{"id":1270,"date":"2016-04-23T10:47:18","date_gmt":"2016-04-23T10:47:18","guid":{"rendered":"http:\/\/13.201.39.237\/?p=1270"},"modified":"2026-07-17T14:02:20","modified_gmt":"2026-07-17T14:02:20","slug":"atomic-blonde-movie-review-charlize-theron-uma-thurman","status":"publish","type":"post","link":"http:\/\/13.207.105.184\/?p=1270","title":{"rendered":"Atomic Blonde: The Badass Action Hero We Need"},"content":{"rendered":"\n<span style=\"font-weight: 400;\"><div class=\"container page-content\"><p><span class=\"dropcap\">H<\/span><\/p><\/div><p>alfway through the hyper-stylish, neon-lit existence of David Leitch\u2019s <\/span><i><span style=\"font-weight: 400;\">Atomic Blonde<\/span><\/i><span style=\"font-weight: 400;\">, comes a jaw-droppingly stunning action set piece. It\u2019s great to look at, but it also holds a clue to the film\u2019s vision for its lead protagonist, Lorraine Broughton (Charlize Theron). In the scene, easily the film\u2019s pi\u00e8ce de r\u00e9sistance<\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Lorraine, an MI6 agent tasked with the mission to hunt for a stolen list of agents that compromise their real identities, is seen protecting Spyglass, the Stasi defector who compiled that very list. <\/span>\n\n<span style=\"font-weight: 400;\">Lorraine is out to find the men who have wounded Spyglass in a failed assassination attempt. What follows, is a dangerously brutal and bloodied battle, one that appears to be a single, continuous take (but actually comprising 40 separate <\/span><a href=\"http:\/\/variety.com\/2017\/artisans\/production\/atomic-blonde-10-minute-action-scene-charlize-theron-1202512814\/\"><span style=\"font-weight: 400;\">cuts<\/span><\/a><span style=\"font-weight: 400;\">) where Lorraine tackles half a dozen KGB goons on the building stairwell, inside an apartment, employing furniture as weapons, out on the street, and eventually from inside a car. <\/span>\n\n<span style=\"font-weight: 400;\">Theron\u2019s Lorraine is smack in the centre of the ruthlessly choreographed throwdowns in this orgy of violence, as any action hero would be. She punches, throws her body in every direction, and even manipulates whatever is available as makeshift weapons. Blood splashes, heads are smashed against walls, shots are judiciously fired through that 10-minute sequence: You might as well be watching a Stallone or a <\/span><span style=\"font-weight: 400;\">Schwarzenegger in the same setting. <\/span>\n\n<span style=\"font-weight: 400;\">But you\u2019re not, and therein lies the tale. It\u2019s certainly been a while since a film treated its action heroine with such un-gendered nonchalance.<\/span><span style=\"font-weight: 400;\"> Lorraine single-handedly kicks ample ass but is also lobbed around like a ragdoll <\/span><span style=\"font-weight: 400;\">\u2013<\/span><span style=\"font-weight: 400;\"> there is no sanitisation of the action just because she\u2019s a woman. Theron\u2019s Lorraine is able to transcend the trappings of a stereotyped action heroine to turn into a character who belongs in the same company as James Bond and John Wick.<\/span>\n\n<blockquote class=\"quote--center\"><p>Theron\u2019s Lorraine is wildly reminiscent of Hollywood\u2019s greatest woman action hero: Uma Thurman\u2019s Beatrix in the Kill Bill gore fest.<\/p><\/blockquote> \n\n<span style=\"font-weight: 400;\">In a Hollywood universe populated by women-led action films that range between being soapy and CGI-drowned affairs, Leitch\u2019s detachment from gendered sensibilities is quietly revolutionary. It\u2019s most definitely a stark contrast from Gal Gadot\u2019s <\/span><a href=\"https:\/\/www.arre.co.in\/pop-culture\/wonder-woman-gal-gadot-dc-comics-patty-jenkins-female-superhero\/\"><i><span style=\"font-weight: 400;\">Wonder Woman<\/span><\/i><\/a><span style=\"font-weight: 400;\">, the definitive woman-led franchise, which in its urgency to give the world a long-overdue woman superhero was forced to focus on her gender. <\/span>\n\n<span style=\"font-weight: 400;\">As a result, the film\u2019s action sequences are overstuffed with computer-generated<\/span><a href=\"https:\/\/www.vox.com\/culture\/2017\/6\/6\/15730568\/wonder-woman-battle-scenes-cgi\"><span style=\"font-weight: 400;\"> effects<\/span><\/a><span style=\"font-weight: 400;\">. It\u2019s the reason why the final showdown between Diana and Ares, the God Of War, felt so tension-free, despite the gravity of that climactic crescendo. As an audience royally invested in the life and times of Diana, we had to make do with understanding the significance of her victory in theory, instead of feeling or celebrating her transformation. <\/span>\n\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1502449270.jpg\" alt=\"Atomic Blonde\" width=\"724\" height=\"407\" class=\"aligncenter size-medium wp-image-24217\" \/>\n<figcaption>\n<p>Similar to the way Beatrix is fuelled by the idea of revenge, Lorraine too is propelled by the untimely death of her lover, despite her steely nonchalance at being informed of his death.<\/p>\n<p>Image Credit \/ Miramax Films<\/p>\n<\/figcaption>\n<\/figure>\n\n<span style=\"font-weight: 400;\">In fact, Lorraine\u2019s badassery feels much like an extension of the vision behind Imperator Furiosa, the one-armed, apocalyptic trucker of 2015\u2019s <\/span><i><span style=\"font-weight: 400;\">Mad Max: Fury Road<\/span><\/i><span style=\"font-weight: 400;\">. Furiosa, also played by Theron, is the character who initiates the film\u2019s action by rebelling against Immortan Joe, making off with his Five Wives, and striking out in a desert in a war rig. She\u2019s as much as the protagonist as the eponymous Max, and the film exploits her combat skills to the hilt. In the minds of the audience, she\u2019s as much an action hero, as the rest of her gang. <\/span>\n\n<span style=\"font-weight: 400;\">Far more than Furiosa, Theron\u2019s Lorraine is wildly reminiscent of Hollywood\u2019s greatest woman action hero: Uma Thurman\u2019s Beatrix in the <\/span><i><span style=\"font-weight: 400;\">Kill Bill <\/span><\/i><span style=\"font-weight: 400;\">gore fest. Similar to the way Beatrix is fuelled by the idea of revenge, Lorraine too is propelled by the untimely death of her lover, despite her steely nonchalance at being informed of his death. For her, succeeding in her mission, is not just a matter of principle, but also a way of bringing her late lover to justice by completing what he couldn\u2019t. <\/span>\n\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/13.201.39.237\/wp-content\/uploads\/2026\/07\/1502449291.jpg\" alt=\"Atomic Blonde\" width=\"611\" height=\"407\" class=\"aligncenter size-medium wp-image-24216\" \/>\n<figcaption>\n<p>Theron\u2019s Lorraine is smack in the centre of the ruthlessly choreographed throwdowns in this orgy of violence, as any action hero would be.<\/p>\n<p>Image Credit \/ Focus Features<\/p>\n<\/figcaption>\n<\/figure>\n\n<span style=\"font-weight: 400;\">I hope <\/span><i><span style=\"font-weight: 400;\">Atomic Blonde<\/span><\/i><span style=\"font-weight: 400;\"> and<\/span><i><span style=\"font-weight: 400;\"> Kill Bill<\/span><\/i><span style=\"font-weight: 400;\"> will serve as instruction for upcoming films centered on women action heroes: Jennifer Lawrence is due to to essay the role of a sexy Russian spy in <\/span><i><span style=\"font-weight: 400;\">Red Sparrow<\/span><\/i><span style=\"font-weight: 400;\"> and Taraji P Henson plays a slick hitwoman for the mob in <\/span><i><span style=\"font-weight: 400;\">Proud Mary<\/span><\/i><span style=\"font-weight: 400;\">. Together, the two films injected a lesson into our collective conscience years ago <\/span><span style=\"font-weight: 400;\">\u2013<\/span><span style=\"font-weight: 400;\"> with a great woman action hero, comes great responsibility to disregard gender stereotypes. If that seems too heavy, there\u2019s always Charlize Theron\u2019s bruised and bloodied face from <\/span><i><span style=\"font-weight: 400;\">Atomic Blonde<\/span><\/i><span style=\"font-weight: 400;\"> for inspiration.<\/span>\n","protected":false},"excerpt":{"rendered":"<p>Charlize Theron\u2019s Atomic Blonde, just like the Kill Bill franchise, gets the recipe right for a successful female action hero: A complete disregard for its protagonist\u2019s gender.<\/p>\n","protected":false},"author":103,"featured_media":1274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[2159,2160,2161,2162],"class_list":["post-1270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-atomic-blonde","tag-charlize-theron","tag-kill-bill","tag-uma-thurman"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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