In Steven Soderbergh’s Contagion, a virus that originated in Hong Kong, after a bat defecated in a pig pen, is the cause of a pandemic that brings the world to a standstill. The 2011 medical thriller, stacked with eerie parallels to Covid-19, has turned into a prophetic disaster movie of our times – one that foreshadowed the depravity of mankind and the apathy of governments, in alarming detail.
Will Ayushmann Khurana forever be consigned to the category of the good-hearted but loserly boy-next-door? Or will Bollywood ever risk throwing him a proper challenge?
In a year where Bollywood has been plagued by disastrous box-office results, mainstream film letdowns, and inconsistent performances by its superstars, it’s the hero’s humble sidekick who has wowed.
With Simmba, Rohit Shetty reduces rape to a buzzword in an exaggerated comedy to prove that his cinematic universe isn’t all nonsensical. Ranveer Singh almost elevates this testosterone-fuelled drivel into surprisingly entertaining fare, but only until a woman is violated for him to realise his true calling.
Section 375 is a sneaky, smug, and ignorant proclamation of "Not All Men" that comes at the expense of the Me Too movement. It doesn't just argue that the system is corrupted to a point where justice is a foregone conclusion. But that women seek revenge by filing false rape charges and the system enables them.
In Ford v Ferrari, the rivalry indicated in the title is merely a footnote. Instead James Mangold is more interested in locating the bruises that propel men to declare war and mistake it for glory. The result is a thrilling racing drama that ruminates on the line separating ego from pride.
Vijay Krishna Acharya's Thugs of Hindostan is one of Bollywood’s most unambitious and derivative films; it redefines the idea of an epic disaster. It’s a frightening love-child of Mohenjo Daro and Mangal Pandey — only a thousand times worse.
Omung Kumar B, the director of PM Narendra Modi, is a man of contradictions. He claims he is not “politically inclined” but endorses the Prime Minister by directing a biopic on him. He insists that he is a neutral filmmaker, because he did not meet the PM – only sought his permission.
A celebrity wedding is as much an entertainment commodity as a big-banner film. Ranveer and Deepika have coordinated everything from their Instagram wedding announcement, to Koffee With Karan’s opening episode which was designed only to get us hyped about the shaadi.