{"id":1305,"date":"2016-03-22T06:06:52","date_gmt":"2016-03-22T06:06:52","guid":{"rendered":"http:\/\/13.201.39.237\/?p=1305"},"modified":"2026-07-17T14:03:17","modified_gmt":"2026-07-17T14:03:17","slug":"bareilly-ki-barfi-review-kriti-sanon-rajkummar-rao-ayushmann-khurrana","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=1305","title":{"rendered":"Bareilly Ki Barfi And Every Daughter\u2019s Dream Dad"},"content":{"rendered":"\n
\n\n

A<\/span><\/p><\/div>

modern update<\/span> on<\/span> Saajan and Mujhse Dosti Karoge!<\/span><\/i>, Ashwiny Iyer Tiwari\u2019s effervescent <\/span>Bareilly Ki Barfi <\/span><\/i>revolves around a love triangle garnished with a side of mistaken identities. <\/span>Ayushmann Khurrana<\/span><\/a>, as Chirag Dubey, a jilted lover with a mean streak, continues his broken-hearted tirade from<\/span> Meri Pyaari Bindu <\/span><\/i>(he even finishes writing a book in this film). His frenemy in the film, <\/span>Rajkummar Rao<\/span><\/a>, once again gives Bollywood a masterclass in how to effortlessly slip into different versions of the everyman: a meek saree salesman and the gali ka gunda. Both vie for the affections of Bitti, played by Kriti Sanon. \u00a0<\/span>\n\nBut the real star of <\/span>Bareilly Ki Barfi<\/span><\/i>, is its opening sequence that holds a refreshingly lovely premise: the tender and pally equation that <\/span>can<\/span><\/i> be shared between a father and a daughter. In the scene, Narottam Mishra (Pankaj Tripathi) asks his wife Sushila (Seema Bhargava) if she knows where his cigarettes have vanished. Busy with her prayers, she refuses to humour him, and instead asks him to go about his usual business without it. But, for Narottam, his morning business is synonymous with that elusive<\/span> cigarette<\/span><\/a>. Desperate, he pleads with his wife to ask their daughter if she has a fag. \u201cWoh peeti hai,\u201d he tells her matter-of-factly, without any judgement.<\/span>\n\nBitti, as it turns out, doesn\u2019t have a cigarette, nor has she bummed one off her father, but she does immediately borrow a smoke from a neighbourhood uncle. It\u2019s evident that Bitti\u2019s upbringing, much to her mother\u2019s distress, has been casual, more \u201csuited\u201d to that of a boy\u2019s. This distinctive exchange also illustrates how her father has not let her gender dictate his opinion of her habits. <\/span>\n\nNarottam Mishra then, is an atypical Bollywood father. On paper, he\u2019s a mild-mannered confectionery-shop owner with a puffed mouth, perennially trying to keep his paan from spilling out. He is also the father of a daughter too rebellious for her own good, who smokes in the open, drinks whisky straight from the bottle, spends afternoons rejecting suitors who question her virginity, and evenings break-dancing her way through life. Bollywood parental protectiveness prescribes that he promptly throw his weight around and curb the independence granted to her while growing up, so as to make her toe the line of what a \u201csushil\u201d ladki ought to be like. <\/span>\n\nBut Narottam does no such thing. He adores her, trusts her, supports her, sympathises with her, and more importantly, accepts her the way she is.<\/span>\n\n

In contrast, female leads in Bollywood have almost always had unapproachable father figures whose decisions they\u2019re taught to respect, and whose existence they\u2019re conditioned to be scared of.<\/blockquote>\n\nNarottam\u2019s muffled progressiveness especially stands out in a setting where small-town mentalities of fathers are rarely that lenient. It\u2019s a stark contrast from the testy relationship Bitti shares with her mother, who is hell-bent on finding a suitor for her, and hardly spares a moment to remind her about her inadequacies. It\u2019s not that Narottam doesn\u2019t worry about his daughter not getting married, or isn\u2019t concerned about her roaming the streets drunk at night. But instead of grounding her, or forcing her to marry a boy he deems fit, he allows her to make mistakes and take her decisions. It\u2019s ultimately a kind of parental love Bollywood has rarely afforded female leads.<\/span>\n\nBut Bollywood has seldom had a problem establishing this kind of fatherly connection with male leads. For instance, in <\/span>Yeh Jawaani Hai Deewani<\/span><\/i>, Bunny\u2019s father is the epitome of thoughtfulness. He blindly believes in his son\u2019s potential and supports his dreams of travelling the world, no matter how far-fetched they may seem to others. He is just as likeable as Raj\u2019s cool dad in <\/span>Dilwale Dulhania Le Jayenge<\/span><\/i>, the kind you can share a drink with and divulge the vagaries of your heart to; and the one who\u2019d defend you against the world despite your dismal academic results.<\/span>\n\nIn contrast, female leads in Bollywood have almost always had unapproachable father figures whose decisions they\u2019re taught to respect, and whose existence they\u2019re conditioned to be scared of (barring a few exceptions). In<\/span> Dilwale Dulhaniya Le Jayenge<\/span><\/i>, Amrish Puri was the kind of father who wouldn\u2019t approve the man her daughter was in love with, solely because he couldn\u2019t come to terms with the violation of the expected behaviour out of her. Similarly in <\/span>Mohabbatein<\/span><\/i>, Amitabh Bachchan wore the badge of strictness proudly on his sleeve, even at the cost of losing his daughter. <\/span>\n\n\"Bareilly\n
\n

Rajkummar Rao, once again gives Bollywood a masterclass in how to effortlessly slip into different versions of the everyman: a meek saree salesman and the gali ka gunda.<\/p>\n

Image Credit \/ Junglee Pictures<\/p>\n<\/figcaption>\n<\/figure>\n\nEven in films like <\/span>Badrinath Ki Dulhania<\/span><\/i><\/a>, <\/span>Gurgaon<\/span><\/i><\/a>, <\/span>Dear Zindagi<\/span><\/i><\/a>, <\/span>Dil Dhadakne Do, <\/span><\/i>and as recently as in<\/span> Lipstick Under My Burkha<\/span><\/i><\/a>,<\/span><\/i> the daughters of the family — although loved and pampered — are asked to exist within their boundaries, and follow the script that their fathers have laid out for their future. The satisfaction of watching Amitabh Bachchan as the tantrum-throwing father respect his daughter and her independence in <\/span>Piku<\/span><\/i>, is rare. <\/span>\n\nIt\u2019s also why Narottam treating his daughter as the \u201cman of the house\u201d in <\/span>Bareilly Ki Barfi <\/span><\/i>stays with you, despite his limited screentime. \u201cSamaj hai,\u201d he offers apologetically at one point. \u201cHum toh nahin maante par rehna toh iss samaj mein hi hai.\u201d It could have been an unremarkable scene. But, with Narottam in the picture, it achieves a kind of poignancy that has been hitherto unexplored. Similar to what Anupam Kher\u2019s friendly dad act managed to achieve in<\/span> DDLJ<\/span><\/i> years ago, Pankaj Tripathi\u2019s quiet acceptance of his daughter in <\/span>Bareilly Ki Barfi<\/span><\/i> eventually makes him the father every daughter wants to brag about. <\/span>\n\nAfter all, it is indeed all about loving your family.<\/span>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The star of Ashwiny Iyer Tiwari\u2019s Bareilly Ki Barfi is the relationship between the father and the daughter. Bitti’s father does not demand blind obedience; instead, he adores and sympathises with her. And accepts her the way she is.<\/p>\n","protected":false},"author":103,"featured_media":1308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[2218,2219,2220,2221,2222,2223,1511],"class_list":["post-1305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-ayushmann-khurrana","tag-bareilly-ki-barfi","tag-bareilly-ki-barfi-bookmyshow","tag-bareilly-ki-barfi-review","tag-bareilly-ki-barfi-tickets","tag-kriti-sanon","tag-rajkummar-rao"],"yoast_head":"\nBareilly Ki Barfi And Every Daughter\u2019s Dream Dad<\/title>\n<meta name=\"description\" content=\"The star of Ashwiny Iyer Tiwari\u2019s Bareilly Ki Barfi is the relationship between the father and the daughter. Bitti's father does not demand blind obedience; instead, he adores and sympathises with her. 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