Why can’t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn’t as if we don’t have precedents. In films like Sparsh and Jagga Jasoos, the leads’ afflictions don’t dominate their characters.
The array of dope peddlers in this country will always surprise you, and remind you that you don’t have to be a menacing drug kingpin to make it as a seller.
Touted as a film on mental health, Dear Zindagi carried a pretty heavy responsibility. But what it did with that responsibility is, dressed it up in chic clothes and clichés.
In the Shah Rukh Khan episode of My Next Guest Needs No Introduction, David Letterman struggles to get DDLJ right, and asks aloud which country SRK’s father fought against for India’s freedom. It’s embarrassing and cringe-worthy, and I’m amazed the audience didn’t immediately break into a chorus of boos.
There is really no reason to be a SRK fan in 2019. Except to serve the myth of Shah Rukh Khan, the guy who charms on demand and romances with abandon. But is there all that is left of him?
If his social media handles are any indication, WWE’s biggest star, John Cena, is making a pitch to enter Bollywood – waiting in the wings for his “phata poster, nikla hero” moment.
From Madhubala’s anarkali to Madhuri’s Ek-Do-Teen skirt, Bollywood costumes tell fascinating tales. Some wonderful, some weird, they’ve wriggled their way into our consciousness.
Despite its glaring flaws, Amar Kaushik's Bala stands out for packaging its grand ideas in the language of small-town India. The film underlines how incapable men are to withstand the cruelties of unreasonable beauty standards that they have heaped on women for centuries.
The Harvey Weinstein story was a reckoning like none other. In other fields, other battles continue. But as far as the online world is concerned, this was the Year of the Fearless Femme.