date":"2016-05-31T16:11:58","date_gmt":"2016-05-31T10:41:58","guid":{"rendered":"http:\/\/13.201.39.237\/?p=1854"},"modified":"2026-07-17T19:48:10","modified_gmt":"2026-07-17T14:18:10","slug":"bollywood-2017-nostalgia-90s-comeback","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=1854","title":{"rendered":"2017: The Year That Destroyed \u201990s Bollywood"},"content":{"rendered":"\n
\n\nT<\/span>\nhis year has been as frightening for Bollywood as it was for <\/span>Congress<\/span><\/a> during the <\/span>Gujarat elections<\/span><\/a>. It wasn\u2019t enough that we had to witness a frighteningly dull SRK-Imtiaz Ali union in <\/span>Jab Harry Met Sejal<\/span><\/i><\/a> while simultaneously tolerating three hours of Salman Khan going full <\/span>Tubelight<\/span><\/i><\/a>. Bollywood in 2017 took it several notches lower by churning out glorious abominations like <\/span>Begum Jaan<\/span><\/i><\/a>, <\/span><\/i>Kaabil<\/span><\/i><\/a>, <\/span><\/i>Haseena Parkar<\/span><\/i><\/a>, Raabta, <\/span><\/i>Bhoomi<\/span><\/i><\/a>,<\/span><\/i> and <\/span>Judwaa 2<\/span><\/i><\/a>, at routine intervals. <\/span>\n\nBut, the biggest letdown of all, one that left a bigger hole in our hearts than the combined disappointment of <\/span>Rangoon<\/span><\/i><\/a>, <\/span><\/i>Phillauri<\/span><\/i><\/a>,<\/span><\/i> and <\/span>Raees<\/span><\/i><\/a>, was how 2017 was the year that mercilessly killed our rose-tinted memories of the \u201990s.<\/span>\n\nThis year saw most of our favourite actors from the \u201990s attempting to stage a comeback into our shrunken attentions spans. This year also witnessed them humbled (maybe), considering not one could recreate the sway they once wielded over the box office. <\/span>\n\nGovinda kicked off the unceremonious proceedings back in March by starring in <\/span>Aa Gaya Hero<\/span><\/i><\/a>, a film he also wrote and produced. In the film, Govinda played a daredevil cop who completely neglects all laws of gravity and emerges victorious on all counts. The two-hour-long borefest was indication of Govinda\u2019s ambitious desire to forcibly yoke the audience to a time-machine and take them back to the years when he was Bollywood\u2019s Hero No 1. Unfortunately for him, the 1990s were nearly two decades ago. <\/span>\n\n\"Govinda\"\n
\n

This year saw most of our favourite actors from the \u201990s attempting to stage a comeback into our shrunken attentions spans.\n\nImage credit: Twitter<\/p>\n<\/figcaption>\n<\/figure>\n\nGovinda, like Raveena Tandon, Sridevi, and Sanjay Dutt still seemed to be in a world where they could afford to snatch lead roles and expect to be lauded with appreciation and box-office success by virtue of their mere presence. A time when the coherence of a film\u2019s plot could be relegated to the background. <\/span>\n\nIn a coincidence, the only comeback vehicle for Raveena, Sridevi, and Sanjay Dutt was that of a parent avenging a raped daughter in <\/span>Maatr, <\/span><\/i>MOM<\/span><\/i><\/a>, and <\/span>Bhoomi<\/span><\/i> respectively. These three films had another thing in common; their need to be socially relevant was overpowered by their greed to be the centre of the rape-revenge universe. If <\/span>Maatr<\/span><\/i> and <\/span>MOM<\/span><\/i> seemed half-baked and problematic for advocating self-styled vigilantism, <\/span>Bhoomi<\/span><\/i> was a masterclass in being tone-deaf, and reduced its vulnerable protagonist to a mere prop. <\/span>\n\nThen there were the Deol brothers, who starred in Shreyas Talpade\u2019s painful <\/span>Poster Boys<\/span><\/i>. Even though there were instances of <\/span>Bobby Deol<\/span><\/a> showing traces of his comic timing, the film was so riddled with cliches and unfunny gags that it became a parody of itself.<\/span>\n

This year saw most of our favourite actors from the \u201990s attempting to stage a comeback into our shrunken attentions spans.<\/blockquote>\nHow did we get here, guys? We were a generation that spent evenings perfecting moves from \u201cKaate Nahi Kat-te Ye Din Ye Raat\u201d and \u201cTu Cheez Badi Hai Mast Mast\u201d, and could spout lines from <\/span>Deewana Mastana <\/span><\/i>at the drop of a hat. We\u2019re absolutely gutted. <\/span>\n\nBut Bollywood couldn\u2019t stop there, could you? In 2017, you volunteered to ensure that every time we think about the \u201990s, we\u2019d only experience one feeling: cringe. Leading the pack was David Dhawan\u2019s re-engineered <\/span>Judwaa 2<\/span><\/i>, the film that set such abysmally low standards in arrogant sexism and misogyny which made the \u201990s look politically correct. The film\u2019s remixed versions of Anu Malik\u2019s \u201cChalti Hai Kya 9 Se 12\u201d and \u201cOonchi Hai Building\u201d, songs that were the very definition of a Lit AF party, were so offensively jarring that UNESCO declared them as the worst decision David Dhawan has ever made. <\/span>\n\n\"Mom\n
\n

If Maatr and MOM seemed half-baked and problematic for advocating self-styled vigilantism, Bhoomi was a masterclass in being tone-deaf, and reduced its vulnerable protagonist to a mere prop.\n\nImage credit: Twitter<\/p>\n<\/figcaption>\n<\/figure>\n\nGiving <\/span>Judwaa 2 <\/span><\/i>stiff competition was <\/span>Golmaal Again<\/span><\/i><\/a> that took up the noble intention of completely destroying the classic \u201cNeend Churayi Meri\u201d from <\/span>Ishq<\/span><\/i>. If there\u2019s anything worse than watching Ajay Devgn make 300 crore with every <\/span>Golmaal <\/span><\/i>movie, it\u2019s definitely watching him <\/span>trying<\/span><\/i> to dance to a song you once held dear. Not to be left behind in the race to the finish, were Abbas Mastan and Sonakshi Sinha who contributed the ear-bleeding remixes of \u201cGulabi Ankhein\u201d and \u201cTu Cheez Badi Hai Mast Mast.\u201d<\/span>\n\nNostalgia<\/span><\/a> is a powerful weapon, one that should be wielded sparingly and with absolute care. Sadly, that\u2019s a memo Bollywood missed. And this is a blasphemy that all \u201990s kids will #NeverForget. <\/span>\n","protected":false},"excerpt":{"rendered":"

This was the year our rose-tinted memories of the glorious \u201990s died. \u201cOonchi Hai Building\u201d is permanently sullied by Varun Dhawan and we\u2019ll never look at Govinda, Sridevi, and Sanjay Dutt the same way again.<\/p>\n","protected":false},"author":103,"featured_media":1858,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[3651,3652,1899,141,2880,2600,1107,238,2145,3653,3654,3062,2918,3655,462,3656,2708,1955,2298,1913],"class_list":["post-1854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-90s","tag-anu-malik","tag-bobby-deol","tag-bollywood","tag-congress","tag-golmaal","tag-govinda","tag-gujarat","tag-imtiaz-ali","tag-jab-harry-met-sejal","tag-judwaa-2","tag-kaabil","tag-nostalgia","tag-raveena-tandon","tag-salman-khan","tag-sanjay-dutt","tag-shahrukh-khan","tag-sridevi","tag-srk","tag-tubelight"],"yoast_head":"\n2017: The Year That Destroyed \u201990s Bollywood<\/title>\n<meta name=\"description\" content=\"This was the year our rose-tinted memories of the glorious \u201990s died. \u201cOonchi Hai Building\u201d is 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